Sentences with phrase «face with the viewer»

Face to face with the viewer, Antoni blinks.

It has physical presence that can only be experienced in a gallery, face to face with the viewer.

Not exact matches

Faced with this new competition for viewers, broadcasters are pushing their programming to more platforms.

The citizens of the host country expunge all cynicism and find their eyes filling with tears; television viewers around the globe are inspired by a new generation of fresh - faced athletes, many of them competing in events which would draw almost zero interest in any other context; the networks and sponsors breathe a great sigh of relief knowing that their massive investment was sound; and the folks in Lausanne smile a secret smile.

Periscope, for its part, lets viewers shower broadcasters with unlimited heart emojis — «like a dopamine rush to the face,» Beykpour says — in order to encourage streamers with the sensation of applause.

I don't worry about the light, how my face looks, how the camera is being held — I just start recording and start interacting with viewers.

Graphics: Start with a good headshot or closeup of your face to create a personal touch with your thumbnail, then add a colorful background — like a starburst — to grab viewers» attention.

Faced with a loss of viewers to Internet services such as Netflix, cable programmers like Viacom are seeking to increase the per - subscriber fees they get from pay - TV distributors including Dish.

So was it the moon landing, or was it the connection of every human with all of humanity, that allowed television viewers on July 20, 1969 to touch the face of God?

With all this pressure, and a camera thrust in his face, he still had the guts to tell BBC viewers: «Jesus loves me, and he loves you too... and he loves everybody in the world.

Nottingham Forest face Millwall from the City Ground tonight, with the game available to watch live streaming for viewers in the UK.

He encouraged spectators to also go visit the exhibit at the top of the Christopher Columbus statue that currently allows viewers to rise up and come face - to - face with the statue in Columbus Square.

A sparkle - covered Styrofoam head with yarn hair and a sloppy, girlish face drawn in brown crayon disarms the viewer with her one glass eye.

It depicts the attacks of four people (and opens with a trigger warning due to disturbing content) with very different stories, reminding viewers there isn't just one face of this epidemic.

Research has found that faces with eyes that looked away induced the viewer to feel emotions of fear and sadness — that's going to hurt your likability factor.

The research group discovered faces with direct eye contact led the viewers to feel joy, which improves your likability.

Supplementing what faithful fetish chat live viewers might find to be far too pass» for their breed of folk, Mistress Preston takes on a more dominating role wherein you'll witness her engaging in leather - bridled pony play; the real - life smothering of an innocent teddy bear; enforced orgasms;» co-ed wrestling ala Andy Kaufman; panty / stocking face - sitting; armpit sniffing;» jerking a guy off with an actual pearl necklace wrapped around his wiener; taking a load of non-orthodontist recommended man - paste onto her braces; and, some other atypical activities starring cigars, balloons and shoes.

But disturbing in a good way because it confronts the viewer with a reality of capital punishment that its strongest advocates mostly are not willing to face.

To an entire generation of viewers, actress Dawn Wells will forever be associated with her recurring portrayal of Mary Ann Summers, the sugar - sweet and open - faced country lass shipwrecked on a desert isle with one of the zaniest television ensembles of the»60s, on the sitcom Gilligan's Island (1964 - 1967).

Through Ro's searingly honest and courageous voice this film connects all those touched by and fearful of breast cancer, arming viewers with insights into the experience that will dispel fears and help women face the reality of breast cancer and its impact.

Taking sarcasm to a new level with his role as the shaggy - side - burned Steven Hyde, Masterson has become a familiar face to millions of television viewers with his popular character on the enduring retro series.

Allah has loaded Black Mother with so many remarkable faces and observations that viewers can hover in its details with ghostly ubiquity, and he only breaks the spell with the recurring image of a nude woman holding a coconut to ground us in some kind of structural trajectory.

WIth subsequent small screen roles in Kingpin and OZ that same year, the up and coming actor would become a familiar face to television viewers before once again returning to the silver screen for supporting roles in Shall We Dance?

After being faced with a large border wall, the viewer enters a chamber and is asked to remove shoes and socks and wait for a signal before entering an even larger space, covered with sand.

Moffat even went so far as to say viewers will be «sucker punched into emotional devastation», but again, this was delivered with a big smile on his face, so take everything with a big pinch of salt.

The latest crime - comedy from Brett Ratner likewise fumbled aimlessly on its opening day, with viewers completely unsure of whether or not the familiar faces were actually going to present something worth watching again.

Yet, where Haneke aims to wrap the viewer over the knuckles with his swishing cane, Hausner embraces the absurd, locking horns with that sense of abject futility and then laughing in its face.

Outside of this, it seems that most viewers aren't quite in tune with it, as it is a knowingly bad film, intentionally, that some may have taken at face value.

Presented more as a costume drama than a film with any modern relevance, Milk «s power to move is largely dependent on the viewer's ability to watch Sean Penn make hammy faces at the camera.

This group of viewers might also relate to the protagonist's struggle to face his feelings about relationships with his siblings and the purpose family holds in his life.

The movie doesn't want the viewers to sympathize with murderers, but like Poison and Araki's movies, it forces them to face a society that brands all deviance as homicidal.

With Rogue One: A Star Wars Story, director Gareth Edwards faces a tricky task of fleshing out the opening crawl and telling a story viewers know the outcome of.

One scene in which two huge armies face one another ends with no battle at all, after terms are successfully agreed by the leaders — while conversely the Battle of Hattin, in which Guy's vast forces were trapped and slaughtered by the waiting Saracens, is depicted only in its build - up and carrion - bird aftermath, with the actual killing left entirely to the viewers» imagination.

Though the sequence contains an aggressive artificiality, with special effects that fly in the face of naturalism, the cinematography denies the viewer the space to question what she sees.

The ludicrous twists might be bearable if «Terminal» was having more fun with itself, but it expects viewers to choke down these revelations on face value.

Looking like one face with Patrick Fugit and reminding one of Logan Lerman from last year's beloved «The Perks of Being a Wallflower,» James is so naturally engaging and relatable in portraying Duncan's timid, awkward phase that, though he might be closed - off from his family, he immediately warms to the viewer from the first scene.

Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.

Director Barry Levinson (Jimmy Hollywood, Rain Man) reaches for unimagined heights, and wants to wow the viewer with awe, but falls flat on his face in quixotic fashion with a painfully obvious «villain» and underdeveloped script based on the Michael Crichton novel of the same name.

With the specific expressiveness of his acrobatic brows, wide - eyes and rubbery cheeks, Krasinski was able to define the show's inclusive comedy through his reactions to uncomfortable moments, his ballooning face and weary glances instilling different themes into the comedic atmosphere: anxiety, discomfort, disbelief, whatever you as a viewer felt when he looks back at you.

She delivered witty quips with a super straight face and the ever - so - slight smile that let viewers know she was in on the joke.

Even with little context for the moment, viewers can tell from the look on Hap's face and the»40s period setting just how big a line Henry is crossing.

The film — pure horror aspects notwithstanding — has resonated deeply with viewers, particularly because of the way it underpins the high drama by displaying the daily micro and macro aggressions black people face in America.

More sexual predators and harassers are being outed and expelled from the industry, and just as Kevin Spacey was replaced with Christopher Plummer in All the Money in the World and Louis C.K. is being dubbed over for his voice - acting roles, so too is actor Ed Westwick getting recast so viewers won't have to look at his face.

The journey is full of an overwhelming number of doors, books, bags and unfamiliar faces, and with each subsequent illustration the viewer feels the gnawing apprehension that engulfs the rabbit's heart.

Archos 97 Titanium HD runs Android 4.1 Jelly Bean OS, sporting a 9.7 inch IPS display with 2048 X 1536 pixels of resolution, powered by a dual - core Cortex - A9 processor clocked at 1.6 GHz, 1 GB RAM to keep things running, backed up by a 5 megapixel camera, a front - facing 2 megapixel shooter for making video calls, 8 GB of onboard storage with memory expansion support up to 64 GB via microSD card slot, microUSB 2.0, Wi - Fi a / b / g / n, 3.5 mmheadset jack, a couple of built - in speakers, OfficeSuite Viewer, Archos Media Center apps, a whole host of the Google services and all the regular features of an Android tablet.

At one point the film is attempting to juggle setting the groundwork for Civil War, slapping viewers in the face with Infinity Stone exposition in order to set up Thanos later on, bringing in three new characters to the team while also bringing back two previous ones in the form of War Machine and Falcon, and have Ultron wrecking stuff.

Both consoles let you chat with your viewers from your headset, as well as show your face via either the PlayStation Camera or Microsoft's Kinect.

The battle begins today, so suit up and face the plague with the millions of players and viewers from around the world.

Thorough enjoyment of the paint process is quickly overcome with the skepticism that I recognized in the faces of the two other viewers in the room, who were already having this conversation: «I guess I'm looking at it from an intellectual point of view,» one was saying, «but I've seen it before, and I don't know if it's saying anything.»

Much as Tarantino's Inglourious Basterds gives the audience the visceral satisfaction of witnessing Hitler's death by countless rounds to the face, Saul treats the viewer to a dopey Tex Avery - style Custer as he is scalped, his skull peeling like a piece of fruit to reveal his juicy red brain while idiosyncratically goofy Native Americans with potbellies and big noses — one with a pretty headdress of pink, orange, red, and yellow — circle U.S. cavalrymen and kill them in their own special ways.