Not exact matches
Frank Stella is known for the large scale of his work, and for the
exuberant, kinetic way he uses
colors and
forms.
These eight
exuberant works are luminously yellow, with scenes sketched atop the mass of
color or
forms outlined in fluid black lines.
It was Stuart Davis's
exuberant «Americanized» Cubism, however, with its high - keyed
color and simplified
forms, that had the most profound impact on Murray's own style.
Inspired by both music and nature, Maureen Chatfield's oeuvre encompasses quiet meditations of pastel tones and softened
forms, as well joyous and
exuberant explosions of
color.
«Du Paquier was an original voice of a very different set of
colors — very
exuberant forms — with much more interest in sculptural decoration and a real sense of whimsy,» said Ian Wardropper, the Frick's director.
Misshapen circles and enigmatic
forms expand across the gallery walls in a grid, creating tension between their
exuberant colors and rigid organization.
Highlights of the exhibition include Drawings, which reveal the artist's
exuberant hand; Baskets, a series which recently celebrated 40 years; delicate and fluid Seaforms; the richly -
colored and contrasting hues of Macchia; Venetians, which were inspired by Art Deco Venetian vases; Ikebana, inspired by the Japanese art of flower arrangement; Persians, a celebration of wild asymmetry and colour; and Chandeliers, which are comprised of hundreds of blown glass
forms.
By evoking the patterned surfaces of miniature paintings and Kashmiri textiles, with their finely wrought lines and dense networks of
forms, Shaw sets up an expectation that is sharply undermined by his subject matter of writhing animals, humans, and aquatic creatures, often copulating with each other and ejaculating in bursts of
exuberant color — none of which would be possible in an Islamic context.
While the weather outside is cooling down, take a look at an artist born in November whose work is known for bright
colors,
exuberant patterns, and play on texture and
form.
Key innovations from this period — which included the addition of
exuberant color to his papier - mâché
forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations — resulted in dynamic, frequently interactive installations that helped to redefine the possibilities of sculpture and the ways in which art is experienced.
Along with Venini and Kartell, the firm was part of the Italian design renaissance that took place in the middle of the last century, introducing
exuberant new
forms and
colors for modern interiors.