Sentences with phrase «fabric art into»

Not exact matches

I had been collecting fun, modern fabrics for another installation art project and I went into that stash and pulled some things to make hats out of.

The fibers are so visually interesting that it's not difficult to imagine weaving them into fabric for clothing or other art forms.

She has the art of converting mere fabric into masterpieces.

Faces Places is quite a moving film, and speaks to a particular cultural mindset that knits art into the fabric of public life.

Symonds Elementary's music, art, PE, and media teachers weave their practices into the fabric of the community, getting to know each student while enriching the school culture.

Located in Leeds City Centre, 3 minutes walk from Leeds Coach Station, Art Hostel is a small, cosy hostel with art and artists fully integrated... Read more into the concept and fabric of the buildiArt Hostel is a small, cosy hostel with art and artists fully integrated... Read more into the concept and fabric of the buildiart and artists fully integrated... Read more into the concept and fabric of the building.

There is also a continuous reference to nature, from the hotel's inner garden in the phenomenal lobby, to the fabrics and art incorporated into the design.

The elegant Great Room features a captivating blend of tropical rattan, sink - into sofas, West Indian and other antique pieces, accented by fine fabrics, original art, and an entire wall of custom bookcases fashioned of andiroba wood.

Nigerian - born, U.S. - based artist Njideka Akunyili explores the dynamics of her culture and community through mixed - media art, melding limitless combinations of acrylic, charcoal, pastel, marble dust, colored pencils, oil, fabric or Xerox transfers into figurative collages with distinct narratives.

One thing that I think could be woven in is «practical art» — like pottery dishes with coordinating decorative pieces and that are very decorative by themselves; Specific «rite of passage» art and the meaning behind it, as Melissa's ketubah art; and I the American quilt is an art form, as is weavings and wood carving and fabric constructions across many cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their artistic trade.

«The arts are woven into the fabric of this great city,» says Marsha Askins, chief communications officer for UBS Group Americas.

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

Art should be in cities, art should be visible, it has to go out into the fabric of the worArt should be in cities, art should be visible, it has to go out into the fabric of the worart should be visible, it has to go out into the fabric of the world.

Additionally, Wainwright has led the charge in making the school a leader in what she calls the art / design nexus by infusing design into the larger fabric of the curriculum.

Hand - made in understated felts and fabrics with explicitly comfort - driven, sometimes even boring cuts, they turn being well - adjusted and orderly into an over-the-top obsession, and suggest making art to live isn't much more moderate than living for art.

Terry Morgan, Chair, Crossrail said: «This fantastic new exhibition showcases the creative ideas of leading British and international artists who are working with Crossrail's architects and engineers to integrate public art into the very fabric of the new Elizabeth line stations.

Plastic bags filled with used, plastic water bottles that will be recycled into fabric to manufacture clothes as part of art project Flint Fit are seen in.

She was an exponent of Pattern and Decoration in the 1970s, with dense and often floral designs, quietly shimmering colors, and an early introduction of fabric into art.

Henríquez deepens her investigation into appropriation, architectural form and Art History with new works in collage, fabric, video, and Rorschach technique.

Minoru Ohira gauges textured swirls into painted, five - ply Japanese paper with a razor blade; Lorenzo Hurtado Segovia weaves together thin strips of painted paper to create colorful, almost pixelated «rugs» that blur the distinction between fabric art and basketry.

Featuring over 100 garments and fabrics spanning 140 years, this exhibition explores how textiles bring art into everyday life.

Fabric into Art, Amelia A. Wallace Gallery, State University of New York, College of Old Westbury, April 14 — May 9, 1980.

He has always understood the fabric of society in an uncanny way, and he has been able to channel his perception of the world into an art that is consistently surprising, challenging but lyrical.

Fabric into Art (Old Westbury, NY: State University New York, 1980), 3, 17 (ill.

The far end is the living area, with sofas, a television and an industrial - chic kitchen along one wall; the other half is her work studio, lined with vast Bollywood - style posters from a recent exhibition, tiles and fabrics strewn on the floor, and strange objects in glass cabinets which have, or will be, incorporated into her art.

Scraps of fabric, broken dishes, old jewelry, lost and found objects: these are the materials that work their way into Graven's art.

As much a commentary on art as culture, Hirsig layers meaning and materials into the paint by adding collaged images and fabrics: fractal - like detailing gives way to soft brushstrokes interrupted by heavy spills of paint out of which an explosion of color and texture emerges.

It was public art that caught his imagination, and starting in 1979 he began to reconsider his role as an artist by making works of functional furniture - as - sculpture (pragmatic sculpture, he called it) that were meant to be largely anonymous, invisible, and woven into the fabric of the everyday.

In conjunction with the ongoing exhibition habitus, The Fabric Workshop and Museum presents a conversation between visual artist Ann Hamilton and author and art critic Maria Popova, who will respond to each other's work and share insights into their associative processes.

At the 1:54 Contemporary African Art Fair in New York this May, eight of the 17 participating galleries featured artists working with textiles, whether by incorporating them into sculpture, working directly with weaving or sewing, or referring to fabric patterns and forms.

She continues to combine classical and modern felting techniques to transform unwoven natural fibers into fabric and into art.

WHITSTABLE BIENNALE Jun 2 - 10, 2018 The 2018 Whitstable Biennale brings the most exciting experimental and emerging art to Whitstable, with live performances, film screenings, sound works, and the written word woven into the fabric of the town.

Biting the Hand That Feeds is a portrait of the artist's struggle with identity, history, faith and form through the prism of opposites shaped through the power of imagination into the fabric of art.

As an extension of their VITRINE exhibition into the social sphere, the artists recycled the fabric through a limited edition of unisex sweatsuits, worn each day and evening of FIAC by 3 different personalities of the art world.

The husband and wife team of José Kuri and Mónica Manzutto began showing art in Kuri's hometown of Mexico City in 1999, foregoing a permanent exhibition space in favor of finding locales woven into the fabric of the city.

Modern art refers to work made from the later part of the 19th century and into the 20th century, a period of rapid population growth, industrialization, and critical changes to the basic fabric of work, family, and society.

Resisting a linear canon of art history, the Symposium will question how these histories have been woven into the fabric of mainstream consciousness, and have been reconsidered anew, featuring panels, performative interventions, screenings, and book signings with some the city's most influential creative figures.

As well as the forms and patterns of flowers and leaf shapes that find their way into her painting and mixed media oeuvre, Milhazes has incorporated the rich atmosphere of Rio via its cheap, colourful fabrics and jewellery, its embroidery and folk art, and references to its rich and multi-facetted urban architectural mix.

Quilters have extended themselves into «fabric art», nice to see the reverse happening.

His whole career had been woven into the fabric of the city and its art scene.

Please note: In additional to the exterior sunscreen, fabric shades have been installed in the ceiling for this exhibition to protect the works of art from excessive light reflected into the galleries by Museum Tower.

Filling the rear part of CHARLIE SMITH is Joshua Raffell — a graduate of Chelsea College of Art and Design — with another his mixed media figurative sculptures; provocative and a little disturbing — a patchwork grotesque, the artist's puppet - like figures — sometimes kinetic in nature — are like a Frankenstein's monster with an overt sexuality stitched into the intricate detail of colourful fabrics alluding to taboos that would normally illicit the opposite response in society.

Fabric Canvas — Take all of your favorite pieces or the ones that are too small and turn them into some lovely wall art for your craft room or any room in your house!

Consider adding white as fabrics, lamp shades, vases or wall art to your room to bring a peaceful and tranquil feel into the interior design.

Or if you're starting from a blank canvas, first pick another item, such as a patterned fabric or a piece of art, to incorporate into the room and choose your accent color from a hue found in your pick.

Whether used as simple display pieces, fashioned into accessories such as lamps, or splayed across art and fabrics as motifs, these geological wonders integrate nicely into almost any room.

Inspired by the bold colours of the Fauvism art movement, this stunning fabric collection takes nature's beauty and translates it into gorgeous fabric designs.

The creative combination of nature inspired designs with vintage fabrics turn familiar images into unique art pieces and recycle crafts that impress and delight.