Sentences with phrase «fair shot this time»

Not exact matches

The city is large enough, and enough time has passed since the shooting, he said, «that we ought to be able to have fair and impartial jurors.»

Putting himself at left - back, it's fair to say Carlos is an all - time great in terms of attacking left - backs, known for his thunderous long - range shots and free - kicks.

Zaha has been rated highly in the United Kingdom for some time, and was even signed by Manchester United previously, but he wasn't given a fair shot, and was sent out on loan after only half a season, before being allowed to re-join Crystal Palace a year after he had left them.

Going into three minutes added time, Elneny had a wild shot well over the bar, and Giroud seemed keen to nick one, but it is all over, and it is a fair result for the Arsenal reserves....

He's had a more than fair shot, the cups did buy him more time but a league challenge should have been seen by Arsenal.

Even the players who have essentially no shot at ever making it to The Show — the career minor league guys, the ones who will retire to focus on their families after only a few years — deserve to be paid a fair wage during their time in small cities paying their way through season after season of minor league ball.

Just give each a fair shot before you switch to another (and don't pull out too many tricks at one time, or you'll overload baby's circuits — and step up the crying you're trying to stop).

«Everyone deserves a fair shot at renting an apartment in New York — especially during a time when many are struggling to find affordable housing.

We just want a fair shot so we don't have to work three or four jobs so we can spend time with our children,» said Lisa Johnson, homecare worker with Bestcare.

But giving each of your dates a fair shot means that it's important to take your time and see how things unfold between you.

To be fair, Jackman and first - time director Michael Gracey (who relies far too heavily on smiling reaction shots) clearly haven't set out to make a factual, period - specific biography of Barnum.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

There were times where teleporting aliens and point blank shots with 99 % hit rates missed that made me rage from its unpredictability; some might say it's part of the charm, but thankfully XCOM has always (mostly) been fair in its combat, and I found that true.

It's time for YOU, the author, to take the time to educate yourself to do it right; it's not only fair to the hard - working self - publishing community, but it's giving your book the shot it needs!

However, if that's so (Jane, of course, you can jump in at any time and smack me for misinterpreting you if I am) it seems misplaced to bring up any variant of fanfiction in response to a comment about why someone with a book of a * publishable * genre would give up on attempting traditional publishing before giving it a fair shot, and self - publish (or get scammed), out of the conviction «No real publisher will want this, it's too edgy / unique / etc.».

(That's not exactly fair, I should also point out that it's because, in this business arrangement the author calls the shots and most first time authors make terrible choices, even when the people they hire for help try and get them to make better choices.

When this legislation was blocked by Republicans, he proclaimed, «This bill would have benefited thousands of new Mexicans... It's time to give them, and everyone who's working hard to get ahead, a fair shot to succeed.»

CASA is a limited admission animal shelter and we may limit the number of Pit Bulls or Pit Bull mixes at any given time in order to give our current ones a fair shot at finding a home first.

I hope they do the Final Fantasy HD remake first though and not a sequel... the game has had it's fair share of extra content for that world it's time to give other FF games a shot I hope they remake FF7 and then they get started straight away on FF8 and then FF9 Imagine the Garden Battle in HD

To be fair, the game slows down time to allow the player to line up just the right shot, but it's still not an element that translates well to muscle memory and useful reaction time.

Oxenfree also has it's fair share of in - game puzzles that while not difficult or challenging, definitely succeeds in shaking up the formula much like a Telltale game traditionally would with a shooting section or quick time event.

I've spent a fair amount of time in the past with games such as Duck Hunt and Time Crisis so I felt at home right away with The Shtime in the past with games such as Duck Hunt and Time Crisis so I felt at home right away with The ShTime Crisis so I felt at home right away with The Shoot.

Bardo museum shooting; Regional museums in crisis; Changing times for Helsinki's museums; Richard Long on mud and mark - making; and art fair highlights

Of course, Saltz's wife, Roberta Smith, writes admirably for an even more prominent rival publication, The New York Times — which just in time for the art fairs profiled artists funded by Prada, all staged as a fashion shoot.

In projects for Burton's clientele (French Vogue, Cocky Boys, Tom Ford, Wrangler Europe, Vogue Hommes International, Naughty America, Colt Studio Group, Yves Saint Laurent, The New York Times, Hustler, Domus, Kris Van Assche, Vanity Fair, and Fantastic Man), he often acknowledges the cultural industries and their environments as a set (literally at times by shooting through its constructions as such), and his access to cultural producers and pop iTimes, Hustler, Domus, Kris Van Assche, Vanity Fair, and Fantastic Man), he often acknowledges the cultural industries and their environments as a set (literally at times by shooting through its constructions as such), and his access to cultural producers and pop itimes by shooting through its constructions as such), and his access to cultural producers and pop icons.

, Dazed 2016 Spellbinding Pieces at the 2016 SPRING / BREAK Art Show, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015 Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, MTime on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, Mtime in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an Installation, Metal

Absolutely (2016) showed Donald Trump shooting golf balls into flame - colored skies; Rirkrit Tiravanija painted the phrase «The Tyranny of Common Sense Has Reached Its Final Stage» on November 9 editions of the New York Times; Blum & Poe placed Sam Durant's End White Supremacy (2008) on the wall facing one of the main entrances, forcing visitors to confront it as they walked in the fair.

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

Ya know, since there's clearly a need for working raw materials in near Earth orbit, and we're not going to catch an asteroid any time soon — perhaps it would be worth putting some loads of say water ice, or sheet metal, or nitrogen tanks, or something cheaper than a satellite, and making some test shots of this vehicle until they know for sure the fairing will pop off.

In order to run the increasingly power hungry titles or programs you typically have to forgo long battery life and instead accept a monster of a laptop that is plugged in a majority of the time, or you eschew any hopes of playing demanding games and shoot for a consumption and productivity device that will last you a fair bit and be more desirably diminutive.

By the time that «Let's just try this price» seller eventually lowers the price enough to be within shooting distance of fair market value and they get an offer, that seller has long lost the negotiating advantage.