Sentences with phrase «eyes paintings art»

Burton is also fascinated with the way her art was dismissed as kitsch while it was embraced by the public: Are the Keane big eyes paintings art, kitsch, both, or something else?

Not exact matches

One quiet afternoon we looked through the «Art book for Children», the first picture to catch her eye was a huge mass of swirling colour with a man throwing paint at a canvas on the floor.

To first get started with art activities, I spent some time walking around a craft store and selecting items that either seemed like the basics (paint, markers, and glue) or like they'd be really fun (googly eyes and pompoms).

A pure art of contouring and blending of lighter colors with shades of black is what's In fashion from last many years and is having same fame for this year as this style of painting your eyes never fades from grooming techniques but advances.

Hand painted in vivid blues, yellows and greens, our faceted Portofino Vase is an eye - catching art object on its own.

Decked out in colorful paint splattered over a white ground, the eye - catching panel transforms any window into a fun work of art.

Featuring an eye - catching floral motif, this giclee painting has the look and feel of a fine art painting and comes ready to hang.

The thing with aesthetics is to study art, portrait photography, composition in famous paintings, fashion magazines, color harmony and contrast, light, etc, until it fits together in your mind's eye.

Mr. Nicholson pops his eyes, sneers, laughs maniacally and, in the film's liveliest sequence, sings and dances his way through the Gotham City museum of art, happily defacing the paintings.

On a whim, he declares that he painted the children with the oversized eyes, and the lie spirals out of control until the paintings become a revolutionary, multi-million-dollar industry (much to the chagrin of an art critic played by Terence Stamp and a gallery owner played by Jason Schwartzman — two amusingly droll performances).

Ferdinand's Guide to Healthy Living with John Cena Confessions of a Bull Loving Horse Creating the Land of Ferdinand Anatomy of a Scene: The Bull Run Learn to Dance with Ferdinand Ferdinand's Do It Yourself Flower Garden A Goat's Guide to Life Ferdinand's Team Supreme Spain Through Ferdinand's Eyes «Home» Music Video Creating a Remarka - Bull Song Art of Ferdinand Gallery Concept Paintings Character Designs Locations Stills

Options: Advanced technology package including bird's - eye - view camera with perimeter scan, Entune premium JBL audio with navigation and app suite including multimedia bundle with seven - inch high resolution touch - screen with split screen display and integrated backup camera display, AM / FM, MP3 / WMA playback capability, 11 JBL greenedge speakers in seven locations including subwoofer and amplifier, auxiliary audio jack, USB 2.0 port with iPod connectivity and control, advanced voice recognition, hands - free phone capability, phone book access and music streaming via Bluetooth wireless, Entune app suite, HD radio, HD predictive traffic and Doppler weather overlay, AM / FM cache radio, SiriusXM all access radio with three - month complimentary trial and gracenotes album cover art ($ 1,435); paint protection film ($ 395); roof rack cross bars ($ 315); carpet floor mats / cargo mat ($ 225); body side molding ($ 209); door sill protector ($ 199); interior light kit ($ 185); mudguard ($ 129); door edge guard ($ 125); tonneau cover ($ 90); rear bumper appliqué ($ 69); wheel locks ($ 65); cargo net ($ 49)

The area itself is quirky and alternative — an urban art project with flamboyantly painted houses, eye - catching street murals, weird and wonderful shops, and striking sculptures made from scrap.

To do so allows for a more clear - eyed vision of the state of the art: focus is maintained on what a painting looks like and what it does.»

Painting in a style that combines American realism with Appropriation Art, she brings a contemporary eye to technologies from the 1950s,»60s, and»70s.

One of the most enduring practitioners of Op art, Bridget Riley will have her first exhibition with David Zwirner gallery, showcasing decades of her stripe paintings and other geometric compositions that confound viewers» eyes.

2012 Fore, Organized by Lauren Hayes, Naima J. Keith, and Thomas Lax, The Studio Museum in Harlem, Harlem, NY Pushing Painting Paradigms, Curated by LaToya Ruby Frazier, Mason Gross Galleries at Rutgers University, New Brunswick, NJ Garden Party / Arts Presents: Masculinisms, Curated by E.E. Ikeler, 221 Franklin Ave., Brooklyn, NY Sonic Diagrams, Curated by Kenya Robinson, Recess, Grand Street, New York, NY Thing: An Outdoor Sculpture Show, Curated by Susan Jennings, W. Cornwall, CT Eyes Off The Flag, Curated by Mark Thomas Gibson, Motus Fort and Koki Arts, Tokyo, Japan The Listening Room Series, Curated by Kevin Beasely, New Haven, CT MFA Thesis Show, Yale University, Green Hall Gallery, New Haven, CT Sunless Sea, Curated by Florencia Escudero, Green Hall Gallery, New Haven, CT

The gathering of paintings and drawings at Talbot Rice Gallery shows her radical New York milieu to uneasy perfection: the left - wing film - maker Sam Brody with his haunted eyes (he was one of the lovers who betrayed her); the art dealer Charlie with his sweat - sheened brow trying to overcome an absurdly tight suit; Neel's son Hartley, mismatched in collar, tie and beret, tensely controlling his own child on an uncomfortable knee.

Yet viewers with an eye for painting will find them evocative of an era when radical art could be created and discussed without aspersion.

Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..

Holland Cotter: With abstract painting again in the art world's eye, the time is right to renew an acquaintance with the American artist John McLaughlin....

3,000 years of Portraits, Katonah Museum of Art, New York, USA Adventures of Truth, Painting and Philosophy: A Narrative, Maeght Foundation, Saint - aul de Vence, France Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, Texas, USA 30 Americans, Milwaukee Art Museum, Milwaukee, USA

Riley's early curve paintings from the 1960s, which open the exhibition, shook traditional conceptions of art almost literally: their disorientating contour lines are too much for the eyes and brain to process, so that they genuinely seem to vibrate and undulate on the wall.

1999 Contemporary Japanese Art I, 1950s - 1970s from the Collection, The 10th Anniversary of Museum Opening, Introducing Newly Collected Works, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan Eyes Watching the Space, Enjoying Painting and Space, Niigata City Art Museum, Niigata, Japan Japanese Prints 1945 - 1999, Expressions and Anti-Expressions of the Times, Machida City Museum of Graphic Arts, Tokyo, Japan Against Educational Course of Contemporary Art, The 20th Anniversary of Museum Opening, Itabashi Art Museum, Tokyo, Japan NICAF TOKYO» 99, The 6th International Contemporary Art Festival, Tokyo International Forum, Tokyo, Japan Listening to Kaoru Abe, Ota Fine Arts, Tokyo, Japan Out of Actions: Between Performance and the Object 1949 - 1979, The Museum of Contemporary Art at the Geffen Contemporary, Los Angeles, USA MAK - Austrian Museum of Applied Arts, Vienna, Austria Museu d'Art Contemporani, Barcelona, Spain Museum of Contemporary Art Tokyo, Japan

Bringing to mind diverse sources of influence such as early Pop art, Precisionism and New Objectivity, these paintings suggests that a level, clear - eyed gaze at our contemporary experience does not preclude an affective relationship with it.

Some of the strongest paintings at the New Museum are in Guston's late mode, enlisting his one - eyed roundheads in depictions of the abject moments of art - making or of youth.

Made of paint as well as non-fine art materials, Dowell's highly personalized compositions are testaments to his extraordinary eye for the motifs, geometries, and patterns of the world's vast visual culture.

If the art world were a just place, this ravishing showcase of his early works would open American eyes to the overlooked virtues of French postwar painting.

Although these images recall the haunting cliché of the Mona Lisa, in which the eyes follow you, the cartoon reference might place these paintings squarely in the tradition of Pop Art.

Dazzling the eyes and intriguing the mind, the Philadelphia Museum of Art presents two centuries» worth of American still - life paintings and sculptures, from John James Audubon's images of birds and mammals to Andy Warhol's Brillo boxes.

In the 1930s, when Mr. Bloom was working for the Federal Arts Project in Boston, his virtuosic painting caught the eye of project's director, Holger Cahill, whose wife, Dorothy C. Miller, was a curator at the Museum of Modern Art in New York.

Its material character extends to empty clothing from Troy Michie, screen prints on Mylar and fabric by Tomashi Jackson, painted nudes with eyes for flesh by Didier Williams, velvet curtains for Unpacking Sameness by Christie Neptune, a nude ill at home by Devin N. Morris, seeming copies after John Chamberlain by Kennedy Yanko, and African American twists on art history by David Shrobe.

She plans to use her time at the 18th Street Art center to meld the two mediums: bringing together the art of painting with the aesthetics of tattooing with works on paper, and to create some small scale sculptures that she can see in her mind's eye and now need to figure out how to bring into fruitiArt center to meld the two mediums: bringing together the art of painting with the aesthetics of tattooing with works on paper, and to create some small scale sculptures that she can see in her mind's eye and now need to figure out how to bring into fruitiart of painting with the aesthetics of tattooing with works on paper, and to create some small scale sculptures that she can see in her mind's eye and now need to figure out how to bring into fruition.

«We are delighted to celebrate these transformative achievements with Kansas City and the international arts community as we see these paintings with new eyes.»

WASHINGTON — Starting in the late 1950s the great American art critic Clement Greenberg only had eyes for Color Field painting.

His art reveals the raw reality of being an American Indian through the eyes — and palette — of an artist who once vowed never to paint Indians.

Is it too much of a risk for the Tate, with its eye on attendance figures, to promote exhibitions of abstract painting to a mass audience whose attention span has been shortened by the expectation that contemporary art should be either shocking or fun?

Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.

In this biting but elegant 33 - piece retrospective set to Japanese court music, Hammons» gimlet eye transforms the gallery's white - walled East Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.

Art historical references and any sort of imagery, high or low, that Owens feels like incorporating are co-opted with finesse and a clear - eyed sense of no - fuss entitlement, in service to a larger goal: her own precise vision for what makes a painting pleasurable to behold.

Physically moving around a black - on - black painting of a cubic grid will reveal layers of optical illusions, while simply blinking when standing in front of a canvas covered in a complex navy - and - white pattern tricks the eye into seeing an oscillating, three - dimensional piece of art.

He is strongly influenced by Italian art, notably Piero della Francesca, whose Madonna del Parto he recalled in painting the dark, deep - set eyes of his own works.

Feast your eyes on 25 acrylic paintings from 25 top artists from our AcrylicWorks 5 art contest, themed around... read more

If Armando Mariño's earlier art looked at the outside world with a critical postcolonial eye, his recent paintings probe visceral states of being tinted by melancholy and framed by a directness that feels intimate.

Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)

(all photos by the author for Hyperallergic) If Armando Mariño's earlier art looked at the outside world with a critical postcolonial eye, his recent paintings probe visceral states of being tinted by melancholy and framed by a directness that feels intimate.

The international nature of Deng Guo Yuan's art is thus evident early on in his career, and his early twenty - first century work with ink painting is also to be understood in this vein: as a continuation of a major tradition in Chinese art with an eye toward innovations infused with the concerns of other nations and cultures.

The blazing colors in Beverly Fishman's Untitled (Anxiety)[Zanax Bar] are sensuously arousing — they give a kind of knockout punch to the eye — and the four squares that form the rectangular bar seem to allude to Albers's Homage (s) to the Square even as they acknowledge Frank Stella's Protractor paintings by way of the curves of the two end squares, but all that art historical referencing seems beside the point of the irony built into the work, for Zanax is an anti-anxiety pill.

Yet her paintings are compelling, composed of lines and geometric shapes that trap and mislead the eye in a manner reminiscent of Bridget Riley's Op Art.

In Face Eater, the eyes fill the center of the painting with a hypnotic reminder that the creature doing this bizarre act is supposed to be human,» according to Associate Curator of Contemporary Art, Renee B. Miller of the Denver Art Museum.