Not exact matches
They could work as
art pieces
by themselves with nothing tacked up to them, especially to show off the kind of intricate, pretty or vintage
fabrics that we all have in our collection but don't know what to do with... Thanks for the inspiration Vicky and Jennifer!
But the finished products are far from traditional:
by completely reinventing the old methods and letting go of some of the traditions, lace no longer functions as just a piece of two - dimensional
fabric, but becomes
art in an enormous variation of sizes, shapes and dimensions.
Dining Room
Art / / Ginger Jar / / Dining Table / / Dining Chairs / / Dining Chair
Fabric / / Fuchsia Ombre Lamp / / Ottoman, custom - made by New Day Woodwork in Aqua Shagreen fabric / / Sofa / / Beach Print / / Drapes and Daybed, custom - made in Blush Brushstroke fabric / / Mirror / / Lamp / / Headboard, custom - made in Aqua Shagreen fabric / / Sconces / / Floral Pillow / / Green Pillow / / Blush Pink Brushstroke Pillow / / Drapes, custom - made in Aqua Brushstroke fabric / / Palm Tree Art / / Paint in all rooms: Benjamin Moore «Revere Pewter&
Fabric / / Fuchsia Ombre Lamp / / Ottoman, custom - made
by New Day Woodwork in Aqua Shagreen
fabric / / Sofa / / Beach Print / / Drapes and Daybed, custom - made in Blush Brushstroke fabric / / Mirror / / Lamp / / Headboard, custom - made in Aqua Shagreen fabric / / Sconces / / Floral Pillow / / Green Pillow / / Blush Pink Brushstroke Pillow / / Drapes, custom - made in Aqua Brushstroke fabric / / Palm Tree Art / / Paint in all rooms: Benjamin Moore «Revere Pewter&
fabric / / Sofa / / Beach Print / / Drapes and Daybed, custom - made in Blush Brushstroke
fabric / / Mirror / / Lamp / / Headboard, custom - made in Aqua Shagreen fabric / / Sconces / / Floral Pillow / / Green Pillow / / Blush Pink Brushstroke Pillow / / Drapes, custom - made in Aqua Brushstroke fabric / / Palm Tree Art / / Paint in all rooms: Benjamin Moore «Revere Pewter&
fabric / / Mirror / / Lamp / / Headboard, custom - made in Aqua Shagreen
fabric / / Sconces / / Floral Pillow / / Green Pillow / / Blush Pink Brushstroke Pillow / / Drapes, custom - made in Aqua Brushstroke fabric / / Palm Tree Art / / Paint in all rooms: Benjamin Moore «Revere Pewter&
fabric / / Sconces / / Floral Pillow / / Green Pillow / / Blush Pink Brushstroke Pillow / / Drapes, custom - made in Aqua Brushstroke
fabric / / Palm Tree Art / / Paint in all rooms: Benjamin Moore «Revere Pewter&
fabric / / Palm Tree
Art / / Paint in all rooms: Benjamin Moore «Revere Pewter»
By establishing a particular mood, well - chosen paint colors and finishes form a beautiful backdrop for
fabrics,
art, furniture and accessories.
Pillows, bedding, dining, wallpaper,
art, and
fabric by the yard in her signature colors and prints are the perfect pieces to mix in with what you already have to achieve that effortless vibe that so many find elusive.
This Chantilly lace
fabric is a remarkable piece of
art by Solstiss, one of the most renowned French lace manufacturers of our days.
The
fabric is from the collection «Garden of Temptation», inspired
by Italian Renaissance
art.
Per Out of Print's Kickstarter project, «Each hardcover case features original book cover
art licensed
by Out of Print, printed on book
fabric that will naturally wear and look better the more you use it.
Volunteer Krysta Vollbrecht took the lead in organizing the event, Etsy Labs provided the sewing machines and workspace, and the
fabric used to make the comforters was donated to Rational Animal
by Materials for the
Arts, a non-profit organization that distributes
fabric donations from local retailers to its member organizations, of which Rational Animal is one.
Interiors inspired
by the beauty of the ocean, incorporate light and rustic colors
by natural woods, elegant chic
fabrics and hand selected Dominican
art and sculptures.
Just a few blocks south of downtown is the Midtown area of Cannon Beach where you will find surf shops, restaurants, a
fabric store, coffee shops, the non-profit gallery operated
by the Cannon Beach
Arts Association and a glassblowing studio where you can often see the artists at work.
The vibe is
Art Deco meets the new millennium, and this is no paint -
by - numbers design; instead, think rich
fabrics, textured walls, metal accents, inlaid ceiling detail and chandeliers you wish you owned.
There will be 48 rooms, decorated with hardwood floors, padded leather wall panels,
Art Deco details like bronze furniture and glass, as well as armchairs and
fabrics designed
by David Rockwell.
The boutique hotel's design takes its cues from the building's unique past with thoughtful details including pop
art - style portraits of the Royal family, luxe
fabrics and colours, and motifs inspired
by The Netherland's historic currency, the Dutch guilder.
Unique Italian
fabric wallpaper and
art works adorn the walls, beautifully complimented
by elegant furnishings.
Interiors (created
by eminent Brisbane designer Anna Spiro) feature a crisp palette of blue and white, along with a curated collection of antiques, including Australian seascapes, original
art and rich wall
fabrics in each of the 21 individually styled guest rooms.
The elegant Great Room features a captivating blend of tropical rattan, sink - into sofas, West Indian and other antique pieces, accented
by fine
fabrics, original
art, and an entire wall of custom bookcases fashioned of andiroba wood.
Developed
by Good - Feel — the studio behind 2010's Wii platformer Kirby's Epic Yarn — Woolly World features a similar
art style, with characters and environments made entirely out of
fabric.
One thing that I think could be woven in is «practical
art» — like pottery dishes with coordinating decorative pieces and that are very decorative
by themselves; Specific «rite of passage»
art and the meaning behind it, as Melissa's ketubah
art; and I the American quilt is an
art form, as is weavings and wood carving and
fabric constructions across many cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their artistic trade.
As a contemporary
art exhibition, «Viva Arte Viva» almost exclusively features works made
by individuals for display rather than collective use, but it's permeated
by an impulse to integrate
art into the social
fabric.
In the past, Nengudi has reinforced her interest in the communal aspect of
art by working with collaborators who touch and move the sculptures; here, the works»
fabric is set atremble
by fans.
Influenced
by feminism, quilt design, and non-Western as well as Western
art, Ms. Valdez combines paint,
fabric, and embroidery on canvas to yield abstract forms with undeniable relation to the human body.
The
Fabric Workshop and Museum, founded in 1977
by arts visionary Marion «Kippy» Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit.
Images: Jim Hodges, With the Wind, 1997, scarves and thread, Photo
by Alan Zindman, © Jim Hodges; Jim Hodges, Untitled (Gate), 1991, steel, aluminum, copper, and brass chain with blue room, © Jim Hodges; Jim Hodges, Changing Things, 1997, silk, plastic, and wire, Dallas Museum of
Art, Mary Margaret Munson Wilcox Fund and gift of Catherine and Will Rose, Howard Rachofsky, Christopher Drew and Alexandra May, and Martin Posner and Robyn Menter - Posner, © Jim Hodges; Jim Hodges, and still this, 2005 - 08, 23.5 K and 24K gold with Beva adhesive on gessoed linen, The Rachofsky Collection and the Dallas Museum of
Art through the DMA / amfAR Benefit Auction Fund, © Jim Hodges; Jim Hodges, Untitled (one day it all comes true), 2013, denim
fabric and thread, Courtesy the artist and Gladstone Gallery, New York and Brussels, © Jim Hodges; Jim Hodges in his Studio, Courtesy Dallas Museum of
Art
Three works
by the outsider sculptor Judith Scott (1943 - 2005), known for creating evocative misshapen presences
by wrapping found objects in layers of yarn, share a low platform with the work of the mainstream artist Nancy Shaver, whose delicate assemblage - boxes covered with found papers and
fabrics, resemble folk -
art updates.
Published in cooperation with the
Fabric Workshop and Museum, Philadelphia, and featuring critical essays
by a diverse array of writers and
art theorists — including feminist philosopher Hélène Cixous — ALLY shows how these artists have worked together to create a new pictorial language.
Sze, artist - in - residence at the
Fabric Workshop and Museum, will speak about her work in conversation with Hal Foster and Philadelphia Museum of
Art curator Carlos Basualdo, followed
by a Q&A session.
Polly Apfelbaum's synthetic velvet and
fabric dyed floor piece, «Bubbles», recently acquired
by the Princeton
Art Museum, is currently installed and on view.
For the Love of Gene Davis, 2014 Artist made
fabric sample book, study for piece, Gene Davis ephemera, pavement of Philadelphia Parkway painted
by Gene Davis, Life Magazine Installation at Temple Contemporary, Collection of the Pennsylvania Academy of the Fine
Arts
Upcoming for the artist are the group showFighting, Kissing, Dancing, curated
by Carlos Rigau, at the
Fabric Workshop and Museum, Philadelphia, opens May 2011, and a solo project in December 2011, Fanimaltastic at the de la Cruz Collection Contemporary
Art Space, Miami.
These images, when printed on
fabric and animated
by models, bring out both the street beauty and
art - historical resonances of this mark - making practice.
Additionally, Wainwright has led the charge in making the school a leader in what she calls the
art / design nexus
by infusing design into the larger
fabric of the curriculum.
Eva Rothschild, Hangouts, 2018, Plexiglass, painted ribar, jesmonite,
fabric, paint, MDF, steel, 294 x 240 x 180 cm, 115 3/4 x 94 1/2 x 70 7/8 ins, photography
by Robert Glowacki, copyright the artist, courtesy of Stuart Shave / Modern
Art, London
Lee's skill in fiber
art is here demonstrated with her Western mesa hills flowing through
fabric waves of hills over scattered brush and enveloped
by deep quilted tones of intense and circuitous blue in her «Departure.»
Its material character extends to empty clothing from Troy Michie, screen prints on Mylar and
fabric by Tomashi Jackson, painted nudes with eyes for flesh
by Didier Williams, velvet curtains for Unpacking Sameness
by Christie Neptune, a nude ill at home
by Devin N. Morris, seeming copies after John Chamberlain
by Kennedy Yanko, and African American twists on
art history
by David Shrobe.
Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of
Art's presentation will include several works not previously exhibited including neon work
by Kendell Geers, a photo series
by Youssef Nabil, large - scale works on paper
by Christine Beatrice Dixie, a sound installation
by Frances Goodman incorporating bridal
fabrics cascading from the ceiling, a calligraphy garden
by Moataz Nasr and a collage
by Wangechi Mutu.
The Winterthur Museum in Delaware is famed for its period room settings featuring the remarkable collection of furniture,
fabrics, quilts, and decorative
arts collected
by Henry Francis du Pont (1880 — 1969).
2003 On the Wall: Contemporary Wallpaper, co-published
by The
Fabric Workshop and Museum and The Museum of
Art, Rhode Island School of Design, Providence
Much later in the 1960s and «70s, the changes unleashed
by the sexual revolution were dramatically felt in the social
fabric as well as the
arts.
27) Allora & Calzadilla: An excellent 2014 exhibition at Chelsea's Gladstone Gallery was followed up
by an even better two - institution outing in Philly that explored
art, music, and intellectual history at the Philadelphia Museum of Art and The Fabric Workshop and Muse
art, music, and intellectual history at the Philadelphia Museum of
Art and The Fabric Workshop and Muse
Art and The
Fabric Workshop and Museum.
Faith Ringgold, American Collection # 4: Jo Baker's Bananas, 1997; Acrylic on canvas with pieced
fabric border, 80 1/2 x 76 in.; National Museum of Women in the
Arts, Purchased with funds donated
by the Estate of Barbara Bingham Moore, Olga V. Hargis Family Trusts, and the Members» Acquisition Fund; Photo
by Lee Stalsworth
An exhibition that explores the emergence of fiber
arts as a fine
art and showcases the contemporary fine
art textile and
fabric movement with works
by internationally celebrated masters, top North American artists, and promising newcomers.
The history of
art is a
fabric of epiphanies woven
by many hands; the present tense of
art is the outer edge of that work in progress.
Inspired
by the rich patterns and organic forms inherent to fiber and modernist
art, Peri cut and assembled found textiles gathered from travels around the world and applied needlework to highlight a pattern or to secure a
fabric form to the canvas.
Robert Rauschenberg (American, 1925 — 2008) Untitled, 1979 collodion transfer and
fabric collage on paper 31 x 22 inches Collection of the Kemper Museum of Contemporary
Art, Kansas City, Missouri Gift of the William T. Kemper Charitable Trust, UMB Bank, n.a., Trustee, 1995.64 © Robert Rauschenberg / Licensed
by VAGA, New York, NY.
erwin wurm «architecture», 2011
fabric, wood 39.37 x 70.87 x 47.24 inches 100 x 180 x 120 cm courtesy the artist and lehmann maupin gallery, new york photo
by german guevara for e11even productions courtesy the artist, bass museum of
art and lehmann maupin gallery, new york
«Eric's work playfully embraces and celebrates different modes of expression (
art, fashion, design, architecture) and materials (
fabric, paint, paper), while still retaining a coherent and consistent vision,» explained collector Bernard Lumpkin, who is one of New York's preeminent patrons of
art made
by African - American artists.
By the early 1970s, his trompe l'oeil paintings of
fabric - covered still lifes were being featured at Documenta and the Whitney Museum of American
Art.
Her love of the place, the people and their sheep have steered her creative evolution to the fascination with felting (creating a nonwoven
fabric with the fibers of wool and silk
by combining water, soap and agitation), and she has traveled the world to learn the
art of felting.
The artists use
fabric, yoga mats, vinyl, and steel to question hierarchies assumed
by art history, pop culture, and politics.