Sentences with phrase «fact about their audiences»

If scientists don't respect this fact about their audiences, they are bound to get in trouble.

Not exact matches

«When I uploaded the British dialect videos, as I expected [my Korean audience] found it quite interesting because they didn't know very much about the fact that there are different kinds of British dialects and accents,» he said.

«It will be particularly interesting to see what the companies have to say about the size of their audiences after the fact, and whether they use comparable metrics, or whether they'll look to make such comparisons difficult.»

Watts of FPRI says the fact that Drobota was targeting both Romanians and Americans with propaganda «just points more to attribution» to Russia, he tells Inc. «Why would he care about both of those audiences?

In delivering a business pitch about a novel invention, be sure to bolster your presentation with facts and know your audience.

If I'm sure my audience understands (because its an investor who has created a similar startup) the uselessness of traditional corporate models, why not just be blunt about it and portray the facts on your own accord?

I couldn't agree more about getting past the fact that Facebook is no longer free and using its sponsored stories to build audience and reach.

The poet wants his audience to think about and judge a hero in a way they haven't before, but in fact he can not gain an audience unless he beautifully portrays just those things the people already admire in a hero.

From clueless bosses to wacky neighbors, One Day at a Time hits refresh on your usual sitcom character tropes by bringing a distinctive familiarity as the cast uses their synergy to deliver their scripts and convince audiences that they do in fact care about one another and the journey they're all on together.

Taking into account viewing duplication and correcting for the fact that the diaries may underreport by as much as 15 per cent, the study says that the number of people who have watched at least one - quarter hour of religious television per week is about 13.3 million, or 6.2 per cent of the national television audience.

Impossible Foods founder Dr Pat Brown has been very vocal about the fact that he is targeting the mass market, not just vegans and vegetarians, said Lee, and the data suggests he is reaching his target audience.

Sadly, SK has no staff or assistants (sorry, Jacob), it's just me, and while I have far from forgotten about the site (in fact, at every event, have moaned to the audience about how much I miss updating; I am lost without this conversation!)

Thinking about the digital social space as Social Shopping also forces us, as content creators, to think about the fact that our audience is looking for something, whether they realize it or not.

Astorino told the audience of business lobbyists and corporate representatives what he says are the grim facts about New York's business climate.

He introduced Social Media to the audience and presented some facts about it.

In fact, typing a couple of phrases from Mr. Holder's comment into scroogle.org turned up about a dozen identical posts in late 2009 to early 2010 in response to articles about the UEA e-mail theft, at mostly obscure and varied websites (i.e., ones where the audience isn't likely to have much knowledge of climate science) rather than the most prominent climate websites.

I also like the fact that this pretty young woman looks completely natural and I don't believe she was thinking about an audience when she got ready in the morning.

It'll be interesting to see how the audience that's being drawn - in by the fact that this is being advertised as a Scarlett Johansson action flick will feel about the exceedingly weird movie they'll wind up watching.

Guaranteed to fan antigovernment sentiments among its audiences, Dinosaur 13 is less about paleontology than it is about prosecutorial overreach, political gamesmanship, dinosaur swindlers and true crime — if in fact crimes were even committed, and / or committed by the people accused.

Okay, perhaps we're being a bit unfair — Warcraft definitely had its moments, even if it was kind of a mess overall, and The Angry Birds Movie was a bonafide box office hit — but the fact remains that on the whole, audiences have had very good reason to be skeptical about video game movies for a very long time.

The fact that the narrative (rewritten by The Devil Wears Prada's Aline Brosh McKenna from a first draft by Emma Thompson) can't raise its rich / poor themes above the level of mobile phone ownership or its modernity beyond an acknowledgment of viral videos, and social media (an Instagram - led helicopter chase seems terribly old - fashioned) is only part of a more general uncertainty about what Annie means to today's movie - going audiences.

It's a shame there's no way to hide the fact that Foxx isn't actually a corrupt cop so that the audience might be conflicted about rooting for him as the protagonist until it's revealed in the trailer that he's actually one of the good guys.

About the only verifiable fact in the film is the wonderfully fascinating first act which takes place at the premier of The Rite of Spring in Paris where the audience actually did go into a riot over the music and choreography.

We get all of these jokes about the characters in the story working with a dreadful script, audience members being chastised for talking during proceedings and the fact that everyone acting here seems to just want the movie to end, so they can go home.

In focusing on the audience, the fest capitalizes on the fact that we're all here and there's not much else to do than just sit in theaters all day long, arguing about the merits of cinema and drinking beer while waiting for the next screening to start.

In fact, there is an entire sequence about trying to look after a new baby for the first time, which is surely aimed solely at the parents in the audience that have survived this; and the action of the entire film has enough energy and visual interest throughout to keep all ages engaged.

The most interesting thing about Harry Potter and the Sorcerer's Stone is that its inevitable success could be attributed to the fact that roughly 90 % of the film's audience will have read the book upon which it's based.

The fact that the audience (if they saw «Cloverfield») knows more about their situation than the characters do hurts the impact of the final 20 minutes, and it allows all the prior events to be interpreted individually, resulting in a bunch of questions.

If there's a dealbreaker for audiences or commercially minded critics, it's the fact that the narrative tends to grow unwieldy and wanders non-linearly from a coming - of - age story to something much more complex and wider (and no doubt autobiographical) about how the post-war generation's social upheaval and radical thinking damaged the children of this era (of which Potter was clearly one).

The very fact that these movies succeed is a reflection of the fact that audiences definitely do not read them or care about the longevity of the entertainment they support, even if their patronage is instrumental in lowering the bar for everyone and reducing the intellectual level of «mainstream» entertainment with each successive blockbuster.

I'm hoping the audience leaves thinking about the fact that Isaac and Juba never meet.

But these children are not destined for successive sequences of superior good fortune --- a grim fact that audiences are repeatedly warned about by narrator Jude Law.

Unfortunately, whatever novelty its premise might instill in the audience is undermined by the fact that it's virtually impossible to care about those trapped in the sniper's crosshairs.

I'm in no position to knock Haneke's ambition to reach a wider audience, because two months ago I wrote a review carping about the fact that Sony was releasing the French animation Persepolis as a subtitled art - house curio instead of dubbing in English dialogue and marketing it to multiplexes.

To put it another way, while I'm more than sympathetic to Jonathan's desire to read Karen Ordahl Kupperman's book about early America before weighing in on The New World (I speak as one who read four different books about feudal Japan before writing my review of The Last Samurai a few years back), I think it's also essential to keep in mind the fact that most audiences who see the film will come to it with very little, if any, historical background, and that to a certain extent the film even asks to be read ahistorically.

American audiences have enjoyed a recent spate of documentaries that take us beyond headlines and just - the - facts news stories about the Islamic State, Iraq and Syria, and that give us, instead, a glimpse of the people whose lives have been so viciously upended by militancy's rise in the Middle East.

Download our free eBook Designing eLearning Courses For Adult Learners: The Complete Guide to learn about the characteristics of adult learners, what motivates them, the most appropriate Instructional Design models and theories for adult learners, as well as additional facts and stats you need to know about this particular audience.

Machiavelli and Classroom Management Clearly it was the fact that I had to write an introduction to Niccolo Machiavellis The Prince that got me thinking about how Machiavelli had missed his intended audience: the teachers of the young.

It is one thing to inform a captive audience of survey respondents about the president's position, the results from research, or a key fact about American education.

Brill gets very worked up about the fact that Diane Ravitch, a distinguished historian of education who wrote a book renouncing her previous embrace of charters and merit pay, may have subsequently received payment for speaking to teachers» union audiences.

I have a specific audience in mind — people who care deeply about racial justice but who, for any number of reasons, do not yet appreciate the magnitude faced by communities of color as a result of mass incarceration... (and) those who have been struggling to persuade their friends, neighbors, relatives, teachers, co-workers, or political representatives... but who have lacked the facts and data to back up their claims.

So many writers I hear these days talk about the «noise» of the internet, the fact that so many writers are putting up their own work that their little story won't be able to find an audience.

I hope that this book gets the very wide audience it deserves because what it has to say is of relevance to virtually all of us as individuals, and takes on even great significance when one adds in the fact that (according to well - documented and much repeated research, first performed by Stanley Milgram in the 1960s) about two - thirds of the general population will follow the orders of somebody in authority, even if it is to inflict significant harm on others.

Science Writing for General Audiences Gain writing and research skills — everything from general literary techniques to interviewing and fact - checking — that will help you craft engaging nonfiction about scientific discovery, research, and policy.

All these facts point to a trend in which MGM is getting more serious about marketing its loyalty program to a broader audience.

The Maritime Museum of interested visitors learn in exhibitions interesting facts about the themes sea, reefs and cayes and the Art Museum Image Factory provide local artists exhibit their works to the audience.

The laughs are aimed towards younger audiences, but the cutscenes are charming and insouciant about their source material enough to make any player smile, but that still doesn't excuse the fact that they're entirely unskippable when you first play a mission.

The 2012 release of the Entertainment Software Association's «Essential Facts about the Computer and Video Games Industry» indicated that females now make up 47 % of the gaming audience, and 48 % of the most frequent game purchasers.

The only negative thing I can say about the story and dialogue in general is the fact very often relies on coarse language and lots of swearing, making Zenith a game that is best advised to mature audiences.

The best thing about the panel at PAX is the fact that they made a champion on the spot using ideas from the audience.