Sentences with phrase «fallen out of the paintings»

The gummies could also be seen as giant paint strokes that have fallen out of the paintings.

Not exact matches

The race between automation and human work is won by automation, and as long as we need fiat currency to pay the rent / mortgage, humans will fall out of the system in droves as this shift takes place... The safe zones are services that require local human effort (gardening, painting, babysitting), distant human effort (editing, coaching, coordinating), and high - level thinking / relationship building.

When several readers requested more beauty content and Nordstrom asked me to share their fall lipsticks on Design Darling, I figured the stars had aligned and it was high time I get over my fear of walking out the door with a painted pout.

My paint is chipping, the electronic seat button on the drivers seat has fallen off, the arm rest on the interior of the car always pop out of place.

Close inspection of Timmers» super-saturated paintings will bring a smile: The mother bunny is yawning so much that her tonsils show, crumbs are falling from the little bear's hunk of bread, and a giraffe sticks out from the top of the school bus.

Alice and her paintings were fixtures on the New York scene in the halcyon days, even when painting fell out of fashion.

This loss is compounded by the falling out of favour of a kind of criticism which systematically ignored what paintings were about, the modernist sort, practised by Clement Greenberg, Michael Fried and early on Rosalind Krauss.

, International Review of African - American Art 10, No. 2, Fall Lewis, Sarah, De (i) fying the Masters, Art in America, April, Cover Wiley, Kehinde, Top Ten, ArtForum, April Ross, Susan, The Kehinde Wiley Experience: White, NY Arts Magazine, 27 May Detrick, Ben, Paint it Black, Complex Magazine, April / May Yablonsky, Linda, Painting the Town, Time Out New York, 14 - 20 April Golfar, Fiona, A Season for All Women: Ilona Rich, British Vogue, April Abbe, Mary, Going for Baroque, Star Tribune, 18 February Wood, Eve, Kehinde Wiley Brooklyn Museum Review, Flash Art, January - February

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

His monochrome aluminum sculptures reflect an aesthetic similar to his paintings, and he continued to experiment with color fields and abstraction long after the style fell out of vogue.

His timing was lousy, from a career angle, dropping out as he did just when champions were needed to implement the idea of world - beating American painting falling into line with the cold - war vision of America's brave new free - world hegemony.

Student: What's happening in this painting is that there are two boxers, one of them has knocked the other wrestler out, and the one that got knocked out is falling into the crowd, and the crowd is going wild.

MTW I'm attracted to the knocks dealt by art critics to zombie abstraction: these paintings by Oscar Murillo and others, falling out from the market success of Wade Guyton.

Often rendered on unusually shaped canvases with paint layered so thick it seems three - dimensional, Murray's decision to stick with painting an a time when it had largely fallen out of favor with modern artists — along with her choice to ignore many of painting's traditional boundaries and labels — helped her to stand out.

Okechukwu Ofiaeli will work with visitors to construct and take home small sculptures made out of fallen Sycamore trees and paint.

If for any reason you fall out of love with your painting within 10 days of receiving it, we will be happy to give you a refund with no questions asked.

The exhibition, which runs through October 22, opens with six works from Anxious Audiences — paintings covered with grids of scrawled, apprehensive faces that grew out of the Anxious Men series Johnson debuted at New York's Drawing Center last fall.

Taylor De Cordoba is pleased to present last night, after the lights went out, we fell, a new group of paintings and a series of printed woodblocks by Los Angeles based artist, Frohawk Two Feathers.

Taylor De Cordoba is pleased to present last night, after the lights went out, we fell, a new group of paintings and sculptures by Los Angeles based artist, Frohawk Two Feathers.

But it is also a type of painting that was designed to climb out the hole of provincialism into which the German art had fallen during the Third Reich, and which persisted for at least a decade after the war.

Abstract painting, and to some extent abstract sculpture, is favored in museums and auctions — almost suddenly — an improbable rethinking of this contemplative and soulful work that fell out of favor during the noisy and long - running show known as post-Modernism.

And when we're confronted by a fiery painting such as the stand - out Falls of the Clyde (pictured above), 1840 (National Museums Liverpool; Lady Lever Art Gallery) we feel that the pairing isn't so out on a limb.

He surprised everyone by returning to Glasgow in 1987 but, in the decade that followed, his work fell out of fashion as painting ceded to the hyperbolic conceptualism of the yBas.

Mark Moore Gallery proudly presents Fall Out, an inaugural solo exhibition of paintings by San Francisco - based artist, Andrew Schoultz (March 2012 cover artist).

Drawing from the legends of history, mythology, the Bible, imperial conquest, or folklore, the genre was considered to be one of the highest forms of painting before falling out of vogue in the 20th century in favor of the avant - garde developments we known and love.

Ahead of her summer group show with Foxy Production and a fall solo show at Night, four paintings — evoking Tom Wesselmann cut - outs with their scrappy and material canvas glued onto canvas — were quickly sold on the range of $ 6,000 — 7,500.

Almost from the day they were first shown, Pollock's controversial black paintings have been commonly regarded as emblematic of a hugely important artist falling apart and flaming out.

By this time however, Bonnard's style of oil painting had fallen out of favour with the post-war world, which found his luxurious colours not fitting with the times.

I was discussing how painting had fallen out of favor for a myriad of reasons.

Marrying art history references and specific pop - cultural passions are key to Roberts» brilliance and in SOFT LIFE / HARD NITES we will see acrobatic amazonian women with hip - hop swagger pull shapes like they fell out of a Matisse painting and into the 21st century.

I was reading an article recently about Jackson Pollock, an abstract artist famous for his «drip paintings,» and I became intrigued when I found out his art falls under the category of «process art.»

Both artists have a deep emotional connection with people which led Jerome to pursue figurative painting - even when it fell out of vogue - and Joel - Peter to pursue erotically charged compositions with physically deformed models - even when it was misunderstood and caused controversy.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

The figurative paintings and sculptures have fallen through the folds of reason, have been flattened out, liquified and parceled into various shapes.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

His work fell out of fashion in the 1970s and»80s, but he made an astonishing comeback in later years when his paintings suddenly looked fresh and smart to younger artists, critics and curators.

Prentice assembles large canvases out of smaller vertical units, tightly joined together and painted in varying whites, which fall just below the threshold of distinct tint or tonal perception.

SELECT EXHIBITIONS — SOLO (S) GROUP (G) 2015 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Ian Hughes Paintings 532 Gallery Thomas Jaeckel New York, NY 2013 Ten Artists Adelson Galleries Boston, MA 2012 Untitled Art Fair, South Beach, 532 Gallery Thomas Jaeckel, New York (S) 2012 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2012 Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2012 Art Wynwood, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2011 Aqua Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2010 Inside Out, Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2010 Aqua, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2009 Paper in the Wind, curated by David Gibson, 532 Gallery Thomas Jaeckel, New York, NY (G) 2003 New Works on Paper, Victoria Munroe Fine Art, Boston, MA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY Watercolor: In the Abstract, conceived by Melissa Meyers, curated by Pamela Auchincloss and Alex Muse 2002 Michael C Rockefeller Arts Center Gallery, SUNY College, Fredonia, NY (G) 2002 Butler Institute of America, Youngstown, OH (G) 2002 Ben Shahn Gallery, William Patterson University, Wayne, NJ (G) 2002 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL (G) 2001 Hyde Collection Art Museum, Glens Falls, N.Y. (G) Nina Freudenheim Gallery, Buffalo, NY 1999 Surfing the Surface, DFN Gallery, New York, NY 1998 Abstraction in Process, Artists Space, New York, NY; (G) curated by Irving Sandler and Claudia Gould 1991 White Room: Paintings, White Columns Gallery, New York, NY 1991, White Columns Gallery, New York, NY 1990 Hall Walls, Albright Knox Museum, Buffalo, NY 1989 Climate «89, Condeso / Lawler Gallery, New York, NY 1988 Drawings, Massachusetts College of Art, Boston, MA 1985 Selections 31, The Drawing Center, New York, NY

In his painted tribute of 1849, Durand immortalized his mentor in death, at forty - seven, as the «Kindred Spirit» of both the poet William Cullen Bryant and the American wilderness, as Cole and Bryant look out over Kaaterskill Falls and the wilds of the Catskill Mountains.

Acrobatic amazons with hip hop swagger pull shapes like they fell out of a Matisse painting and into the 21st century, competing for attention with vibrant hand - carved totem poles that look like archaic incarnations of 90s computer game characters, and his earlier complex landscapes that stagger down the page in a torrent of spontaneous action.

We had set out to look at the new fall exhibitions, and moments later were at the Mnuchin Gallery on East 78th Street in Manhattan, taking in a show of historic abstract paintings by Morris Louis: his so - called «Veils,» their overlapping browns and greens soaked into the canvas like so much glistening lake water.

«Abstraction out of Bounds» begins with a response to two exhibitions from the time of its publication: the 1997 Whitney Biennial, and a show curated by Lilly Wei at the Newhouse Center for Contemporary Art at Snug Harbor, Staten Island, «After the Fall: Aspects of Abstract Painting since 1970.»

Also, In case anyone might have missed it, last fall the art critic Martin Gayford came out with the book, Man With a Blue Scarf: On Sitting for a Portrait by Lucian Freud by Martin Gayford that reveals what it was like having Lucian Freud paint his portrait over the course of seven months.

If you're interested in a paint project, or need to get out for the evening, check out our Workshop Schedule, our fall schedule is posted in store and we are in the process of adding the dates online — register online or stop in and visit.

I'm about to pull everything out of my living, dining and kitchen and finally get it painted so it will be a few weeks before I decorate for Fall.

even after we spruced it up too many years ago with a fresh coat of paint, new hardware, an island, new countertops and a new faucet (which leaked and rotted out the laminate countertop, but that's another story) not to mention that the cupboard doors are starting to fall off; so an overhaul is overdue.

Tha oak vanity needs a new coat of paint, the medicine cabinet's doors are falling off and the lighting is out dated.

Milk paint eventually fell out of favor with the invention of the paint can and modern, latex paint.

Creating my ideal B&B bedroom at home is actually on the calendar for this fall... we will soon be moving everything out of our room and patching and painting, redoing the wood floor, starting over with new bedding and window treatments.