Sentences with word «facelessness»

She «s merely the agent of Walter «s cure, his shrink, and her ultimate facelessness makes the romance that eventually blossoms between them less than convincing and less than compelling.
After all, Pop Art played out in much the same years as Philip Guston, Louise Bourgeois, and Eva Hesse in all their brutal facelessness or self - exposure.
Sounds like a worthwhile read and I tend to agree with the assertions from the book about the capacity to do evil coming from the facelessness of structure — and personally would include any structure in that — including churches, prisons, companies, and gov» ts.
I see the real problem is that structure contains a facelessness to it — a place to hide one's responsibility for their actions — so as to not even acknowledge one committs this action.
There are a lot of greedy individuals for success «facelessness» on the Net, and in the cycle of trusting persons.
The facelessness of the gas company is emphasized in its name, Global Crosspower Solutions (which reminded me of Globo - Chem, a much better name for a multinational gas company but one, sadly, already claimed as the satirical stand - in for corporate power in the HBO series Mr. Show).
The family at the center of Polish Wedding is the Pzoniaks, which consists of mother Jadzia (Lena Olin), father Bolek (Gabriel Byrne), sole daughter Hala (Claire Danes) and four sons of varying degrees of facelessness.
I know some kids prefer that facelessness — just do this worksheet, study this, they're good.
The illusion of facelessness was, of course, almost immediately explicable: The interviewer's skin bore the same grayish tint as the wall behind, the eyes were obscured by a pair of highly reflective glasses, the fluorescence flattened the features assembled above the genderless gray suit.
Does the facelessness mock the male gaze and the brutal anonymity of war, or does it repeat and reinforce them?
Casting her subjects in a shadow of doubt — each one a potential victim or perpetrator — Goliath invites the viewer to question the unsettling anonymity or «facelessness» of this conflict.
And as for those flags, a contemporary context brings out an unfamiliar side of the 1950s, not the facelessness that provoked audiences after Abstract Expressionism, but a physical engagement with the viewer.
The first of the exhibition series, Faceless I, was held with success last summer, working with the theme of «facelessness» in a survey of the emergence of hiding, veiling or masking the face in art and fashion following 9/11.
«Calling ourselves The Otolith Group had a facelessness that we really liked.
Founder Kodwo Eshun, who set up the collective in 2002 with Anjalika Sagar, explains: «Calling ourselves The Otolith Group had a facelessness that we really liked.
Their facelessness opens up ambiguous narrative possibilities, like empty canvases with which to construct meaning.
Their facelessness opens up ambiguous narrative possibilities, as if they were empty canvases with which to construct meaning.
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