Sentences with phrase «eye of an artist who»

- GoPro ®: The Secret Life of Pets - The Making of the Mini-Movies — A fun and interesting take on the Making of the Mini-Movies — we'll explore the themes of each of the mini-movies through the eyes of the artists who made them.

These photographs certainly document a significant moment in history but are presented through the unique eye of an artist who continually reflected upon and explored the possibilities of his expression.

Through the Singapore - based Insightful Learning Journeys, Morais will share her love of teaching and travel, showing you new places through the eyes of an artist who has studied Asian brush painting for more than 30 years.

As such, comics serve as a mirror in which we can view the central concerns of American life as they are unfolding through the eyes of artists who have given us new ways of looking.

Not exact matches

The artist who inked the Brazilian, who has caught the eye in his handful of Chelsea appearances, uploaded this picture of the tattoo to Instagram.

In the end, what emerges is a funny, honest, and incisive portrait of a truly one - of - a-kind artist, and an exhilarating behind - the - scenes look at the last 50 years of the film industry through the eyes of someone who has truly seen it all.

From a wide range of new American and foreign cinema to eye - opening documentaries and gorgeous restorations, we are proud to present this 44th program and honor those artists who have made it possible.»

In his portrayal of the transgender Danish artist who was born Einar Wegener in 1882 but who died as Lili Elbe in 1931 every simper, every pout, every bashful flutter of the eyes seems to be played out on the big screen at length.

Hitting limited cinemas on December 1 and cinemas nationwide from December 6, The Disaster Artist tells the story of wannabe actor Tommy Wiseau, who sank eye - watering sums of money into making 2003's The Room.

«The Wolf of Wall Street» If the mark of a truly significant artist is their ability to continually provoke and outrage viewers in their later years instead of falling into a complacent rut, then Scorsese once again proved himself to be a provocateur for the ages with this jaw - dropping, eye - popping depiction of the true story of a crafty little weasel (Leonardo Di Caprio in what now stands as the performance of his career) who created a billion dollar empire out of selling crappy penny stocks and subsequently rode it into the ground in a blaze of greed, hubris and more cocaine than «Scarface» and «Boogie Nights» combined.

Gene Kelly (Singin» in the Rain, Xanadu) stars as Jerry Mulligan, a struggling American painter and artist living in Paris who catches the eye of a rich heiress (Foch, Spartacus) feigning an interest in his work, although probably more interested in a relationship with him.

Thank you so much to everyone who supported and contributed to the journey of The Last April, including my writer's group at Wild Goose Creative, my beta readers, Ali and John, my editor, Cindy from Second Set of Eyes, and my cover artist, Jenny from Seedlings Design Studio.

At the trendy Club Gouge, where Warshawski is keeping an eye on Petra, a young cousin who caused trouble in the previous book, performance artist Karen Buckley (aka the Body Artist) invites members of the audience to step on stage to paint her nudeartist Karen Buckley (aka the Body Artist) invites members of the audience to step on stage to paint her nudeArtist) invites members of the audience to step on stage to paint her nude body.

Orphaned at a young age and under the guardianship of a series of Warnick Dukes, the 23 - year - old falls prey to an unfortunate situation when she poses nude for the famous artist Derek Hawkins, who has promised that the painting is for his eyes only and that he intends to wed her.

The eyes are also the focus of another Alameda - based dog artist, Gabriele Bungardt, who started painting her own dogs, and then branched out from there.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

You see, by examining how the blue - chip galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps artists who are represented by smaller galleries (or themselves) could glean some wisdom - after all, the galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.

Few collectors of emerging artists devote as much time, energy, and resources to ferreting out the cutting - edge as Michael and Susan Hort, who trawl the nooks and crannies of galleries and art fairs to find work by up - and - comers that catch their eye — and who often, with their support, go on to widespread renown.

Jonathan Lyndon Chase is another artist who explores gender as a fluid perception wherein male bodies transform into female bodies right in front of our eyes.

Taking its name from Gloria (1956), an iconic work by Rauschenberg in the collection of the Cleveland Museum of Art, this exhibition explores the interests and actions of Rauschenberg in the 1950s through a younger set of eyes, those of internationally acclaimed artist Rachel Harrison (b. 1966), who has become known for her original approach to art - making that simultaneously addresses and analyzes the conventions of art and mass culture.

This creates an eye - opening contrast when using the rug as a platform for the work of contemporary artists Bjarne Melgaard, Leo Gabin, Wilhelm Sasnal and Richard Prince, not to mention iconic names who have shaped modern popular culture such as Andy Warhol, Juergen Teller, Tom of Finland and Helmut Lang.

«There are artists I have shown here who have had very distinguished careers and many of them used to be in the public eye much more than they are now.

His art reveals the raw reality of being an American Indian through the eyes — and palette — of an artist who once vowed never to paint Indians.

With Eyes On: Xiaoze Xie, the Denver Art Museum initiates a series of exhibitions featuring contemporary artists who they believe should have fuller exposure to their audiences.

Opposite Shrobe, Anna Zorina Gallery presents Haitian - American artist Didier William, who draws from Vodou symbolism in his depictions of writhing bodies engulfed in swarms of eyes, ripped pieces of painted paper collaged into the background.

That being said, I wanted to share with you some of the artists who captured my attention, brought something new to the table, and prompted my weary eyes to un-glaze during this year's Armory Week.

In light of the modern day obsession with the selfie, it is important to turn an eye on the work of contemporary female artists who address self - portraiture, not with self - promotion in mind, but to interrogate contemporary society and the social and political values we grapple with.»

A champion of local artist communities who stays abreast of international developments, Annette DiMeo Carlozzi has a keen eye for emerging talent and a steadfast commitment to looking beyond labels.

And happy the mark - making technique of Yu Youhan and Ding Yi, abstract artists who use astute interventions of shading and colour to give charted statistics eye - popping effects.

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

«He was an artist who understood the value of his own intuition and eye, who taught himself the history of photography, how to network, how to run a studio, and how to keep the public interested in him.»

For his first LA solo exhibition, Yigal Ozeri furnished us with over a dozen photorealistic oil paintings and one exquisite video — works that captured the eye of Beautiful / Decay Associate Editor Sasha Lee, who interviewed the artist for the publication's preview feature article.

Esparza's Whitney piece insists on community and inclusion: It is, in fact, a gallery for other L.A. - based Latino artists who were not originally invited to participate in the official Biennial show — the adobe walls displayed, among other works, arresting photographs of steady - eyed young men by Dorian Ulises López Macías.

His Demoiselles d'Avignon (2013, Y Gallery, NY) refracted Western abstraction through the eyes of a future class of refined Chinese princelings, while Privileged White People (2013, Forever & Today, NY) examined the sensibility of artists who grew up during the affluent Clinton presidency.

Greta Alfaro is another emerging artist who has caught our eye with her video of vultures descending on a banquet.

His solo show Demoiselles d'Avignon (2013, Y Gallery, NY) refracted Western abstraction through the eyes of a future class of refined Chinese princelings, while Privileged White People (2013, Forever & Today, NY) examined the sensibility of artists who grew up during the affluent Clinton presidency.

Additional rooms are dedicated to John Marin, one of the first Americans to embrace abstraction through color and line; the Washington Color School painters (Gene Davis, Thomas Downing, Morris Louis), who focused on the expressive power and optical effects of color; and contemporary artists (Tayo Heuser, Jorge Pardo, Kate Shepherd), who engage the eye in the experience of color and light.

As a subject that has long fascinated the artist, the ubiquitous figure of the Madonna, with its repeating colors and forms, represents Bayrle's interest in seriality and mass - production while simultaneously reflecting wonder and total singularity in the eyes of those who experience it.

It also took several stops and starts, for an artist who keeps returning to the motif of eyes and lips, as if in search of an identity or another life form.

Only a survey of the smaller booths told a different story, one that discloses the mood of the moment; while the top galleries were selling out at eye - popping prices, and the mid-tier galleries were doing well with mid-career artists who have a strong future, younger galleries that hadn't developed a trending or flavour - of - the - month artist did virtually no business.

These talking portraits are the latest works by Tony Oursler, an American artist who is famous for his video - based installations featuring enlarged eyes and murmuring mouths, some of which are creepy, others of which are (by Oursler's own admission) comical.

In 2005, Shapiro was invited to participate in Correspondences, a program organized by the Musee d'Orsay to present the museum's collection through the eyes of contemporary artists who are asked to exhibit one of their works in relationship to a work from the permanent collection.

Duchamp was the twinkle in the eye of the pop artists who levered us out of a defunct modernism and finally into a world that spawned the YBAs.

However, like scientists who use microscopes as a tool to view organisms imperceptible to the naked eye, these artists used automaticism to reveal the latent organic forms lying beneath the surface of the subconscious.

The monumental exhibition caught the eye of famed British galleriest and collector, Charles Saatchi, who became a patron and champion of several YBA artists, primarily Hirst.

Elmhurst Art Museum celebrates its 20th anniversary and its own sense of place with this exhibition, which honors the artists, teachers and community members who understood art's ability to help us see through the eyes of others, and the role of a shared place in which to create a civil society.

A bubbly, welcoming figure in person, the artist seems a far cry from the firebrand who challenges cultural perceptions of the female body (take her «Plush» series of photographs of women's pubic hair, a commission for Playboy that never ran), and the fashion and beauty industries (in erotically charged, lush yet disquieting paintings like 2007's Blue Poles, a close - up of heavily shadowed eyes).

As you visit the Torpedo Factory in the months ahead, please keep an eye out for the work of these talented artists — and if you're an artist who wasn't selected this year, we strongly encourage you to reapply next year.

Present also were eyewitnesses who seemed to be from another age — artists with brushes and paint captured the excitement everyone felt in a medium as old as recorded history itself — the eye and hand of the artist.

We are not going to see the main exhibition at the Aishti Foundation until tomorrow but we visit the «secret» Aishti storeroom to look at an installation by Lebanese artist Walid Raad, who has painted storage boxes with easily identifiable iconic works of modernism including Jasper John's flag and Kenneth Nolan's bulls eyes.