Not exact matches
Again, that fact doesn't obviate the option
of (or indeed the need for) social critique; it just means that we can't reasonably roll our
eyes at the very notion
of a place like Hooters, and then merrily skip down to the neighbourhood bar where the
waitresses wear short skirts and tube tops all summer.
That is, we may believe that the best possible person is a soft - hearted nun who cares for orphaned pigeons, but in Singer's
eyes, the rather disagreeable cur who cheats at checkers, ignores his children, and is rude to
waitresses may be the more ethical person if by giving away lots
of money he saves lives.
Though she may not necessarily be Cosmo material, the lovelorn
waitress with dreams
of being accepted to a New York City art school and a slight case
of body dysmorphic disorder just can't seem to catch the
eye of town hunk Jeff Sweeney (Barry Watson)-- even though Jeff is best friends with Eve's older brother, Chuck (Jonathan Cherry).
Jenna (Russell, Mission Impossible III) is a pie diner
waitress working in a pie shop in a small southern town, married to an abusive, possessive husband (Sisto, Angel
Eyes), and quite unhappy with the current state
of her existence all around.
Four years after delving deep into the romantic troubles
of a singles - bar - haunting fiftysomething in «Gloria,» and a few months after casting a sensitive
eye on a young transgender
waitress in the wake
of tragedy in «A Fantastic Woman,» Chilean director Sebastian Lelio offers yet another striking and warmly nuanced portrait
of the kinds
of women whose internal lives are rarely portrayed on screen, tackling a lesbian love affair within London's Orthodox Jewish community in «Disobedience.»
And speaking
of gratuitous sex scenes, one happens between Banderas and a kinky
waitress (a very game and beautiful Autumn Reeser) that has absolutely nothing to do with the movie but puts two nude actors through
eye - catching gymnastics for several minutes.
Four years after delving deep into the romantic troubles
of a singles - bar - haunting fiftysomething in «Gloria,» and a few months after casting a sensitive
eye on a young transgender
waitress in the wake
of tragedy in «A Fantastic Woman,» Chilean director Sebastian Lelio offers yet another striking and warmly nuanced portrait
of the kinds
of women -LSB-...]
The plot goes like this: Halle Berry, who spends most
of Kidnap pretending to furiously wheel a Chrysler minivan with her
eyes peeled to meth - binge dimensions, is a diner
waitress in the middle
of a divorce; she goes to some kind
of amusement park with her 6 - year - old son; he is yanked right in front
of her into a doubtlessly hick - owned 1980s teal Ford Mustang, complete with tinted windows, a leather hood bra, and rear plastic louvers; she gives chase.
A young
waitress, Alma (Vicky Krieps), catches his
eye and becomes his muse and his lover — to the dismay
of his imperious sister, Cyril (Lesley Manville), who runs her brother's business.
Although Woodcock has disposed
of his latest romantic liaison as «Phantom Thread» opens, his next conquest presents herself when he stops for a meal in the country and orders a ploughman's breakfast from a bright -
eyed waitress named Alma (Vicky Krieps).
But it may be April Bowlby as wide -
eyed and sexy
waitress Mia, who steals the show as she tries to work through severe third - degree burns from a misplaced bowl
of soup.
Sitting down to breakfast at a little country establishment, he locks
eyes and giggles with her as she stumbles out
of the kitchen to start her
waitressing duties (the reader might find it interesting to note that this stumble was quite an accident on the part
of actress).