It's hard to maintain an objective
eye on a film like Surf's Up.
Not exact matches
Instead of catching light
on film, digital cameras use an array of light - sensitive photodiodes that function much
like the photoreceptors in an
eye.
«People understand these relationships, because the situation flashes
like a
film on their inner
eye.
I'm 5ft 8, dark hair, brown
eyes, latino... I
like films, not much
on tv,... I travel, read, and love to have a good time...
There is also a nicely eerie special effect whenever the demon possesses someone in order to pose the
film's titular question: their
eyes darken and their mouth twitches ghoulishly upwards at the corners,
like the face
on the cover of an Aphex Twin album — or «a messed - up Snapchat filter,» as the group's coolest head Olivia (Lucy Hale) accurately describes it.
From this vantage point, though, the aforementioned
films seem
like the main ones to keep an
eye on.
Sadly, Kubrick died prior to the release of «
Eyes,» his last
film, and «A.I.» seemed to be a lost cause much
like Kubrick's other inevitably great unfinished work, a biopic based
on the life of Napoleon Bonaparte.
If the
film falls short, still keep an
eye on Gosling and Penn for Supporting nods (especially if this turns into another year where Gosling has a few strong performances to choose from,
like last year), but that could wind up being it.
Unfolding
like Roman Polanski's take
on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous
film, as a neuroscience major who studied how the
eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.
While there are standout examples —
like Darren Aronofsky's disorienting,
eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas
like this one usually work better
on the page than
on the screen; the brief gloss of
film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.
A scene early in the
film,
on a wave - swept beach, was so appalling that I covered my
eyes, but when I uncovered them and kept watching I was forced,
like everyone else in the audience, into an inhuman stance.
Chbosky achieves this by not falling to the temptation of focusing the
film on Auggie's travails, but
like author R J Palacio did, telling his story from his as well as the
eyes of other youngsters around him.
Per the
film's trailer, it appears this time returning auteur Adam McKay will be fearlessly tackling the period's race politics with a similarly incisive
eye to that he previously brought to bear
on gender perception in the 1970s, and with a laundry list of Hollywood power players lining up for cameo roles
like this is goddamn Altman or something, suffice to say that it's going to be an effort to stay classy till Christmas, but we're going to have to try.
Despite Lady Bird's own teenage judgment of it as a place divorced from real culture —
like New Hampshire — the city has embraced the
film's affectionate
eye on it.
Skeletal,
eyes bulging and unstoppable, when the Mummy is not looking
like Arnold Vosloo and more of a rotting creature from the depths of Egypt, he is a scary figure to lead the
film with, especially as the first half of his plot sees him promise to kill four of the lead characters and brutally follow up
on that promise.
In the
film, we follow street puppeteer Craig (John Cusack, looking
like a small, humming pile of hair) as he confronts the economic viability of his chosen occupation by getting an admin job
on the 7 1/2 floor of a building that also happens to hide a tiny door which leads, if one crawls through cobwebs and puddles, to the inside of John Malkovich's head, wherein for 15 minutes the brain tourist can vicariously live through famous actor John Malkovich's
eyes before getting spit up into a ditch off the New Jersey Turnpike.
For all of its superb, shock - and - awe - generating visuals — aided by oft - nominated master cinematographer Roger Deakin's (Sicario, Prisoners, Skyfall, The Assassination of Jesse James by the Coward Robert Ford) singular
eye for composition — Blade Runner 2049 often feels
like Villeneuve, lured by the promise of revisiting a world created by a visionary filmmaker, not only wanted to put his own, auteurist stamp
on said world, creating a continuation of a standalone, sequel - adverse
film that «fits»
on a narrative, thematic, and visual level, but found himself seduced
like so many fans over the decades by the pure power of Scott's world - building and simply couldn't leave.
He's one of the greats, so for me, it's a privilege to have him
on the movie and to give him sequences, and
like Daniel says, you're making four movies and every section of the
film feels so distinct from the other, feels so alive, it kind of regenerates in front of your
eyes really, the
film.
Like in the past, their work together has proven to be effective once again as we're handed a
film that's marvelous to lay
eyes on.
one of the best
films i have seen for years, absolutely terrific and a joy to watch a proper
film, i have a feeling that people who do nt
like this
film do nt understand exactly whats going
on within the
film, open your
eyes people or go watch something else which takes a lot less brain power to watch.
Certainly, there's no requirement that directors who train their
eyes on such bleak social milieus mitigate the darkness and usher us out the door with sunshine: comparable
films like Lynne Ramsay's Ratcatcher stay successfully mired in the mud without collapsing into nihilism.
On the other hand, the DD 1.0 mono audio is a major disappointment, given the musical nature of the second half of the
film (and the acerbic sound - editing of the first, which recalls Walter Murch's early experiments in noise - as - wallpaper)-- it all sounds
like a sausage forced through the
eye of a needle, and as sharp - eared observers have pointed out elsewhere, the trademark line «Here's to Old England!»
The screenplay, by the suddenly - ubiquitous Simon Kinberg (also the scribe behind the upcoming X-Men 3, Fantastic Four, and Mr. and Mrs. Smith — let me go
on record first saying that this
film does not bode well), is a foul compost of flaccid catchphrases and boggle -
eyed declarations, squeezed
like old cheese between action sequences so poorly conceptualized and executed that not only is it impossible to ever tell for a moment what the hell's going
on, but the
film also actually reminded me in its over-processed way of outtakes from Tron.
Stan is likely best known for his role in the Marvel movies as Bucky Barnes / The Winter Soldier, but his career has spanned from Gossip Girl to underrated TV gems
like NBC's ill - fated Kings and USA's Political Animals to
films like Ricki and the Flash, The Martian, and The Bronze, where he played a hyper - competitive gymnastics coach with his
eyes on the Olympics.
Unfolding more
like a play than a
film, Cheap Thrills will not only make you keep your
eye on debut director E.L. Katz and actors Pat Healy and Ethan Embrey in 2014, it might also end of being your favorite movie of the year.
Here's the full list of 142
films that featured
on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just
like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The B
like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days
on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself
Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The B
Like Father
Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The B
Like Son Locke Love and Terror
on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry
Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
His later
films,
like the 1988 non-musical «Hairspray» (the 2007 musical was shot in Canada), incorporated sweet, clean - cut kids and clear -
eyed commentary
on racial and class prejudices.
And in another, it's a
film theorist's essay
on the nature of conscience, which wills itself into being here in the form of the unblinking
eye of a camera operated by nobody in particular — or, if you feel
like getting all Bergman
on Haneke's ass, perhaps by God himself.
He looked
like Seann William Scott crossed with a refrigerator, but the pensive atheist read Emerson and Chomsky, refused all media interviews during his service, and seems to have been a Democrat, a possibility greeted with pop -
eyed disbelief by Ann Coulter
on one of the wretched shows excerpted for the
film.
Austrian director Michael Haneke has often been accused of casting a cold, even sadistic,
eye on the characters who suffer through cruelly uncompromising
films like Funny Games, The Piano Teacher, Caché, and The White Ribbon.
And here's a trailer for a fresh new take
on the found - footage genre — a man accidentally
films an alien invasion of Pumpkinhead -
like monsters with a camera installed in his prosthetic
eye.
The
film lingers
on the consequences of celebrity and fame, and the cruelty of the public
eye — but does so in its own voyeuristic way that feels
like watching a train wreck for a second time, in slow motion, and with commentary.
Like that
film, also directed by Rob Marshall, it's heavy
on pizazz and
eye candy.
George Clooney comes
on like a goofball Clark Gable as the fast - talking but slow - witted convict Everett, a greasy con - man who escapes from a chain gang, dragging along a couple of dim bulbs (a tetchy John Turturro and a sweetly stupid Tim Blake Nelson, both of whom spend much of the
film with mouths agape and
eyes glazed over).
What made Craven interesting initially, with stuff
like Last House
on the Left and The Hills Have
Eyes, wasn't the lo - fi, kitchen sink aspect of his
films (the lousiness of them, truth be told), but that they understood essential horror.
Roman Polanski recently wrapped
filming on his upcoming, surefire Oscar - bait «Carnage» — which has already been snatched up by Sony Pictures Classics — and it looks
like he's already
eyeing his next project and it may find the director switching gears and heading back into the crime genre, with a project based
on a fascinating true story.
The Mission: Impossible movies have consistently delivered sleek action,
eye - popping practical effects, and compelling characters, and the sixth
film looks
like it will more than deliver
on all three.
«It's me and Brian Smrz, our second unit director, and we're
on set and we're shooting this big sequence in the third act of the
film, and he's
like, «I just need to see more, you know, anger in your
eyes,»» Tye laughed.
Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the
films themselves but with Mysteries of Lisbon, an epic based
on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring
eye for images both classical (
like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.
Known best for her roles
on films like «The Hills Have
Eyes», «The Howling», «E.T. the Extra-Terrestrial» and «Cujo».
This takes the form of Michael B Jordan's Erik «Killmonger» Stevens, a vengeful Wakandan exile with his own
eye on the throne, and Ulysses Klaue — pronounced claw — a brawny arms dealer played by Andy Serkis who speaks in a spicy Afrikaner bark, and whose attentions are turned
on the country's vast deposits of vibranium, an indestructible metal that often comes in useful in
films like this.
While this movie seems
like more of an after - school special than a theatrically released
film from Disney and DreamWorks, this well - written and extremely well - acted family drama turns out to be a nice little gem of a
film that will make you think, put a smile
on your face and a tear in your
eye.
While both of them
liked the
film, they disagreed
on a few points, including Ryan Gosling's alleged lazy
eye.
Looking at it is
like watching a
film from the front row: your
eyes have to focus
on the area of interest, and that just isn't very helpful in a passenger car.
Ever since Universal picked up the rights to develop a full - length
film based
on Asteroids, I've kept an
eye out for examples of anyone attaching a plot to the simple, vector - based game,
like the hilarious Asteroids radio drama that Kid Stuff recorded in the early 80s.
It's
like a checklist of traditional Chinese action
film locations that you fight through and aside from a hand full of duds, they're very easy
on the
eye.
People go extra mile to make their resumes «
eye catching» by designing them in 3D,
like a
film reel, a board game and even
on t - shirts!