ATLUS made very good use of the bustling,
faceless masses in Tokyo, as it makes the game appear much more full, vibrant and alive compared to Persona 3, which was also situated in a fairly populous area.
ATLUS made very good use of the bustling,
faceless masses in Tokyo, as it makes the game appear much more full, vibrant and alive compared to
In fierce dread and energy it's on a par with Oliver Stone's «Platoon,» and in scope surpasses it — because in the bloody early stages the landing forces and the enemy never meet eye to eye, but are simply faceless masses of men who have been ordered to shoot at one another until one side is destroye
In fierce dread and energy it's on a par with Oliver Stone's «Platoon,» and
in scope surpasses it — because in the bloody early stages the landing forces and the enemy never meet eye to eye, but are simply faceless masses of men who have been ordered to shoot at one another until one side is destroye
in scope surpasses it — because
in the bloody early stages the landing forces and the enemy never meet eye to eye, but are simply faceless masses of men who have been ordered to shoot at one another until one side is destroye
in the bloody early stages the landing forces and the enemy never meet eye to eye, but are simply
faceless masses of men who have been ordered to shoot at one another until one side is destroyed.
A survival epic that redraws the lines of what a war movie ought to be, Dunkirk foregoes the blood and viscus of Hacksaw Ridge or the deeply sketched characters of Saving Private Ryan to hone
in on the raw emotion of soldiers
in terror, scrambling to survive against a
faceless mass closing
in from all sides.