Sentences with phrase «fact from fiction as»

Separate fact from fiction as we discover a variety of shark species at Georgia Aquarium.

In this winning picture book, McCarthy separates fact from fiction as he tells the story of Atlas, the original 98 - pound weakling who transformed himself into a world - famous strong man.

«True Lies About Dinosaurs» (1:56, HD) sorts out fact from fiction as they pertain to dinosaurs — and humans.

So what I'm going to do here is tell you what I know about the two candidates; assess the issues, separating fact from fiction as I see it; and report what I find telling in their campaigns.

Not exact matches

But as stories and news travel at lightning speed, it's more difficult than ever to tell fact from fiction.

mama kl there is a difference between being helpful as you and tallulah13 often are in separating fact from fiction compared with an underlying agitation with fundies.

«Race,» as the weight of evidence from physical anthropology shows, is a political fiction, not a biological fact.

Watch as the candidates must decipher fact from fiction, as newsman Brain Williams and swimmer Ryan Loche embellish or completely fabricate actual events and international episodes.

As for the postliberal claim to eschew the experiential subjectivism of liberal theology, Henry charged that in elevating narrative over factuality, narrative theology becomes unable to distinguish truth from error or fact from fiction.

The line between fact and fiction is softened: you can learn a lot from «fiction,» and «facts» are, as the word implies, «made» by those who use them.

Distinguishing works as fact or fiction is a social judgment, a judgment derived from criteria rooted In one's social system.

It's important to separate fact from fiction when it comes to the care of your little one, so here are some important details about the condition, how to give your baby some relief and how to handle it as a parent.

Schizophrenia could be one of the «most misunderstood illnesses in the UK» according to the charity Rethink Mental Illness as it releases new figures which show 90 per cent of us can't separate fact from fiction.

Some artists have flirted with φ, but as with the Greeks and their architecture, you have to be careful to distinguish fact from fiction.

While in the womb mammals such as humans... Continue reading From Science Fiction to Science Fact

To help online daters discern fact from fiction and guard their hearts, Ikka says there are at least five red flags to look for when perusing profiles (while keeping in mind that her remarks are generalizations and that there are exceptions as well as alternate perspectives, intentions, and interpretations).

It's scarier, in fact, because The Staircase isn't based on re-creations but on original footage, a front - row view of legal truth as it's feathered into existence, manufactured from guesses and conjecture, and sold to a jury as more or less believable fiction.

Late in the film the head of the Democratic party proclaims that he doesn't understand God's plan - of course he doesn't have the perspective of the true insiders who shape and twist fact and fiction to achieve their desired goal... from the campaign manager's point of view, God's plan is all too obvious and the morality... win at all costs as long as you believe in the cause.

In fact it's a title that could have benefited from existing as an entirely new IP as opposed to being tacked onto the existing fiction.

In the second half, as William attempts to sift fact from fiction, the audience is willing to try and find some answers too.

He and screenwriter James Vanderbilt take great care in separating fact from fiction, or even speculation, ensuring their combined screenplay and subsequent picture was as close to the truth as they could possibly get, in a case where the truth remains elusive.

«A unique hybrid wherein fact is projected through a prism of fiction as both a mechanism to educate outsiders and heal from within.»

In The Fifth Estate, Berg is projected as the «stable guy who separated fact from the fiction» that came WikiLeaks's way, the guy who drew the line when it mattered, and the one who broke away when Assange crossed boundaries.

He made movies among communities other movies didn't know existed, about characters who were funny, resourceful and built from fact as much as fiction.

Historians would be first to note that the history lesson in Randall Wallace's (The Man in the Iron Mask, Pearl Harbor) screenplay is barely reminiscent of the facts (much taken from the Blind Harry poem, which is generally disregarded as romanticized folklore), but taken as a work of mostly fiction, it is still a rousing and well - executed tale of the inspirational fight for the right not to live under tyranny that has a universal appeal.

«Pulp Fiction» finally gets the Blu - ray treatment thanks to Lionsgate, and it's every bit as good as the movie deserves, with a director - approved high definition transfer that looks amazing, a 5.1 DTS - HD Lossless Audio track, and two brand new special features: a 43 - minute retrospective titled «Not the Usual Boring Getting to Know You Chit Chat» that includes interviews from several key cast members about making the movie, and a film critic roundtable («Here Are Some Facts on the Fiction») moderated by Elvis Mitchell.

Dr Maite Ferrin, Consultant Psychiatrist at ReCognition Health believes that parents and carers have a responsibility for educating their own children, showing them the positive and negative aspects behind social media as well as being able to understand fact from fiction and reality from enhanced.

She described part of her mission as one of helping parents recognize misrepresentations and to separate fact from fiction.

We want them to be able to discern scientific fact from fiction (in a world of fake news) and make informed judgements about how we should behave as responsible citizens on a global stage.

As a very loose rendition of historical fiction, it requires an ability to enjoy the suspension of belief in order to appreciate the humor, as well as an ability to look past the few offensive remarks to that are both poignant stabs at the time period as well as timely interpretations of the fact that prejudice and racism are far from deaAs a very loose rendition of historical fiction, it requires an ability to enjoy the suspension of belief in order to appreciate the humor, as well as an ability to look past the few offensive remarks to that are both poignant stabs at the time period as well as timely interpretations of the fact that prejudice and racism are far from deaas well as an ability to look past the few offensive remarks to that are both poignant stabs at the time period as well as timely interpretations of the fact that prejudice and racism are far from deaas an ability to look past the few offensive remarks to that are both poignant stabs at the time period as well as timely interpretations of the fact that prejudice and racism are far from deaas well as timely interpretations of the fact that prejudice and racism are far from deaas timely interpretations of the fact that prejudice and racism are far from dead.

The Afterward, as always, proved interesting in sorting out fact from fiction and in revealing some of Westerfield's purposes for altering history when he did.

When I first began reading «My Jane Austen Summer,» and in fact more than half - way through it, I was tempted to consider it as lightweight fiction with nothing I could take away from it.

Say what you like about Microsoft & Excel, spreadsheets are your only hope of separating fact from fiction, and analysis from emotion (as for Powerpoint, sigh...).

Retailers can help by providing accurate knowledge about the shampoos and conditioners that they offer, and helping customers separate fact from fiction — especially as it relates to ingredients.

«Weeding out fact from fiction in media images or online information as explored in the latest group show at the opening for What's the Story?

His list of connections is extensive and amusing: From a few odd comments Richard Prince made about Bob Dylan's Asia «work,» Prince's own discourse during a 2009 deposition on using pulp fiction book covers as image sources for his Nurse paintings, personal connections between the two and Bob Dylan's instinct to mess with journalists — as well as the fact that this work has nothing to do with the Bob Dylan we know — this could very well be just another staged rebirth of the artist.

Evocative of the information age's never - ending barrage of opinions, facts, and fictions, the proto - pixel technology adapted from commercial signage employs small diode lights to generate phrases that disappear as quickly as they arrive.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everythfrom the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is EverythFrom the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everythfrom Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

Influenced by the oral history of her family's arrival in the United States from the Philippines, and of growing up in the midwest, Palileo infuses her narratives with both memory and imagination: as stories and recollections are subjected to time and constant retelling, the narratives become questionable, somewhere between fact and fiction, even as they remain cloaked in the convincingly familiar.

2007 Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, NY Hammer Contemporary Collection - Part I, The Hammer Museum, Los Angeles, CA L.A. Desire (Part 1), Galerie Dennis Kimmerich, Dusseldorf, Germany Like Color in Pictures, Aspen Art Museum, Aspen, CO Painting as Fact - Fact as Fiction, de Pury & Luxembourg, Zürich, Switzerland Warhol and..., Kantor / Feuer Gallery, Los Angeles, CA The Complexity of the Simple, L&M Arts, New York, NY Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO Very Abstract and Hyper Figurative, Thomas Dane Gallery, London, UK Zbigniew Rogalski «Air», Galerie Almine Rech, Paris, France

By weaving together historical fact, autobiographical data or excerpts from science - fiction films and didactic books, they build narratives and stories which amalgamate relevant coincidences from the past, as well as foretell the future.

As the protagonist journeys from one place to another, linear time, fact and fiction, and the solidity of physical shelter constantly slip around her.

Her practice has been described as engaging in her own unique form of myth - making, one in which the interweaving of fact with fiction opens up possibilities for another group of symbolic female characterisations, markedly different from those that appear in either classical history or popular culture.

The Complexity of the Simple, L & M, New York, NY Fit to Print, Gagosian Gallery, New York, NY Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H&R Block Artspace, Kansas City, Art Institute, Kansas City, MO USA Today: New American Art from The Saatchi Gallery, Hermitage Museum, St. Petersburg, Russia L.A. Desire, Galerie Dennis Kimmerich, Düsseldorf, Germany Painting as Fact — Fact as Fiction, curated by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland Warhol and..., Kantor / Feuer, Los Angeles, CA James Turrell / Mark Grotjahn / Carl Andre / John McCracken, Galerie Almine Rech, Paris, France Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London, UK Like Color in Pictures, Aspen Art Museum, Aspen, CO [cat.]

The artists in the exhibition engage with a variety of media, drawing inspiration from diverse sources — such as everyday objects, childhood memories, current and historic events, and the body — often creating parallel or alternate narratives that complicate fact, fiction and memory.

If there are multiverses that are in fact coupled — quantum bundles of universes, that sort of thing (which is the basis of my story, it being a bit boring to write about a world where the Lord of the Rings Universe really exists as a parallel Universe, only you can't get there from here or ever prove it — then perhaps we might one day be able to demonstrate this, but in the meantime the question is more science fiction or fantasy than something to believe or disbelieve in very strongly, with the usual rational default: Lack of belief pending positive evidence!

When competing narratives emerge for a single court proceeding, it may be difficult to discern fiction from fact, particularly as the information travels further away from its original source.

His opinion piece, Separating copyright facts from fiction, followed by another blog post this week, The False Link Between Locks and Levies, are two in a series of blog posts and opinion pieces written by him recently that purport to expose as inaccurate statements made about Bill C - 32 by various individuals and organizations.

As a Portland renter trying to separate fact from fiction and working out in your head what the right call might be when it comes to this coverage option, you have everything you need to complete the task with confidence.

While the speed and accessibility of social media as content delivery platform has many benefits, it also presents some challenges, as more responsibility is placed on users to judge the truth and accuracy of stories and spot fact from fiction.