Not exact matches
With the addition that it's a
fairly slow
moving film, I can see many viewers complaining about this picture and stirring up controversy.
Best known for his animation work in
films such as Ponyo, Howl's
Moving Castle and Spirited Away, he stays
fairly true to Mary Norton's 1952 children's novel The Borrowers upon which the movie is based.
That Let's Go to Prison remains
fairly entertaining throughout is clearly due in no small part to their efforts, and it's hard to entirely dismiss any
film that features a character singing along (quite badly, no less) to Technotronic's «
Move This.»
Disney previously issued DVDs for «Spirited Away» and «Howl's
Moving Castle,» both
fairly surreal
films for older kids and adults.
Though the
film moves at a
fairly slow pace, meandering towards its crackerjack ending, it's never boring, and that's to the immense credit of Garland's clever script and some excellent performances.
Though the
film moves at a
fairly slow pace, meandering towards its crackerjack ending via Caleb's sessions with Ava and his post-meeting debriefings with Nathan, it's never boring, and that's to the immense credit of Garland's clever script and some excellent performances.
You expect so little from the
film that you can almost see some good qualities in it, like the fact that is short and relatively fast -
moving and also
fairly coherent.
The
film moves at an effectively erratic pace: action in the real world
moves fairly swiftly, but once it's in the world of the mind, the pace becomes more languid, befitting the surrealism of dreams.
As the games are
fairly open in terms of story, the
film and predicted resulting universe certainly has a lot of freedom to
move around.