Sentences with phrase «fair use of the material»

The United States Copyright Office provides a 24 - page PDF detailed paper regarding fair use of materials by educators.

That said, there is likely an argument for fair use of the material in the patent.

Not exact matches

Most of the sourced material on prudentpennypincher.com is posted according to the fair use doctrine of copyright law for non-commercial reporting, education and discussion purposes.

Futamura is proud to announce that San Francisco - based Alter Eco is using NatureFlex ™ packaging film as part of the compostable pouch used for their organic and fair trade quinoas.The pouch meets ASTM D6400 standards for industrial composting, and is made in large part from bio-based materials.

The Federal Court has said that when they look at what is «fair», they look at whether the copyright owner would be out of pocket, and whether the person used the material for commercial purposes.

Then comes the Mail, which he says just «steals» from other publications and goes «right up to the barrier of what is fair use of other people's material».

It is believed this constitutes a «fair use» of any such copyrighted material as provided for in section 107 of the US Copyright Law.

Fair Use Notice: This site may contain copyrighted material, the use of which has not always been specifically authorized by the copyright ownUse Notice: This site may contain copyrighted material, the use of which has not always been specifically authorized by the copyright ownuse of which has not always been specifically authorized by the copyright owner.

4.1 The Licensee and Authorized Users may make all use of the Licensed Materials as is consistent with fair use under copyright law.

Moderate downloading, printing, or saving of material for personal, scholarly, or educational, noncommercial use is permissible, only to the extent consistent with the «fair use» doctrine.

In order to protect our rights to the materials that we have created, we ask that you adhere to our guidelines on fair use of our content.

We believe this constitutes a «fair use» of any such copyrighted material as provided for in section 107 of the US Copyright Law.

«I hereby state that I have a good faith belief that the disputed use of the copyrighted material is not authorized by the copyright owner, its agent, or the law (e.g., as a fair use).»

Episode, use of these materials are allowed under the fair.

The webmastes of this website claim no ownership to any material seen on this website and is used, to the best of their knowledge, under the «Fair Use» copyright laws.

The webmaster (s) of this website claim no ownership to any material seen on this website and is used, to the best of their knowledge, under the «Fair Use» copyright laws.

The webmaster (s) of this website claim (s) no ownership to any material seen on this website and is used, to the best of their knowledge, under the «Fair Use» copyright laws.

All pupils are involved in a number of other activities running concurrently - a few examples: writing eco-poetry, blogging, field trip to a shop that sells energy - saving products and solutions, an energy audit, creating a garden «implement» (using 70 % recycled materials), and preparing innovative upcycled products for the BESOC Fair in October 2010 (recycling fair held at an eco-park in a neighbouring subuFair in October 2010 (recycling fair held at an eco-park in a neighbouring subufair held at an eco-park in a neighbouring suburb).

The assumption is that because academicians are in the business of educating that any material found is fair game for use, but not in every case.

Educational institutions are also granted limited use of copyrighted material through fair use guidelines.

An understanding of the concept of fair use of copyrighted material is a key factor in determining what may or may not be copied.

Furthermore, section 107 lists the following criteria for evauluating the fair use of copyrighted materials in an educational setting:

If students have become familiar with concepts through exposure to them in the classroom, the use of those concepts as topics and contexts in test materials is fair, even if some students have not been exposed to the concepts through their life experiences.

Engineers also «significantly optimised» the centre of gravity position versus the old R, using carbon - fibre composite material (CFRP) for the roof, front cover and fairing, wheel arches, doors, side and tail sections as well as the rear cover.

Fair - use guidelines apply for the use of book and journal covers, album covers, website screen images, and other promotional material in TW.

This is part of the fair use law, and you are able to use small things from copyrighted materials in your book, but be very careful.

I don't think it's fair to lump all people reading pirated eBooks into the same category, because many of them are victims of higher institutions of learning that force their students to buy course material written by the teachers and published in very small print runs, jacking the price of a hardcover textbook up to over $ 100 in many cases, with a new edition coming out every year, making any «used» book market obsolete.

While most of The World eBook Fair Materials are free of charge for any personal use via The World eBook Fair, note all copyrights.

The ruling came from a U.S. appeals court who said that the project is considered «fair use» of published material under copyright law.

1DollarScan has always operated under Fair Use, basically saying that a consumer has the right to have a different version of the material for his own use as part of the purchase price of the boUse, basically saying that a consumer has the right to have a different version of the material for his own use as part of the purchase price of the bouse as part of the purchase price of the book.

«Landmark Copyright Decision Defends Fair Use» (Nate Hoffelder, The Digital Reader blog) A judge has found that Georgia State University librarians» photocopying of materials was indeed legal under the academic provisions of fair use and did not violate copyriFair Use» (Nate Hoffelder, The Digital Reader blog) A judge has found that Georgia State University librarians» photocopying of materials was indeed legal under the academic provisions of fair use and did not violate copyrigUse» (Nate Hoffelder, The Digital Reader blog) A judge has found that Georgia State University librarians» photocopying of materials was indeed legal under the academic provisions of fair use and did not violate copyrifair use and did not violate copyriguse and did not violate copyright.

Your book can be copyrighted but still have things done with it: the US has some sort of fair use terms concerning copyrighted material.

Fair Use Needs To Be Protected & All Abusers Need To Be Punished (Torrent Freak) For all the stories we hear about copyright takedowns of material that is genuinely fair use, we forget that there are people out there abusing the process Fair Use Needs To Be Protected & All Abusers Need To Be Punished (Torrent Freak) For all the stories we hear about copyright takedowns of material that is genuinely fair use, we forget that there are people out there abusing the process tUse Needs To Be Protected & All Abusers Need To Be Punished (Torrent Freak) For all the stories we hear about copyright takedowns of material that is genuinely fair use, we forget that there are people out there abusing the process fair use, we forget that there are people out there abusing the process tuse, we forget that there are people out there abusing the process too.

It is the user's obligation to comply with all applicable laws, including, where necessary, seeking the advice of counsel regarding the application of the fair use doctrine to the proposed educational use of materials.

Fair use offers a defense for limited, transformative uses of copyrighted materials, and parodies are usually offered the most leeway under current law and legal precedent.

This material is used under Fair Use to better present our content to the fans of the website.

They use a very large chunk of source material, far more than «fair use» allows.

Still, while Lawrence's appropriation of promotional material may never legally constitute fair use, the starched conservatism of Washington's carefully constructed persona most definitely constituted fair game.

Mr. Prince, well - known for recycling advertising photographs and other commercial imagery in his work, argued that his appropriation should be allowed under the fair - use exceptions to federal copyright protections, which permit limited borrowing of protected material for purposes like commentary, criticism, news reporting and scholarship.

You may use this Site and the content thereof for noncommercial educational and personal use and for «fair use» as authorized under copyright law, provided that you also retain all copyright and other proprietary notices contained on the materials and cite the author and source of the materials.

This decision absolutely clarifies that the law does not require that a new work of art comment on any of its source material to qualify as fair use.

Inventive use of unexpected materials seemed to be a theme throughout the fair.

Constructing work from materials such as lottery tickets, trophies, travel posters, romance novels, art fair booths, and art shipping crates, Ghost of a Dream transforms these items, supposedly drained of their use - value, into sculpture, video, and two - dimensional meditations on material and symbolic value.

Wall power in a fair is essential, and a pair of fascinating works by Robert Rauschenberg that uses the application of tarnish to brass and copper became beacons not just for fans of the masterful artist but for anyone attracted to the inventive use of materials.

For a commissioned project at the 2012 Armory Show in New York, for instance, Gates designed much of the fair's published materials and created spaces for conversation and social engagement, wherein he moderated pedagogical discussion using chalkboards and desks from an abandoned Chicago public school.

This Special commission for the art fair — a solo booth — will incorporate a three - projector version of Ripple, the piece Mark Moore Gallery exhibited at the gallery this past Fall using news - updates as source material.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Stuart Shave / Modern Art, which won the fair's Stand Prize this year, was showing a peculiar booth, combining pastel - soaked Rothko adaptations by Mark Flood, paired with a series of sculptures using washing machines and other industrial materials by Yngwe Holen.

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

Mr. Prince has argued that his use of the photographs should be allowed under fair - use exemptions to copyright protections, which allow limited borrowing of protected material for purposes like commentary, criticism, news reporting and scholarship.