Not exact matches
So, imagine my surprise to find that this holiday movie season has offered up not one but two Oscar - worthy, thoughtful
films that deal
with matters of
faith in an intelligent and exciting way: Gran Torino and Doubt.
Terence Malick's latest
film features an American (Ben Affleck) who falls
in love
with a French woman and a priest (Javier Bardem) who undergoes a crisis of
faith.
The movie deals
with faith, grief and doubt
in a way that continues the «Jesus themes
in other genres» trend that's been sliding into mainstream
films over the past few years.
In future
films, Woody says, he wants to deal
with faith and spiritual values as Ingmar Bergman does — maybe through a drama but also again through the (more difficult, he feels) serious - comical
film.
CNN's Fredricka Whitfield speaks
with the
film's screenwriter and a pastor
in this week's installment of Faces of
Faith.
Utilising interviews
with a number of prominent Christians
in high - level science, the
film addresses
in a three - part (totalling 90 - minutes) presentation the «big questions» which lie at the science -
faith interface.
The
film follows several pastors and popular fighters
in a quest to reconcile their
faith with a sport that many consider violent and barbaric.
The Broadcasting and Film Commission of the N.C.C. may make awards annually to
films of outstanding merit that, within the perspective of the Christian
faith, also (1) portray
with honesty and compassion the human condition — including human society
in its cultural environment — depicting man
in the tension between his attempt to realize the full potential of his of.
In an interview
with the Patheos blog Sister Rose at the Movie, he said that the
film was, «a meditation on doubt,
faith, a serious study about belief» and discussed how it impacted his own personal
faith.
This
film even comes
with a limited warranty, letting you know that the manufacturer has great
faith in their product.
While he was alive, Hawking had deep
faith in humanity's ability to solve problem
with ingenuity and creative thinking, and that
faith comes through clearly
in the
film.
With «Cedar Rapids,» the filmmakers seem to put too much
faith in their material, thinking that it would be funny enough to carry the whole
film without them having to put too much thought into the story.
The
film is evocative, intelligent, poignant, and delivers a good deal of clarity both
in the development of «On the Origins of Species» and on the complexities of Charles Darwin the man, who shook the world
with scientific theory, yet appeared more comforted by his
faith in family.
At once subtle and visceral, the
film never succumbs to the trap of the maudlin or tearful, offering instead
with its unflinching gaze a measure of
faith in the future.
Exploring loss of
faith in authority both earthly and divine, the
film deals
with some similar themes to those of Mr. Robot, but
in an even more enigmatic manner.
It is the first
in a trilogy («Paradise: Love,» «Paradise:
Faith,» and «Paradise: Hope»),
with the beginning
film set
in Kenya.
(
In Spanish
with subtitles) The Monastery (Unrated)
Faith - based documentary,
filmed over six - years, chronicles the efforts of octogenarian Jorgen Lauersen Vig, a spiritually - oriented virgin, to convert his Danish castle into a monastery for an order of Russian nuns led by the headstrong Sister Ambrosija.
It bets the house on them, gambling on the possibility that an old - fashioned morality play asking Big Questions about
faith, activism, and the futility of trying to save the world will pay off
in a moment when even serious American cinema — i.e.
films unconcerned
with Skywalkers or Infinity Stones — comes at least partially steeped
in irony.
No doubt — but it's that exact genus of hubris under the microscope
in The Fountain,
with its three interwoven storylines concerning the courage to explore new worlds armed and shielded only (and enough) by dogged, ragged
faith, and so Aronofsky's arrogance becomes, only as it should be, the connective fibre that binds his
film together.
Most effective
in the progress of the
film is the way the characters» lack of
faith mirrors the viewer's skepticism: We are not satisfied
with merely being told that the elevators can not get past the burning 81st floor, that the emergency stairwell is impassable, that the wind is too high for a helicopter to land on the building's roof.
But
in Abduction these «leaps of
faith» occur so often, and on such a noticeable scale that they severely detract from any engagement
with the
film, ultimately becoming its greatest letdown.
Outstanding performances from the female leads carry the
film through its dizzying twists and turns, underlaid
with a wicked streak of black comedy and an unexpected
faith in the power of true love.
Fresh off her Oscar for Fargo, Frances McDormand seems intensely uncomfortable
in the role of a Russian Jew, while Pauline Collins, Juliana Marguiles, and Jennifer Ehle do their best
with one - dimensional war -
film constructs (the religious one of quiet
faith, the brassy American, the girl pinning her hopes on her flyboy boyfriend).
Hitting that sweet spot between comedy and tragedy, this
faith - restoring German
film conjures moments of surreal hilarity out of a somewhat bleak situation: an estranged dad adopts a jokey new persona
in an effort to connect
with his miserable, corporate - slave daughter,
with increasingly unpredictable results.
EE: I continue to try and select excellent
films that could suffer without a great score and offer my helping hand, because I'll be completely honest
with you, I don't have a lot of
faith in the other
film composers out there.
In recent years, there's been a mini trend of
faith - based
films concerned
with proving the existence of heaven.
With this
in mind, Elena Lazic, Manuela Lazic and Paul Ridd have conducted a full survey of cinematic King iterations, ranking by quality and
faith to the writer's spirit
in order to get some sense of the enormous wealth of Stephen King content available on
film.
For what it is, The Reaping will probably meet well
with those who like religious - based horror
films, particularly those that have a rooted dilemma
in a
faith vs. science foundation.
First Reformed's final minutes are untidy, but
in all of its exaggerations, the
film persists
in its seriousness about the survival of the soul
in hard times and its portrait of a flawed man who can't reconcile a troubled world
with an uncompromising
faith.
But for as much
faith as Soderbergh has placed
in the tough - as - nails newcomer, it was smart to surround her
with actors like McGregor, Fassbender and Banderas, who will undoubtedly improve the
film beyond the typical January fare.
A tender drama performed entirely
in Yiddish [
with English subtitles], the
film intimately explores the nature of
faith and the price of parenthood.
So, along
with his brother, Stephen, and fellow pastors Michael Catt and Jim McBride, he co-founded Sherwood Pictures
in order to make their own
faith - based
films.
The
film is marked by some fine performances, not least from veteran TV actress Siobhan Finneran (last seen
in Happy Valley) as a single mum and true believer trying to reconcile her
faith with the practicalities of raising two teenage girls.
James Choi's
Faith in Destiny looked to be an interesting and complex
film about a man struggling
with the misfortune and temptations life throws at him; instead this beautifully shot
film was let down by a poor narrative and...
I loved the way escapist fantasy tangoed
with brute consequence
in «The Shape of Water» and «The Florida Project,» two
films that have nothing
in common other than heroines desperate to keep
faith with innocence
in a fallen world.
So while Annihilation bypasses cinemas
in this country, do call out the movie industry for its lack of
faith in filmmakers and
film lovers; petition Netflix to team up
with Curzon cinemas more to release its original movies theatrically
in the UK; support smaller titles that do have cinema releases where possible; but don't spend your time lamenting the decline of cinema when the art of the visual medium is alive and kicking through Annihilation,
in US theatres and on UK computers, phones, tablets and TVs.
Though it couldn't be more different, the
film shares its optimism
with Michael Haneke's Caché, placing its
faith in the next generation to rediscover, not invent, resourcefulness and the hopefulness to employ it to affect a more positive outcome.
With very few concerns for parents, other than the onslaught of animated martial arts violence, the
film offers a feel - good tale about building
faith in oneself and believing
in the talents of others.
- Audio Commentary:
with Maureen O'Hara - AMC Backstory: MIRACLE ON 34th STREET: This is a look at the movie by AMC and how the studio had no
faith in the
film.
Rush is a dud of a
film that really stomps on whatever
faith was left
in Ron Howard's filmmaking virtues, but Brühl is reason enough to see it, and his nominations from SAG and BAFTA, whose memberships significantly overlap
with those of the Academy of Motional Picture Arts and Sciences, prove that voters are.
by Bryant Frazer Death Wish director Michael Winner tried his hand at a boilerplate horror flick
with The Sentinel, another
in the long - running cycle of American horror
films that doubled as scary religious propaganda,
with the
faith of Catholic priests the last bulwark against harrowing incursions by Satan himself on our mortal realm.
In the film, Ford's preaching is ironically contrasted with the misery he causes, as if it were necessarily in bad fait
In the
film, Ford's preaching is ironically contrasted
with the misery he causes, as if it were necessarily
in bad fait
in bad
faith.
With a cultural quietness combined with the strength of an agile tiger, we are witness to contemplation, mindful journeying, and decisions of faith in this f
With a cultural quietness combined
with the strength of an agile tiger, we are witness to contemplation, mindful journeying, and decisions of faith in this f
with the strength of an agile tiger, we are witness to contemplation, mindful journeying, and decisions of
faith in this
film.
The Wedding Plan is a
film wherein the protagonist has an extended philosophical conversation
with her seamstress — a character who appears
in only one scene — about God, His will,
faith,...
A U.S. Dramatic Special Jury Award for Breakthrough Director was presented to: Maggie Betts, for her
film Novitiate —
In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles
with issues of
faith, sexuality and the changing church.
Martin Scorsese repays his fans»
faith with his most rewarding
film in years — but Passengers is a slight tale of lust
in space
This past year Walking On Water Films was involved
with the promotion of Bethany Hamilton's feature
film Soul Surfer, working
in conjunction
with the Sony Pictures
Faith marketing team to promote the
film's theatrical release.
THIS
film is the culmination of all that,
with a stronger activist voice, updated science content, inclusion of the
faith - based green movement — and a revisit of Louisiana, where every interviewee
in 2002 predicted devastation on a Katrina scale.