Sentences with phrase «fairy paintings art»

Not exact matches

Especially, the kind of art that is messy — finger painting, crayon melting, tie dying, noodles, collage, fairy houses, cardboard box forts, you name it!
(1) Pug painting — commission from Meagan Seith @Meigartista (2) Quote custom print (3) tropical leaves in black frame — Graphics Fairy (4) Abstract sea — custom artwork by me (5) Stag Print — B & Q (6) Vincent Van Gogh IRIS — print from the Metropolitan Museum of Art (7) Monstera Leaf — painting by me.
Tons of paintings both oil, & acrylic, abstract, landscapes, sculptures in stone, cement, polymer clay, 3D canvas art, rock sculptures, fairies, fairy house lamps and stash jars, as well as handcrafted soaps, lotions, candles, bath salts to die for and it's all natural ingredients!!
As she painted graceful fairies, ghosts and woodland creatures that played in colorful, mystical universes, her art friends called them lightweight and kitschy.
Far from being heavy from the weight of the themes explored, Selski's paintings have the joy and wonder that can be found in art forms that portray fairy tales.
Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?
The Los Angeles - based artist Matt Greene is becoming known for his ethereal landscapes of fleshy fungi and bushy bombshells, paintings that explore his favorite shelves in the library: vintage pornography, fairy tales, horticulture, horror films, nineteenth - century Symbolist art, and, of course, the history of Modernism.
He never received any formal training in painting or sculpture, and when he turned to art he sought to represent the fairy - tale creatures of his childhood on canvas.
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.
Some standouts included Davy and Kristin McGuire's whimsical holographic video sculpture from their Fairies series (Muriel Guépin Gallery); Chris Dorosz's Stasis 97 (Riot), an intriguing series of figures painted on a sculptural installation of acrylic rods, structured so the grouping conveyed a sense of three - dimensionality and movement (Scott Richards Contemporary Art); Lalla Essaydi's Les Femmes du Maroc: Harem Beauty # 1, a large chromogenic print triptych of a recumbent «harem beauty» in a full - length gown, rendered exotic with ink inscribed text over the surface of the figure (Jenkins Johnson Gallery); and Lava Thomas's Cloudscape Portrait 9401, a luminous laminated pigment print (Rena Bransten Projects).
2016 - May 4 - May 8 - Stroke Art Fair, Munich, Germany with Schwalbe & Schwalbe Artfair 2016 - January 9 - February 15 - Penumbra Studio, Loures, Portugal «8x8» group show 2016 - January 29 - January 31 - Golden State Tattoo Expo, California «the draw16» Groupshow curated by MICHAEL HUSSAR 2016 - February 13 - March 13 - Penumbra Studio, Loures, Portugal «The Dark One» group show 2016 - March 5 - March 26 - Alexi Era Gallery, Mascoutah, IL «Empathic» group show 2016 - March 19 - Gristle Art Gallery, Brooklyn, NY «Dystopian Forest» group show 2016 - April 2 - May 29 Art at the Hall, Aberdeen Scotland «Enchanted» group show 2016 - April 2 - April 20 Alexi Era Gallery, Mascoutah, IL «Gypsy» group show 2016 - April 16 - May 13 Penumbra Studio, Loures, Portugal «Perrault's fairy tales» Bad Apple Artist Collective group show 2016 - May Arch Enemy Arts, Philadelphia, PA «For the First Time group show 2016 - June 3 - Arch Enemy Arts, Philadelphia, PA «As Above, so Below» group show 2016 - June 4 - June 25 Avantgarde Tattoo and Art Gallery, Milano, Italy «PostcArt Show» group show 2016 - June 11 - Cactus Gallery, LA «Symphony of Wings» group show 2016 - June 11 - Modern Eden Gallery, San Francisco «Annual Portrait Exhibition» group show 2016 - July 8 - Arch Enemy Arts, Philadelphia, PA «Invisible Threads» group show 2016 - August 5 - Alexi Era Gallery, Eugene OR «Lowbrow Tarot Project II» group show 2016 - August 6 - Haven Gallery, Northport, NY «The Tempest» group show 2016 - August 13 - September 24 - Ars Memoria Gallery, Chicago, IL «RED» group show 2016 - August 13 - September 1 - Cactus Gallery, LA «Water» Groupshow 2016 - August 27/28 - Future Gallery, Lake Orion, MI «Pocked Size Paintings # 3» group show 2016 - October 29 - November 17 - Penumbra Studio, Loures, Portugal «All Hallows Eve» group show 2016 - October - Art at the Hall, Aberdeen Scotland «El Gato» group show 2016 - October - Haven Gallery, Northport, NY «Mission Blue» group show curated by Christina Ridgeway 2016 - December 3 - Future Gallery, Lake Orion, MI «Winter Gallery # 4» group show 2016 - December 10 - Modern Eden Gallery, San Francisco «Wanderlust 4» group show
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.
Her recent paintings and works on paper draw on her family's collection of auction catalogues, artist's postcards and a book of Victorian fairy paintings, which all feature historical landscape painting, enabling Acloque's investigation into our relationship to nature, the transfer of knowledge (public, private, between artists), and the consumption of art and objects.
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