The starting point of this exhibition was the 1918 painting by Russian artist Kazimir Malevich, titled White on White, which Sussman interprets as beginning a chain of
failed utopias including modernist abstraction, the Soviet Union, and the space race.
Not exact matches
In the works
included in the exhibition, twenty - eight artists express a varied fascination with city planning,
failing modernity and its
utopias, social and economic pressure, and the anonymity of everyday life and its worn - out routine.