Not exact matches
A great attraction of the Catholic Church
over the past two millennia, in the
eyes of many non «Catholics as well as most Catholics, is her universal
character.
Funnyman Will Ferrell lends his voice to the title
character a blue - skinned green -
eyed alien whose mammoth hairless cranium has
over the course of his career as a supervillain given life to an endless array of exotic inventions and elaborate schemes all in the service of his lifelong dream of conquering his adopted hometown of Metro City.
An interactive story where
characters, dialogue and decisions take precedence
over the hand -
eye co-ordination required of gamers in FPS or racing games.
A climactic showdown with his family — including his mother - in - law, wife and young child — goes way
over the top, but Razmik is a great example of how there's more than meets the
eye with all these
characters.
Like the various «sex kitten»
characters played
over the years by Brigitte Bardot or the eponymous Lolita in Stanley Kubrick's coyly provocative 1962 comedy, Lux is almost overly erotic because everything about her is so ambiguous; every swish of her shoulder, every bat of her
eye, every curl of her toes could be either harmless, unknowing, girlish flirtation or provocative, womanly seduction.
Next is «It's Bugsy» (4 mins., HD), another one of those infuriating docs wherein the cast and crew fawn
over some animal / fictional
character (in this case, the bug -
eyed gerbil that accounts for a good 40 % of Bedtime Stories» attempts at humour) as a big star who was great to work with.
The film was co-written by Anderson and Day - Lewis
over a number of years spent obsessing on the topic (Day - Lewis goes uncredited), and is, in part, a fascinating
character study of a fastidious solitary man devoted to the creation of the graceful silhouettes in his mind's
eye.
Every
character in the film makes choices, and the film's commitment to its South Boston framework continually asks — as smalltime private
eye Patrick Kenzie (Casey Affleck) does in his opening voice -
over — whether those choices are what define us or not, and whether they are «real» choices at all, or are already determined by the nature of the chooser, dictated by the choices he didn't make.
And yet, Pacific Rim is suffused with the same dark, gothic hues as Gotham City or Metropolis, along with hard -
eyed characters brooding
over tragedies in their pasts.
Stallone takes
over the reigns as director, and while he can't quite match up to Avildsen in terms of a natural
eye for scenery and tight editing, he knows his
characters and the formula sufficiently enough to still make it a successful outing.
A
character is confined and released into space, we see the
character's prolonged death with some detail (
eyes and skin begin to glaze
over, etc.).
Spinning the original comic depiction of the
character on its head, the image features Domino — who in the illustrated version sports a pale complexion with a black mark
over her left
eye — as a black woman with a white mark
over her
eye, in what appears to be vitiligo, as well as her natural hair.
While we kept swooning
over the appearance of all the
characters, what caught the
eye was a little glimpse of Elizabeth Debicki as the main villain Ayesha.
He interacts with his wild -
eyed, crooked - wigged sister, Patricia, who serves no purpose but to sit in the corner like some kind of one - woman Greek chorus and tell each
character what's wrong with them — while she herself scribbles in crayon all
over Catherine's prized Rorschach paintings.
The
characters in
Eyes Wide Shut are on much more equal footing than those in Phantom Thread, but Phantom Thread is also very smart about how there are certain situations where Alma has power
over Reynolds, when you might expect him to have more power
over her.
In the original comics, Domino is icy white, with a black spot
over her
eye — but in this 2018 iteration, she's biracial and played by Atlanta star Zazie Beetz, who does away with the
character's traditionally short, straight hair in favor of her own natural skyward fro.
The video has a visually grim and gritty tone as Brolin talks
over the action and we see the
character's trademark glowing
eye and cybernetic arm.
Specifically, it's the way those
eyes respond to the words flung at her from a carousel of male companions who appear before her
character over the course of this surprise rom - com.
Like the original, «Secret in Their
Eyes» follows
characters over a span of time, showing how the past has a way of just hanging there and never leaving, like some free - floating, helium - filled 300 - pound gorilla.
No matter how old he gets and how grumpy his
characters are on the screen, Donald Sutherland always seems to have a twinkle in his
eye that has made him quite a hit with the ladies
over the years.
Listen, there's simply nothing like watching Tom Cruise get cucked — nothing quite like seeing him get knocked down a peg, be it by his then - wife Nicole Kidman and her fantasies of sleeping with other men (
Eyes Wide Shut), or by a female interviewer scrutinizing his
character's misogynistic egomania up close (Magnolia), or by genre itself, as in Edge of Tomorrow, where we get to see him die
over and
over again, something that's distinctly fun because of the indomitable meta - prowess of its star.
Speak to any of the technicians and they all go misty -
eyed over the RB26 engine, talking in reverential tones about the performance it could deliver, and its unique
character.
(If there's one thing I hate in novels is when a
character who has buggy
eyes and walks hunched
over with a cane has a name like Bulge E. Stoops.)
Following the people who knew what was happening turns out to be brilliant way to explain the inexplicable, and in The Big Short he makes an entertaining and enlightening return to high finance
over 20 years after Liar's Poker, with the same sharp
eye for great
character and contrarian ideas as more recent favorites like Moneyball and The Blind Side.
He manages to provide an educational and
eye - opening account of a country's political turmoil — in this case, Afghanistan — while also developing
characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned
over.
You'll devour beautiful landscapes, cast your
eyes over detailed
character designs and admire the many dramatic images of Paris being pulled down into chaos.
Instead such a thing isn't even vaguely hinted at, instead it's Ruffnut who goes all gooey
eyed over him, although sadly this isn't enough to stop Harington's
character feeling largely pointless in the movie, but we'll get back to that later on.
There are also
over a dozen different types of hair,
eye and voice styles to pick from, so players who are pickier with their
character customization options shouldn't have a problem.
Some of the fixes include; increasing inventory limits, improving appearance of
eyes for Human and Asari
characters, skipping the travel sequence between planets, voice
over lip sync, and more.
The 2D artwork is a real treat for the
eyes due to the
characters and environments being highly detailed, but there's a lack of voice
overs and
character animation during cutscenes that you would expect from the artwork.
There is a cap per
character and the meter doesn't carry
over into the next encounter (except for Knolan's), so it's worth keeping an
eye on if you're looking for a little more oomph with that next attack.
For the first time ever, you get a Resident Evil game from the first - person perspective, and we think that's part of what made it such a memorable experience; experiencing the horrors of the Baker family resonated more because we were experiencing it through the
eyes of our
character, and not
over his shoulder.
VII might be seen through your
character's
eyes, rather than
over their shoulder or from a fixed camera, but it feels every bit a worthy successor to the original.