Sentences with phrase «faced new curator»

Every night, Peter Kuplowsky, the baby - faced new curator of TIFF's Midnight Madness program, has a wooden hat rack...

Not exact matches

Facing a nearly $ 40 million deficit, the New York Times reported in early February that Met curators were asked to scale back programming to help address the shortfall.

Over forty years riddled with art movements, artists and viewers alike had to face tough creative choices, and the curators made new choices of their own.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Following the presentation, Laurie Wilson and Arezoo Moseni converse about Nevelson's unshakeable self - confidence, even in the face of failure, her relationship to other artists of her era (Mark Rothko, Diego Rivera, Willem de Kooning), and the gallerists, curators and critics who shaped her career, most especially The New York Times critic Hilton Kramer and the art dealer Arne Glimcher, founder of the Pace Gallery.

Furthermore, today's curators must be adaptable and nimble in the face of new challenges from a constantly changing and highly uncertain world.

Dana Schutz: If the Face Had Wheels, organized by the Neuberger Museum of Art, Purchase College, State University of New York, is curated by Helaine Posner, Chief Curator and Deputy Director for Curatorial Affairs at the Neuberger Museum of Art.

When the powerhouse New York dealer Mary Boone hired Piper Marshall to bring new energy to her gallery by organizing six shows throughout 2015, the 30 - year - old curator did what a designer might do when faced with reviving a storied fashion house — she headed straight to the archivNew York dealer Mary Boone hired Piper Marshall to bring new energy to her gallery by organizing six shows throughout 2015, the 30 - year - old curator did what a designer might do when faced with reviving a storied fashion house — she headed straight to the archivnew energy to her gallery by organizing six shows throughout 2015, the 30 - year - old curator did what a designer might do when faced with reviving a storied fashion house — she headed straight to the archives.

Faced with the challenge of bringing new perspectives to a classic body of work and narrowing down the 700 prints Shore scanned and corrected from Uncommon Places, Aperture's Lesley Martin decided to ask 16 artists, curators, filmmakers, and writers to make the selections.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Within this anodyne context, the show's organizers — Stuart Comer, chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, an artist and associate curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, also an artist and professor of painting and drawing at the School of the Art Institute of Chicago — have made some interesting choices, pulled in some new faces and shaped three quite different shows.

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.

Now under the British Government's charge, a new selection committee was formed which was made up of some familiar faces; Sir Charles Holmes as Chairman, Edward Marsh, J.B. Manson, Alfred A. Longden, art historian and curator Campbell Dodgson and artist Francis Dodd had all been involved in past biennales.

Fotofilmic / / The New Face of Film 2013 - 2015 Retrospective Exhibition featuring the work of 20 international photographers September 1st - October 21st, 2016 Opening reception and Curators Gallery Talk: September 1st, 2016 6 - 8 pm Gallery Talk with Fotofilmic's Bastien Desfriches Doria and Virginie Lamarche begins at 6 pm followed by a reception until 8 pm Visual Arts Center — Gallery 2 (Hemingway Center) The New Face of Film curated by Fotofilmic assembles 20 photographers to present a unique worldview of contemporary photography's material practices.

Fresh Faces is a new exhibition of portraiture curated by Saatchi Art curators Katherine Henning and Jessica McQueen.

In her essay, exhibition curator Barbara O'Brien writes, «Her paintings are premised on the truth that she stood in this place, with the light casting shadows just so, the temperature of the air warm or cool, the sun warm against her face, protected by the brim of a straw hat; her fingers able to employ brush to linen against the wind of a New Jersey winter.»

This event will consist of a 45 minute tour with the curator of the Future City Lab at the Museum of the City of New York, an innovative, interactive exhibition that invites visitors to consider the big challenges facing New York City today and to imagine approaches and solutions for a better future.