Sentences with phrase «fabric sculptures for»

Not exact matches

Tiwi people are coastal Aborigines with a culture different to those on the mainland, known around the world for their distinctive fabric prints, pottery, sculptures and carvings.

Though the Japanese artist is also known for her resin and metal work, from jewelry to abstract sculptures, it's her installations of translucent fabric orbs that stir up a strange sense of underwater wonder.

Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a piece of fabric, as realized in the sculpture - painting hybrid Hedge Sky.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

As an interdisciplinary artist Neckles - Ortiz has held residencies at the Youlou Arts Foundation, the Elizabeth Foundation SHIFT Program, the Center for Book Arts, The Fabric Workshop & Museum, and The Skowhegan School of Painting and Sculpture.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

For one recent series, Channer appropriated and digitally manipulated images of the carved drapery from a group of fourth - century - BCE Classical sculptures in the British Museum, which were then printed onto lengths of fabric and suspended from the ceiling, playing with the relationship between sculpture, architecture, clothing, and the body.

He is best known for his Soundsuits: wearable fabric sculptures that are bright, whimsical, and otherworldly.

The Tenth of Always will consist of eleven new sculptures in the varied media for which the artist is known, including raw wood, gold chain, mirrors, appropriated photographs, light, fabric, naturally - shed animal antlers, rhinestones and blown glass.

The gallery installation consists of three sculptures and several paintings on Tyvek, a quotidian durable industrial fabric used for such things as protective covers for packaging, reusable garbage bags, and banners.

Best known for her colossal sculptural projects, for over four decades Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, plaster, fabric and paint to create striking sculptures and expansive installations that confront the relationship between objects and the space that surrounds them.

Mel Chin (b. 1951, Houston) has exhibited extensively across the United States and Europe, including solo exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington D.C., 1989; the Walker Art Center, Minneapolis, Minnesota, 1990; the Menil Collection, Houston, Texas, 1991; Storefront for Art and Architecture, New York, 1991; the Fabric Workshop, Philadelphia, Pennsylvania, 1992; and the Station Museum, Houston, Texas, 2006.

For a new sculpture project he recycles bundled stacks of flattened cardboard into anthropomorphic monsters with enormous googly eyed stares, and the artist's iconic panda returns in large - scale pattern paintings like enormous swatches of custom designed fabric.

William de Morgan wall tiles on display in the Pre-Raphaelites gallery will be referenced in a new piece from Vasconcelos» «Tetris» series (made with tiles, crochet and various fabrics), while a new work for the «Cement Sculptures» series is also being created in response to the gallery's sculpture Atalanta (1888) by Francis Derwent Wood and the painting Eve Tempted (1877) by John Spencer Stanhope (both on display in the Victorian gallery).

RU also includes fabric sculptures and a video work, but it was the birds in their improvised, indoor wood that stayed with me for weeks: cute and unobtrusive, each one projects a sense of peering at you inquisitively — the way we say real birds do — despite having nothing like a head.

The current ceramic exuberance was played out repeatedly — the worlds that Milena Muzquiz fashions into vases and Chris Antemann's takes on Meissen porcelain the most memorable — and sculpture in fabric by Francoise Grossen and Paola Pivi (whose fluffy polar bear That's Right You Better Believe It (2015) added feathers) reached for the bar set by Joseph Beuys.

Do Ho Suh's first exhibition with Victoria Miro will feature new fabric sculptures conceived especially for the galleries, including a walk - through configuration of Hubs, and a range of his works on paper.

Nengudi likens the stretching of her sculptures» fabric to the resiliency of the female body and mind, and they have often served as the staging ground for performances incorporating actual bodies.

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

Phyllida Barlow (b. 1944, Newcastle upon Tyne) is world - renowned for her impressive abstract sculptural works in which cheap materials — such as concrete, timber, fabric — and reused elements are transformed into sumptuously mysterious and disquieting sculptures.

For 15 years, Ms. Dash, 35, has photographed fabric sculptures made of cotton swatches that she carries around — «what people use to buff their cars» — until the pieces resemble scraps from a baby blanket a child could not bear to surrender.

The sculptures in this exhibition recall in size some of the early domestically - scaled Accumulations, for which Kusama covered such things as ironing boards and travel valises in the stuffed - fabric protuberances, yet the works on view here are painted in the style that has come to characterize Kusama's most recent paintings.

For his first solo exhibition at Victoria Miro Gallery, the South Korean artist: «-LRB-...) will feature new fabric sculptures conceived especially for the galleries, including a walk - through configuration of «Hubs», and a range of his works on papFor his first solo exhibition at Victoria Miro Gallery, the South Korean artist: «-LRB-...) will feature new fabric sculptures conceived especially for the galleries, including a walk - through configuration of «Hubs», and a range of his works on papfor the galleries, including a walk - through configuration of «Hubs», and a range of his works on paper.

Her first sculpture was a prop for a 1963 Happening at George Segal's farm: a chain of people danced in a huge fabric tube she made while Yvonne Rainer threw apples off a barn roof.

The form of Wind Sculpture (SG) I suggests the movement of wind and natural elements rendered three - dimensionally through fabric, but also the sail of a ship, which for centuries was the only means of traversing oceans to exchange culture and ideas.

Suh is internationally renowned for his «fabric architecture» sculptures that explore the global nature of contemporary identity as well as memory, migration, and our ideas of home.

FABRIC - ATION features over 30 works made between 2002 and 2013, including sculpture, film, photography and painting, many of which are shown in the UK for the first time.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, Cfor Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, Cfor the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, Cfor Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CFor 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Featuring paintings and sculpture characterized by his signature use of clothing, fabric, and objects to give his works cultural and socio - political context, the exhibition takes its name from an invented term that means «one who embodies elements of beauty and hardship, one who has been rejected, disjointed, disfigured, and discarded after being used for his labour.»

Poppy red, marigold orange and, if visitors look closely enough, midnight blue fabrics have been shaped, draped and suspended as an enormous sculpture in the latest commission for the Turbine Hall ay Tate Modern in London.

Howick Place The hand painted Dutch - wax fabric pattern of Yinka Shonibare RA's Wind Sculpture seems to flutter in the wind and recalls the sails of his Nelson's Ship in a Bottle for the Fourth Plinth in Trafalgar Square.

Her work has been shown in such venues as Robert Miller Gallery, PPOW, DC Moore, Artists Space, The Pennsylvania Academy of Fine Art, The New Museum, ICA Boston, MCA Chicago, ICA Philadelphia, The Sculpture Center, The American Academy for Arts and Letters, The Aldrich Museum, The Jewish Museum, Moore College of Art, Fine Arts Center, U. Mass., The Queens Museum of Art, Tufts University Art Gallery, The Fleming Museum of Art, Artpark, Creative Time, and The Fabric Workshop.

The Brooklyn - based artist has for years been refining a distinct technique that produces mesmerizing works that dance between painting, sculpture, and textile — their surfaces ripple with busy and vividly colored painted patterns that seem to swath mysterious objects in various fabrics; thick gobs of paint cling to areas of the canvas as if squeezed out like thick frosting or Easy Cheese.

American fabric sculptor, dancer, and performance artist Nick Cave is best known for his incredible Soundsuits: wearable fabric sculptures that are bright, whimsical, and other - worldly.

In 1987, Rauschenberg's emergency set for Brown's Lateral Pass (1985) at the Teatro di San Carlo, Naples, utilized scrap metal and fabric to create temporary hanging sculptures for the stage.

The gridded sculpture is a basis for the making of fabric, the main component in Frances Trombly's practice of re-creating and contextualizing mundane objects that are typically overlooked.

The introduction of new types of art, for instance - such as Performance, Happenings and Installations - along with new subject - matter - including things like dead sharks, dying flies, huge ice - sculptures, crowds of nude bodies, buildings that appear to be in motion, a collection of 35,000 terracotta figures, islands wrapped in pink polypropylene fabric, painted bodies, spooky projected imagery on public buildings, and so on - have provided spectators with a range of new (sometimes shocking) experiences.

a striking red - and - scarlet - hued 1998 fabric and steel sculpture -LSB-...] encased in a wood - and - glass vitrine, sold for $ 850,000.

The colourful, fabric sculptures have been the unparalleled source of speculation for international audiences over the past few weeks, inviting populations en masse — even, or perhaps especially on its closing day — to walk through Hubs (2015 - 2016), an ethereal corridor of culture and sensory stimulation.

McCollum has used the system in collaborations with a community library, schoolchildren, home craftworkers, writers, architects, and other artists, as the Shapes are created to be used for many different kinds of projects, and so far have been produced in the form of both prints and sculpture, in Plexiglas, Corian, plywood, hardwoods, metals, rubber, and fabric, in a variety of sizes.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

She is known for understated yet inventive and enthralling sculptures, typically made from scraps and pieces of fabric, plastic, string, rubber, and other materials.

Phyllida Barlow (b. 1944) is known for her anti-monumental sculptures made from inexpensive, low - grade materials such as cardboard, fabric, plywood, polystyrene, scrim and cement.

Best known for her colossal sculptural projects, Barlow uses «a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint» to create striking sculptures.

Calder's creative enterprises were cross-disciplinary and exceeded the traditional definitions of painting and sculpture; throughout the course of his career Calder developed sets for a variety of theatrical, musical, and dance performances, collaborated on films, illustrated books, produced wallpaper, fabrics, and costumes, created designs for racing cars and airplanes, and embraced humanitarian causes.

Eva Aeppli was a Swiss artist known for her charcoal drawings, large - format paintings, fabric figures, and bronze heads, along with joint sculptures with Jean Tinguely...

British sculptor Phyllida Barlow (born 1944) is internationally acclaimed for her large - scale sculptures, which feature inexpensive, low - grade materials such as cardboard, fabric, plywood, polystyrene, scrim and cement.

My love for art has enable me explore several mediums of art and craft including all types of water - based paintings, sculpturing, fabric painting, crafting with recyclable materials and sketching.