Sentences with phrase «facts after seeing the film»

Not exact matches

I enjoyed the movie when I first saw it many years ago, and there is great footage of the Rolling Stones sitting in an editing room after the fact and forlornly watching the stabbing which was caught on film.

In fact, after seeing the film, it strikes me as an embarrassing, juvenile reaction to an important work.

In fact, it almost, ALMOST made me want to go and re-watch the first film to appreciate that humor a lot more after seeing James Wan's world a little bit more completely.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

After seeing the film, I can attest to the fact that most of Bane's dialogue is understandable.

Recently, after seeing Love, Simon, filmmaker Xavier Dolan wrote on his Instagram page, «Let's not discuss the movie itself, but rather focus on its existence, and the fact a major studio has released a film on a teen coming out.

NYFF Director and Selection Committee Chair Kent Jones said, «Every year, I'm asked about the themes in our Main Slate line - up, and every year I say the same thing: we choose the best films we see, and the common themes and preoccupations arise only after the fact.