Initially, viewers come
face to
face with a reflecting pool; further back, they are invited into a
wooden shack to behold one of Sherer's sought - after sculptures of a nude Emma Watson, glowing purple in a
box.
Elsewhere, Theaster Gates's In Case of Race Riot II (2011), a fireman's hose coiled and framed in a
wooden box, evokes the high - pressure water guns historically used to suppress civil rights protests; Kara Walker's deceptively playful cutouts tell narratives of the cruel racial dynamics and oppressive stereotypes of the antebellum South; and Titus Kaphar's chilling duo of paintings in The Jerome Project (My Loss)(2014) show the monumental, detailed
face of a black man disappearing behind a rising glut of thick black paint.