Sentences with phrase «eyed by other men»

Many of the most horrifying parts of The Silence Of The Lambs are in its quiet sexual insinuations, particularly the way Clarice Starling is eyed by other men and the flirtatious repartee she builds with Hannibal Lecter.

Not exact matches

It was then that I saw that to expect to put a stop to this disorder by my reason and my will, which were themselves diseased, would be to act like a blind man who should pretend to correct one of his eyes by the aid of the other equally blind one.

JJPawn take down your posters of the old man and the tissues by your bedside and open your eyes to how other football clubs are run.

Trying to thread passes to tightly marked men moving into the space occupied by other defending players is always going to be a thankless task and reflects more poorly on the passer than the runner to the untrained eye.

this article typifies everything that is wrong with our club... if you had any balls you would have started with that Mertz nonsense, but instead, like Wenger, you started out pretending to be a rational individual only to reveal your true unintelligible in the final paragraph... I feel like you have never watched Mertz play except for in the FA Cup final last year... how does someone help defend corners, crosses and the like when you can't man - mark, you have a negative vertical and you close your eyes whenever the ball comes in your direction... this was a panic buy that didn't make sense then, considering how most teams were setup to counterattack us, and it makes even less sense now... he was well past his prime when he arrived, like Podolski, Arteta, Flamini 2.0 among numerous others, and was used by Wenger to trick the uninformed fans into believing he cared about turning this team into a true contender

Dating younger men for many cougars dating for many use to be governed by an old dating rule that was the more strict formula for dating age spans that were acceptable in the eyes of others.

He told the story of how awful humans are to other humans (I mean prawns), and journeyed through the eyes of a blithering idiot who started out steamrolling over the aliens for the Man, then had a change of heart, completing the transformation by literally turning into one of them.

Here's the list of the 128 new movies Inside Llewyn Davis Grudge Match Drew: The Man Behind the Poster Her Safety Not Guaranteed Anchorman 2: The Legend Continues Thanks for Sharing Cutie and the Boxer On the Waterfront That Awkward Moment Warm Bodies Lone Survivor Ride Along Eraserhead Dirty Wars Badlands Labor Day The Lego Movie 3 Women About Last Night Remember Me RoboCop (2014) The Square 20 Feet From Stardom Non-Stop Bottle Rocket The Monuments Men The Grand Budapest Hotel Mulligans Everything or Nothing Veronica Mars Bad Words Elaine Stritch Shoot Me Divergent Muppets Most Wanted Noah Sabotage Captain America: The Winter Soldier Draft Day The Railway Man Transcendence Heaven is for Real Suspicion The Other Woman Short Term 12 Eating Raoul The Amazing Spider - Man 2 Le Week - End Neighbors Million Dollar Arm Godzilla X-Men: Days of Future Past How to Survive a Plague The Normal Heart The Killing Chef A Million Ways to Die in the West Maleficent The Fault in Our Stars Edge of Tomorrow 22 Jump Street How to Train Your Dragon 2 Jersey Boys Transformers: Age of Extinction Tammy Life Itself A Hard Day's Night Begin Again Dawn of the Planet of the Apes Carrie (2013) Sex Tape Snowpiercer Boyhood I Origins You're Next A Most Wanted Man Guardians of the Galaxy The Hundred - Foot Journey Teenage Mutant Ninja Turtles Only Lovers Left Alive 42 The Giver If I Stay Sin City: A Dame to Kill For Let's Be Cops Sinister Get On Up The Trip to Italy The Drop This Is Where I Leave You The Maze Runner Hector and the Search for Happiness Breathless The Equalizer Gone Girl Annabelle The Sacrament The Judge Alexander and the Terrible, Horrible, No Good, Very Bad Day Fury In a World... Men, Women & Children The Last Time You Had Fun V / H / S: Viral Just Before I Go St. Vincent Birdman Kumiko The Treasure Hunter The Imitation Game Wild Whiplash Nightcrawler Foxcatcher The Orphange Interestellar Big Hero 6 Rosewater Dumb and Dumber To The Theory of Everything The Hunger Games: Mockingjay Part 1 Into the Woods Exodus: Gods and Kings Big Eyes The Hobbit: The Battle of the Five Armies Stranger By the Lake Top Five The Babadook Annie (2014) Unbroken The Interview

We get two simultaneous perspectives: one of a man still tormented by his past — the other of an innocent, wide - eyed boy.

Related Reviews: New: The Master • Argo • The Imposter • Seven Psychopaths • On the Waterfront • Marvin's Room • Searching for Sugar Man French Cinema: Micmacs • The Diving Bell and the Butterfly • Of Gods and Men • The Chorus • La Jetée • La Belle et la Bête The Game • Eyes Wide Shut • Vanya on 42nd Street • Down by Law • Looper • Beasts of the Southern Wild The Films of Eva Mendes: Last Night • The Bad Lieutenant: Port of Call - New Orleans • The Other Guys • The Spirit • The Women • The Wendell Baker Story • Ghost Rider

Listen, there's simply nothing like watching Tom Cruise get cucked — nothing quite like seeing him get knocked down a peg, be it by his then - wife Nicole Kidman and her fantasies of sleeping with other men (Eyes Wide Shut), or by a female interviewer scrutinizing his character's misogynistic egomania up close (Magnolia), or by genre itself, as in Edge of Tomorrow, where we get to see him die over and over again, something that's distinctly fun because of the indomitable meta - prowess of its star.

It is springtime, and two outcasts — a man ignored, even shunned by his village, and the one - eyed dog he takes into his quiet, tightly shuttered life — find each other, by accident or fate, and forge an unlikely connection.

WHEN I WAS five Mom and Dad rented a house in the Napa Valley, and Dad befriended a man called Frenchie Meyers who wore suspenders and owned a junkyard nearby — fifty acres covered in thirty - foot heaps of smashed cars, flattired trailers full of old glass doorknobs, two aircraft hangars (one stuffed full of forklifts, tractors, and power tools and guarded by Sam, a glass - blue - eyed wolf dog, the other converted into a machine shop and guarded by an anvil of a bulldog named Jezebel).

The blaze of white sand licked by the surf was dotted one recent sunlit afternoon with fishing boats and their local owners, a pack of bored men in flip - flops who each kept one eye on their hand of cards and the other on the pale tourist cargo streaming from the docked speedboat onto the main -LSB-...]

The blaze of white sand licked by the surf was dotted one recent sunlit afternoon with fishing boats and their local owners, a pack of bored men in flip - flops who each kept one eye on their hand of cards and the other on the pale tourist cargo streaming from the docked speedboat onto the main road of the island of Gili Trawangan, east of Bali, in search of beach, beer and bungalow.

THE NEW YORK TIMES — TRAVEL ARTICLE THE blaze of white sand licked by the surf was dotted one recent sunlit afternoon with fishing boats and their local owners, a pack of bored men in flip - flops who each kept one eye on their hand of cards and the other on the pale tourist cargo streaming -LSB-...]

Esparza's Whitney piece insists on community and inclusion: It is, in fact, a gallery for other L.A. - based Latino artists who were not originally invited to participate in the official Biennial show — the adobe walls displayed, among other works, arresting photographs of steady - eyed young men by Dorian Ulises López Macías.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Other contemporary highlights for sale next month, aside from Basquiat's Untitled (One Eyed Man or Xerox Face), include a painting by Georg Baselitz expected to set an auction record for the artist.

Through major paintings and sculpture by Balthus, Alexander Calder, Chagall, Dubuffet, Giacometti, Henri Matisse, Roberto Matta, Miró, Tanguy, and others, the exhibition examined some of the greatest artists of the period and gave visitors a glimpse of the very private man who opened American eyes to their work.

I think we are seeing nothing more than climatic varation caused by our orbit, sun activty and a number of other related natural factors, but the trouble is that we take a short term view of weather and think in terms of what we remember as Children not what has gone on in recent history - After all 5000 years is the blink of an eye in the context of the age of the earth and mans habitation of it.

Between feeding ducks and getting teary - eyed at his daughter's choir concert, the suburban Jersey family man kept control over his other «Family» by any means necessary.