Sentences with phrase «facture with»

Not exact matches

Except, Queens is historically a factured organization, with an intra-party battle dating back years now.
Examples in this category include modified cellulose, in which the hydroxyl groups on the glucose residues have been substituted to varying degrees with alkyl groups such as methyl and propyl; fructooligosaccharides manu - factured from sucrose; and polydextrose synthesized from glucose.
Christopher Bedford writes that «Many of the most challenging painters working today — Dana Schutz, Daniel Dove, Lisa Sanditz, and Tom McGrath, for example — are disparately engaged with one central (albeit multifaceted) question: What is at stake in negating intelligible mimetic imagery with passages of pure facture and, inversely, in undermining the autonomy of materials and process with overt images?
The affect reeks with a kind of abdominal essence, a respite from the normative facture found in earlier paintings.
There are overlaps with Sascha Braunig's mind - bending compositions, but Ms. Baldwin's paintings have more texture and facture.
The recent works are lush, with high - key color and sometimes with thick facture, playing pictorial approaches against literary associations.
It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9
When coated with paint, the cheaply produced newsprint buckled, creased, and roiled in unpredictable ways, effecting a highly variegated, slightly shimmering surface that caught the shifting light and shadows of its environs and produced an elegant study in the interrelated categories of «structure, texture, and facture» 8 emphasized by Albers.
In 1985 Richter said that he was ready to «try out my abstract works in printmaking but in a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facture.
Thomas's layered facture process begins with a photographic portrait that is translated into a collage, and ultimately reenvisioned as a painting.
The leveling of the definitions of what constituted a composed «picture» to the less determined plane of process was, after all, Pollock's most important legacy to an American preoccupation with facture, which Donald Judd famously termed as an art that was «coextensive» with the phenomenal world.
«1950 - T shows the artist's signature painterly facility, with its characteristic facture that is applied with a scrapping and cutting palette knife rather than laid down with a brush.
2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece
Projects in progress include solo presentations of work by Erwin Redl, Tobias Putrih and MOS, Katy Moran, Joel Morrison, Nathalie Djurberg, and Paul Sietsema, as well as a Facture and Fidelity: Painting, 1945 - 2013, co-organized with Katy Siegel, which will open at the Wexner Center in 2013.
With their restrained facture and emphasis on commonplace subjects, these works offered an alternative to the visual and critical rhetoric of Abstract Expressionism, the dominant mode of painting in the 1950s.
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity...
Assonances and dissonances such as this, occurring at every scale and within every subset of the whole, create an experience so laden with meaning that one is spared dwelling on questions about the work's facture or the artist's biography or theoretical agenda.
Taaffe's second show with this gallery finds him reasserting his powers of scale, complex Miró and Paleolithic pictographic structure meets Islamic design and alien worlds of floating shape, but as much as I adore some of these new works (especially Choir and Glyphic Field), I myself am missing the one last layer of the paperlike auras and palpable facture of his work from so long ago.
«Combining a handmade aesthetic with a range of materials, the works in «Facture» manipulate spatial perception and challenge the distinctions between sculpture, painting, photography, and video.
Yet with time, reading gives way to a scrutiny of pictorial concerns: problems of mark - making, facture, and color that, for all Bochner's so - called Conceptualism, have almost always grounded his work.
My particular painting practice demands uniform precision of the painting facture that frees the observer to concentrate on color effects which suddenly and spontaneously alter with viewing distance and duration.
Facture and process meet with enthusiasm, and the physicality of painterly construction is left raw and open — so to be entirely legible.
The drawing to the figures only shows what happens when you go BACK to figuration — how really weird all the traditional concerns with tone and volume, proportion and depth look once you're locked into a certain kind of facture.
As the latter continue to expand both in terms of facture (higher - quality CGI, filming via drones) and how they're nested in the expansive installations he produces with Lizzie Fitch, Trecartin is branching out in other directions: this year, he cocurated the New Museum's Triennial, Surround Audience, which unsurprisingly was filled with artists negotiating the ravages of the digital age.
The choice is dictated to some extent by the fact that Newman worked at times with extreme formats — canvas widths fluctuating between 18 feet and 1 1/2 inches — which defy appropriate reproduction, particularly in this medium, as does the subtlety of the facture of his paintings.
They tell a story, and they do it with lots of the sort of stuff painters hanker after nowadays — facture, washy brushmarks, pentimenti, painterly quiddity, etc., all wrapped up in a bold and semi-abstract style.
Her large canvases incorporate drawn elements — linear gesture, repetitive line, intimations of depth — but in a distinctly painterly manner, with great sensitivity to facture and tonality.
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