Sentences with phrase «fabric sculptures in»

Chicago - based artist Nick Cave's vibrant «Soundsuits» are wearable, fabric sculptures in motion.

Cumulatively, the works in the exhibition continue Hammond's post-minimal engagement with materials and process and a survivor aesthetic that began with her fabric sculptures in the early 1970s while also anticipating her materially informed paintings of the last decade.

Her latest exhibition at Jack Fischer Gallery's Minnesota Street Project location presented an assortment of the artist's stuffed fabric sculptures in small - to - medium scale, along with three works cast in bronze.

-LSB-...] artist Nick Cave's vibrant «Soundsuits» are wearable, fabric sculptures in motion.

Inspired by a sense of global struggle against systems of oppression and the political rhetoric of Malcolm X, Chase - Riboud produced her first bronze and fabric sculpture in tribute to the slain human rights leader.

Not exact matches

Enjoy our personalized service in a setting featuring delicate sculptures, fabrics in purple tones and ceiling moldings.

Recently renovated, the Carlemany Hotel offers a new concept of city accommodation; it has been decorated paying attention to details, using high - quality materials, splendid fabrics, sculptures, paintings and warm colours in order to create a refined atmosphere, while the latest technology and contemporary design blend to offer an ultimate comfort.

All works in the exhibition — including a limited edition laser - cut clock, exclusive to Yorkshire Sculpture Park — are available to buy, along with a special range of merchandise comprising bespoke hand - embroidered tea towels and tote bags, and fabric patches.

This show features the L.A. based artist latest works — roughly hewn and comprised of paintings, cardboard collages, fabric collages, tapestries, ceramics, a mobile, and sculptures in metal, urethane and fabric.

He uses both bright and grayscale colors in his wall sculptures; his intricate designs are often made with unconventional media, like nylon yarns, printed fabrics, and even the tights he designs.

In the past, Nengudi has reinforced her interest in the communal aspect of art by working with collaborators who touch and move the sculptures; here, the works» fabric is set atremble by fanIn the past, Nengudi has reinforced her interest in the communal aspect of art by working with collaborators who touch and move the sculptures; here, the works» fabric is set atremble by fanin the communal aspect of art by working with collaborators who touch and move the sculptures; here, the works» fabric is set atremble by fans.

Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a piece of fabric, as realized in the sculpture - painting hybrid Hedge Sky.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.

In «Cell XXVI», the hanging fabric figure is a variation on an earlier sculpture, «Spiral Woman».

In «Petrit Halilaj: RU,» Halilaj presents a new video work, several large fabric sculptures, and an extensive environment that draws on his research into the flight patterns and habitats of migratory birds.

For one recent series, Channer appropriated and digitally manipulated images of the carved drapery from a group of fourth - century - BCE Classical sculptures in the British Museum, which were then printed onto lengths of fabric and suspended from the ceiling, playing with the relationship between sculpture, architecture, clothing, and the body.

The rough, luxury fabric and thread, thickly coated with gestures of resin, oil and plastilina seen in Vaugh Spann's work create painting as sculpture and evoke a sense of weathered sensuality.

Here's your styrofoam: the stuffing in Ernesto Neto's smurfy little sculpture (I'll show you more when we get to the big thread, fiber and fabric post).

In Lee Bontecou's mechanistic, protruding canvases or the enormous, graffiti - inspired fabric bundles of Shinique Smith, we witness the physical demands of sculpture — welding, carving, cutting, twisting, collaging, stitching, pouring, pulling, stuffing — none of it on a screen.

Collected from a variety of projects including an apprenticeship at the Fabric Workshop and Museum in Philadelphia and the 2017 fashion show FREE TANGERINE, the sculptures, drawings, and textiles in Interiors and Props reflect Knoxville - based artist Lauren Sanders» recent work as a DIY designer and interdisciplinary collaborator.

He works in various materials including fabric, screen printing and sculpture and has exhibited at the Hirshhorn Museum, the Whitney Biennial, the Philadelphia Museum of Art and Elizabeth Dee Gallery.

The Tenth of Always will consist of eleven new sculptures in the varied media for which the artist is known, including raw wood, gold chain, mirrors, appropriated photographs, light, fabric, naturally - shed animal antlers, rhinestones and blown glass.

Suh Do - Ho has risen to become one of the most highly sought - after Korean artists internationally, capturing the art world's imagination with monumental sculptures that recreate sections of his former homes in translucent fabric.

Bourgeois produced approximately 60 works in the series, assembling found objects, artifacts from her daily life (clothing, fabric, and furniture), and sculptures within distinctive architectural enclosures.

Shonibare's sculptures - life - sized mannequins clothed in the colorful Dutch wax fabrics produced in Europe but closely associated with Africa - offer a provocative examination of European colonialism and European and African identities.

Rachel Whiteread's cast sculptures of everyday objects and Heidi Bucher's casts of architectural elements made from latex and fabrics belong to Marks, which maps artists» powerful memories of spaces in which they lived and worked.

Since the late 1980s when Semmes completed her studies, the artist has devoted her practice to a highly tactile sculpture, working primarily in fabric and clay.

The heads presage a self - portrait print from 1990, displayed nearby, as well as the soft fabric figurative sculptures that Bourgeois took up in the late»90s.

The knowingly tacky - but - gorgeous swooshes of fabric in gold leaf and the scrunched aluminium wall sculptures she made in the 1990s suggest mermaid tails — although discarded sweet wrappers also come to mind.

Lowe worked with the Fabric Workshop and Museum in Philadelphia to make the sculpture: a large - scale vinyl inflatable understructure sheathed in white industrial felt.

The Suz in da» House (detail) 2008 Kitchen stage - set sculpture Wood, mdf, paper, fabric, and selected objects

The sculpture is on loan courtesy of the West Collection, Philadelphia and was created in collaboration with the Fabric Workshop and Museum, Philadelphia.

Some of the earliest works by Christo and Jeanne - Claude were «wrappings» in which the artists wrapped a variety of objects in tightly bound fabric, creating abstract sculptures out of everyday items.

Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way of framing the past.

His signature technique, used in both paintings and sculptures, is to incorporate traditional brocade fabrics into their surfaces, often becoming the skins of beasts, the bark of trees, or the garments of mythological figures.

Gueorguieva, who lives and works in L.A., also shows two sculptures, constructed of the same basic formal ingredients as the paintings - wood, fabric, pigment and paper, all fragmented - but markedly more static.

With the interconnected fabric mats shaped to evoke biological cells or chemical flasks, each of these sculptures assumes a vital role in some form of organic circuit that flows through a portal - like shape mounted against the wall and framed with head - like ovoids, elongated staffs and open circles.

More than 50 craftspeople working in wood, metal, and fabric feature in the long - running fair, while paintings and sculptures by regional artists are included in the institution's exhibition.

The 23 - foot sculpture in the shape of an untethered sail in the wind is made from fiberglass, painted in a bright pattern of the fabric that features so prominently in his work.

The artist's sculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., sculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., New York.

Spanning more than 45 years of her career, the show, titled «Suspension,» exhibits six black ink drawings and 25 sculptures that dangle from the ceiling, including her famous Janus series (1968), a collection of organic, amorphous, bug - like forms made in bronze and plaster, and Arch of Hysteria (2004), a double - headed work made of fabric, in which male and female torsos are fused and hung at the waist.

Teens will be invited to explore and use all types of nature - related materials (including artificial flowers / leaves, floral printed fabric and paper, tissue paper flowers, and even terra - cotta pots) in conjunction with other unique and unusual materials such as foam mannequin heads and air - dry clay to create a piece of wearable art or sculpture.

The artist's sculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, and Centro Arte Contemporanesculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, and Centro Arte ContemporaneSculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, and Centro Arte Contemporanea, Siena.

While Dash literally worries her diminutive textile sculptures to pieces, the majority of these works (all Untitled, 2016)-- composed primarily of stacked or beveled arrangements of jute - stretched canvases, quantities of gessoed or hand - painted fabric, and lengths of twine embedded in or hanging from troweled - on adobe grounds — feature tactile surfaces manipulated by the sure hand of composure.

In addition, the exhibition includes a classic fabric and metal wall assemblage by Lee Bontecou as well as several welded metal and glass sculptures by California artist Claire Falkenstein.

For a new sculpture project he recycles bundled stacks of flattened cardboard into anthropomorphic monsters with enormous googly eyed stares, and the artist's iconic panda returns in large - scale pattern paintings like enormous swatches of custom designed fabric.

In 1968, he began creating wall sculptures using incandescent light and sheer fabric before shifting his attention to neon.

At Tate Modern's Turbine Hall until April 6, 2015, he presents a major commissioned sculpture that uses fabrics that he designed and created in India.

It is also the kind of ambitious fantasy that artists rarely get to execute, in the same category as Christo and Jean - Claude's 20 - year attempt to suspend six miles of fabric panels over the Arkansas River (a project he abandoned last year) or Michael Heizer's colossal «City,» a mile - and - a-half-long sculpture in the Nevada desert that the artist has been building since 1972 and which the public has never seen and perhaps never will.