Kaitlin Naughten from the University of New South Wales works on one of the most pressing issues
facing modern climate science: interactions between the ocean and the vast ice shelves fringing Antarctica.
Kaitlin Naughten from the University of New South Wales works on one of the most pressing issues
facing modern climate science: interactions between the ocean and the vast ice shelves fringing Antarctica.
Not exact matches
I confess that I have become somewhat blasé about the range of exciting — I think revolutionary is probably more accurate — technologies that we are rolling out today: our work in genomics and its translation into varieties that are reaching poor farmers today; our innovative integration of long — term and multilocation trials with crop models and
modern IT and communications technology to reach farmers in ways we never even imagined five years ago; our vision to create a C4 rice and see to it that Golden Rice reaches poor and hungry children; maintaining productivity gains in the
face of dynamic pests and pathogens; understanding the nature of the rice grain and what makes for good quality; our many efforts to change the way rice is grown to meet the challenges of changing rural economies, changing societies, and a changing
climate; and, our extraordinary array of partnerships that has placed us at the forefront of the CGIAR change process through the Global Rice Science Partnership.
It has been an honour to negotiate and then serve in the first coalition government of
modern times which has substantial achievements both in reducing the economic dangers
faced by our country, and in making progress with policies to tackle
climate change and provide energy security.
For the near future, we don't see large computing power successfully responding to the simple questions
facing modern societies with complex answers: For instance, how do you motivate Asian governments to take action on
climate change?
Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden
Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate
Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist)
Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)
Climate campaigners, on the other hand,
face the epic challenge of convincing society to rapidly replace an energy system that took more than a century to become the underpinning of
modern economies and lifestyles.
The archaeologists acknowledged it is a «bit of a leap» to say that what occurred thousands of years ago may help predict how
modern - day humans will cope with
climate change but lessons from the past offer hint at how people today can survive these changes.The researchers cited the importance of cooperation amid challenges humans
face today.
«What we really need is to transform the Ministry of
Climate Change into a modern Climate Change Unit which should ideally be placed in the Planning Division with qualified experts and specialists who can deliver projects that can tackle the enormous problems Pakistan is facing with climate change,» h
Climate Change into a
modern Climate Change Unit which should ideally be placed in the Planning Division with qualified experts and specialists who can deliver projects that can tackle the enormous problems Pakistan is facing with climate change,» h
Climate Change Unit which should ideally be placed in the Planning Division with qualified experts and specialists who can deliver projects that can tackle the enormous problems Pakistan is
facing with
climate change,» h
climate change,» he said.
It seems that Dr Lomborg in the past had attracted controversy for suggesting that the dangers of
climate change are overstated, and that
modern society
faces other more pressing challenges such as global poverty.
If anything we absolutely know
climates change and
modern humans need to
face that reality with solid engineering approaches as we continue to progress.
«You have the
modern knowledge, we have the indigenous knowledge, if we link them, we could increase our biodiversity and also help other people to
face climate change.»
We are so quick as scientists, non experts, the lay public, some ill informed undergrads, ad infinitum, to argue in this blog, however, you as a first hand expert modeling paleoclimate and
modern climate trends and obviously with a handle on chemistry and physics, also have a vested interest in our planet and though you do the modeling for a living, I do not doubt it has helped you gain inisghts and opened up your eyes to the complexity and current to future detriments and potentialities we all
face as humanity.