Sentences with phrase «faced as a black man»

Goggins» wonderfully - played Chris Mannix, son of a famous Southern rebel, picks away at Warren's calm nature by reminding him of the horrible conditions he faced as a black man; later, Warren does the same with Dern's Gen. Smithers by describing the sexual brutality he inflicted upon Smithers» son after the war.

Not exact matches

Although Breaux Capital faces steep competition in the personal finance sector — including from apps such as Mint, which sold to Intuit in 2009 and now counts more than 20 million customers — CTO Quarles says he's convinced that his community, by virtue of being by and for black men, is unique.

The director of «Men in Black II,» Barry Sonnenfeld, revealed that he wanted Jackson to be in the first «Men in Black» movie as an alien (alongside famous faces George Lucas and Danny Devito), but that Jackson refused.

Somebody seen him hangin» around As the old dance hall on the outskirts of town He looked into her eyes when she stopped him to ask If he wanted to dance he had a face like a mask Somebody said from the bible he'd quote There was dust on the man in the long black coat.

Jackson faces the elephants in the room of whites and blacks having deep, meaningful relationships very quickly, especially in book two when one of the White main character's husband, Denny, is mistaken by, MaDea, an aging African American woman who is suffering from dementia, as one of the men who brutally lynched her brother nearly 70 years ago.

As far as the team news is concerned, the likes of Mkhitaryan and Bailly are expected to return (via PhysioRoom) for Man United to face the Black CatAs far as the team news is concerned, the likes of Mkhitaryan and Bailly are expected to return (via PhysioRoom) for Man United to face the Black Catas the team news is concerned, the likes of Mkhitaryan and Bailly are expected to return (via PhysioRoom) for Man United to face the Black Cats.

The activist, with close ties to the Congressional Black Caucus and the Clinton campaign, cited several high - profile moves by Jeffries to defend Clinton in the face of attacks by Bernie Sanders as evidence of his newly emerged point man's role.

Dressing up as Felicia Hardy, otherwise known as The Black Cat, (appropriate considering Zayn was Spider - Man), Gigi Hadid worked a curly platinum blonde wig and face makeup.

Since black men have the capability to face various challenges of life in a smart way, it will be easier for a white woman to face the society as a whole in the best possible way.

Slender Man is a mythical creature often depicted as being tall and thin, wearing a black suit with a white shirt and necktie, and having a blank face.

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That's right, Robert is in black face, and from what little I can tell from the photo, he doesn't look that bad as a black man.

9:35 am — Sundance — A Girl Cut in Two One of the last films from great French director Claude Chabrol before his death, with Ludivine Sagnier as an up - and - coming TV personality faced with choosing between two men — with Chabrol at the helm, you know there's more than that to it, and his touch for black comedy thrillers should make this one an enjoyable watch.

When Wark proclaims that he's «always had trouble drawing nigger faces,» and so paints white men's faces on the bodies of black slaves, the poignancy of that movement, independent of its inherent poignancy, identifies Junebug as something like an allegory for the ways that we deny the things we can't escape.

To do so, they must face off against Iron Man, War Machine (Don Cheadle), Black Widow (Scarlett Johansson) and Vision (Paul Bettany) as well as new roster additions Black Panther (Chadwick Boseman) and Spider - Man (Tom Holland), all of whom are given commendable justification for buying into their own moral superiority.

The comic book cinematic extravaganza brings the deadliest showdown of all time as Iron Man, Captain America, Black Panther and friends face off against the all - powerful cosmic titan Thanos as he tries to end the universe with his gauntlet full of Infinity Stones.

This also features a cool face - to - face shot of the two different sides brewing in this Marvel «Civil War», including Chadwick Boseman as Black Panther, Paul Rudd as Ant - Man, Scarlett Johansson as Black Widow, Paul Bettany as Vision, Jeremy Renner as Hawkeye, Elizabeth Olsen as Scarlett Witch.

The list of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing career ended with an excellent adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining than the film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?

On most days, King says, those things take a back seat to doing what matters most to him as a teacher: imparting life lessons to Black boys that he, alone, can deliver and that they can grasp and embrace; and it is being the face of the professional, college - educated, Black man that some of his students rarely get to meet.

Skunkworkers need to be prepared to suspend their beliefs and face the «Men in Black» mind eraser pen to delete their past memories as a student (or what Dan Lortie called «the apprenticeship of observation»).

Based on eye - witness accounts, The Slender Man is depicted as a thin, unnaturally tall man dressed in a black suit with a blank, featureless faMan is depicted as a thin, unnaturally tall man dressed in a black suit with a blank, featureless faman dressed in a black suit with a blank, featureless face.

The Black Mask and his men, known as the False Face Society, are lightly threatened by the emerging leader of the underworld, Oswald Cobblepot a.k.a. the Penguin.

His powerful figurative paintings highlight the daily lives of black queer men and the difficulties faced by defining one's identity as such in contemporary society.

In the exhibition catalogue, Tsai describes the artist's program of righting the absence of nonwhite faces in art - historical masterpieces as «using the power of images to remedy the historical invisibility of black men and women.»

Yet as anxiety began mounting in the world, with «global immigration issues, attacks on America, and attacks within America by police on young black men,» Johnson says, the notion of exploring just his own anxiety seemed inadequate, and he began drawing multiple anxious faces instead.

In Lute Music to a Heathen (2016), she paints a portrait of a black man seated facing sideways, looking away from his viewer; the sitter is dressed in black sleeveless t - shirt and trousers accentuated with a white belt, one hand tucked into his trouser as another holds up a small bird against a monochrome harlequin background.

He redresses the absence of nonwhite faces in museum masterpieces, «using the power of images to remedy the historical invisibility of black men and women,» as Eugenie Tsai, the curator of the Brooklyn Museum show, observes in the accompanying catalog.

Piper's intersectional position as a mixed - race woman impersonating a black man gets at the core issue faced by Radical Presence — whether a construct of black performance can hold when the construction of Blackness is understood in its full and messy complexity.

Here, a black and yellow ground darkens as it recedes into the distance, and a mixture of figures rendered in roughly textured strokes stand around one man, his palm facing out.