Sentences with phrase «fact paint fields»

Not exact matches

She pictures and explains the development, facts, goals, and meaning of American Color Field and its artists, including their very characteristic painting technique.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

The fact that Mr. Noland, a pioneer of Color Field painting in the 1960's, works in series and in a usually Minimalist mode of hard - edge abstraction sometimes brings the curse of formula to his compositions.

Their off - kilter takes on color - field painting might have pleased Al Held or Jules Olitski — whose daughter Eve in fact appears.

«Offers a great insight into sources of [Sasnal's] inspirations and fields of interest: painting about painting, figurative painting and portraits, the history of Poland and travel shots... The book itself is a journey full of facts and intriguing perspectives on materiality and subject matter of Sasnal's paintings and his way of deconstructing the different symptoms of current times... Jam - packed with fascinating personal stories and facts from the artist's life.

I can't help believing that Hoyland must have seen Frankenthaler's work, too, even if he failed to mention it to Gooding (this wouldn't be the first time that she's been left out of discussions of color - field painting, beyond the usual brief & grudging references to the fact that she started the whole school).

It is a fact that the young painter viewed Tobey's paintings in New York, silently studying Remote Field and Bars and Flails (both 1944) in particular.

As well as Constable's famous handling of Suffolk field and cloud it was the sheer «doggedness» of the work that appealed to Auerbach; that and the fact that, as a widower with seven children, Constable had managed to paint so very much.

While some pieces are gnarly tree formations isolated atop pedestals to illustrate their status, others are flat wall - mounted compositions made of cast broom clippings and quinoa, that create large color field paintings of, in fact, large colorful fields.

2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France

In fact, approaching the work from a close perspective, it's easy to see that the red fields were painted after the thin lines of different shades, not before, like everyone would probably assume.

His achievements as one of the luminaries of Color Field painting are all the more astonishing in light of the fact that he created his rich body of work in less than a decade, as his life was tragically cut short in 1962.

Her place in art history would be much greater than it is in fact had color - field abstraction genuinely become the painting of the future.

She was just twenty - three when she poured puddles of paint, in palely glowing colors, onto a cotton canvas to produce «Mountains and Sea» (1952), which is the Rosetta stone of color - field (it's in the National Gallery of Art, in Washington), despite the fact that it bears drawn lines and a redolence of landscape.