Sentences with phrase «facture as»

In the NY Sun David Cohen writes that the real enigma of Murphy's treatment of the perceived world is that she is «neither hyperrealistic nor impressionistic, nor is she so remote from her own facture as to achieve — or seem to want to achieve — total verisimilitude.

Not exact matches

Examples in this category include modified cellulose, in which the hydroxyl groups on the glucose residues have been substituted to varying degrees with alkyl groups such as methyl and propyl; fructooligosaccharides manu - factured from sucrose; and polydextrose synthesized from glucose.

Recurrent throughout 8 Painters are stylings on past painterly marks and movements, not so much placed in quotations as absorbed into a work's facture... It's a hopeful sign that the artists in [the show] demonstrate a critical distillation of influences that inform their particular sensibilities, philosophical outlooks, and relationship to materials — not making any great claims, just proceeding in a personally deliberate way.»

More facile interpretations of the latter half of this characterization have positioned Reinhardt as a proto - Minimalist, citing his pioneering use of many of the movement's shibboleths: modularity, seriality, monochromy, impersonal facture, etc..

And so despite the substantial number of non temporary three dimensional sculptural objects he's produced - particularly over the last half - dozen years - I've always tended to regard him more as a maker of scenarios than of things, and his project as one devoted to performance and its documentation rather than to conventional facture.

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9

The monumentality of the dour monochrome composition was undermined by wobbly junctures and uneven facture, as though Butzer were demonstrating the absurdly arbitrary relation between his application — sometimes heavily impastoed, sometimes thinly glazed — and the static frame of a repeated motif.

Thomas's layered facture process begins with a photographic portrait that is translated into a collage, and ultimately reenvisioned as a painting.

The leveling of the definitions of what constituted a composed «picture» to the less determined plane of process was, after all, Pollock's most important legacy to an American preoccupation with facture, which Donald Judd famously termed as an art that was «coextensive» with the phenomenal world.

It was only later that I became sufficiently attuned to painting as a medium to recognise fully the richness and complexity of facture alone of the encaustic works.

Projects in progress include solo presentations of work by Erwin Redl, Tobias Putrih and MOS, Katy Moran, Joel Morrison, Nathalie Djurberg, and Paul Sietsema, as well as a Facture and Fidelity: Painting, 1945 - 2013, co-organized with Katy Siegel, which will open at the Wexner Center in 2013.

I don't see them as anti facture so much as more linear — which is just as much a «painterly» quality as thick or heavy applications of color.

Assonances and dissonances such as this, occurring at every scale and within every subset of the whole, create an experience so laden with meaning that one is spared dwelling on questions about the work's facture or the artist's biography or theoretical agenda.

Despite their robust physicality, the absence of traditional gesture, and the sheer uniqueness of their facture, these works can be discussed in terms of process inasmuch as the studio is today more than ever a mediated site that informs the reception of painting.

Among his chief concerns is the «scene of production» as a way of presenting art and highlighting facture (the process of «making» rather than for example, mimesis or representation of anything but the work itself).

Taaffe's second show with this gallery finds him reasserting his powers of scale, complex Miró and Paleolithic pictographic structure meets Islamic design and alien worlds of floating shape, but as much as I adore some of these new works (especially Choir and Glyphic Field), I myself am missing the one last layer of the paperlike auras and palpable facture of his work from so long ago.

Recurrent throughout 8 Painters are stylings on past painterly marks and movements, not so much placed in quotations as absorbed into a work's facture.

Here's what they will tell us: for abstract painting look elsewhere (narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and film and video will «be selected from the point of view of two curators of contemporary art.»

The particulars of Rothko's facture are as much a part of the «basic approach» as the color and configuration.

As the latter continue to expand both in terms of facture (higher - quality CGI, filming via drones) and how they're nested in the expansive installations he produces with Lizzie Fitch, Trecartin is branching out in other directions: this year, he cocurated the New Museum's Triennial, Surround Audience, which unsurprisingly was filled with artists negotiating the ravages of the digital age.

The choice is dictated to some extent by the fact that Newman worked at times with extreme formats — canvas widths fluctuating between 18 feet and 1 1/2 inches — which defy appropriate reproduction, particularly in this medium, as does the subtlety of the facture of his paintings.

You mentioned Sean Scully as somebody whose work interested you... your works are highly finished yet the facture is evidenced in a reductive way.

In her mark - making, the lush facture of her work can be related to vanguard practitioners of 80s abstraction such as Bill Jensen, David Reed and Mary Heilmann.

The two dimensional paintings, usually on plywood, look like they were factured on the horizontal, either on the floor or on a table, and the images, in so far as they are images at all, look less composed than arrived at through operational processes.

Recessions and reliefs appear to shift, calibrated lines dissolve into irregular forms — the viewer alternately perceives physical facture and optical phenomena as they approach and retreat from the surface.

During hydraulic facturing, known as fracking, large volumes of fluid are pumped underground to pressurize and break rock, thereby releasing trapped natural gas.