The bonanza has already begun with «A Feast of Astonishments: Charlotte Moorman and the Avant Garde, 1960s - 1980s» at the Grey Art Gallery, New York University, a traveling retrospective look at the
famed «topless
cellist» who was, right up to her death in 1991, a daring artist and a visionary organizer of a passionately successful campaign for electronically - based multimedia art, which she helped to invent.