She will instead offer an assortment of new works by
familiar gallery artists.
Not exact matches
Gallery Tour of «
Familiar Places», the solo exhibition by San Francisco
artist Nathan Tan, A.K.A. Nate1
«Contrary to logic, it has been proven that a caricature of a
familiar face is more easily recognized than a realistic drawing of the same face,» according to the press release of this on - trend group show at
artist - run Chelsea
gallery American Medium.
Organized and chaired by
artist Sharon Louden, it brought to bear the expertise of a number of New York City's finest art mavens: the
artist and writer Sharon Butler, whose well appointed blog Two Coats of Paint will be
familiar to many readers here;
artist, former
gallery director, curator and current Director of the Elizabeth Foundation for the Arts Studio Program Bill Carroll; artist, curator and current Dean of The New York Academy of Art Peter Drake; and New York dealer, inveterate blogger and author of How to Start and Run a Commercial Art Gallery Ed Win
gallery director, curator and current Director of the Elizabeth Foundation for the Arts Studio Program Bill Carroll;
artist, curator and current Dean of The New York Academy of Art Peter Drake; and New York dealer, inveterate blogger and author of How to Start and Run a Commercial Art
Gallery Ed Win
Gallery Ed Winkleman.
When the Metropolitan Museum invited New Jersey - based Cole to participate in the second season of The
Artist Project, its online series exploring «what
artists see when the look at the Met,» what they are drawn to when they wander the institution's
galleries, he chose
familiar objects — wood Ci Wara sculptures.
Since 2006, thanks to the efforts of three
galleries — ARS LONGA, ART - RA, and EXPO - 88 — Dynnikov's works were presented in 25 exhibitions, including 12 solo shows, and the
artist's name became
familiar to a wide circle of professionals and public.
I wanted to reach out for the
familiar touch of Sheetrock, but in fact the
artist lined the
gallery with porcelain clay.
For nearly three decades, the
Gallery has sought to exhibit the work of celebrated
artists alongside those whose works were eclipsed by the
familiar historical narrative that focused almost exclusively on American art's European (patri) lineage.
The
artist continues his exultation of the
familiar — frayed urban palms in Florida, highway overpasses, subway stations — with a series of lively new paintings on view through May 23 at Kohn
Gallery in Los Angeles, marking his first solo show in the city in over a decade.
[Pointing to the artwork above her desk] I wasn't
familiar with the
artist of this piece, Poul Gernes, but I went into a
gallery show downtown, and I just loved it.
Artists like Sandu Darie and Loló Soldevilla are thankfully becoming more
familiar household names as new scholarship and
gallery exhibitions make their work more public.
Young Swedish
artist Sara - Vide Ericson is on show at V1
Gallery, with a series of new paintings and drawings depicting lonely figures within natural habitats at the frontier between the uncanny and the
familiar.
You may not be
familiar with the name Maria Lassnig, but a new exhibition split across the blue - chip giant Hauser & Wirth's two
galleries on Savile Row is bringing the Austrian
artist firmly centre stage.
Come join us at the Voltage
Gallery for our super opening of
artist MRBAs SUPER FRIENDS where you are bound to see
familiar faces and some fab fashion.
Collins - Fernandez: It's also interesting that the way in which you're talking about the Shed essentially being able to use commercial space to subsidize non-profits is also mirrored in the way in which many
galleries will have
artists that sell more work and then are able to support the work of
artists that don't sell as much or who are less known, so that there are similar,
familiar structures to what you're talking about.
Giacometti is a new favorite of Russian collectors like billionaire business magnate Roman Abramovich, but a person
familiar with the matter said that Mr. Abramovich wasn't the buyer of «Walking Man I.» Mr. Abramovich caused a stir at the Swiss art fair Art Basel two summers ago when he bought one of the
artist's 1956 bronze figures of a woman from New York
gallery Jan Krugier.
Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse
Gallery, National
Gallery of Art, Washington D.C. Strange and
Familiar: Britain as Revealed by International Photographers Manchester Art
Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art
Gallery of New South Wales, Sydney Intra-Action: Women
Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke
Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and
Familiar: Britain as Revealed by International Photographers Barbican Art
Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015
Galeri Zilberman
artist Ýpek Duben participated in the group exhibition «Aþina /
Familiar» at SPAS
Gallery at Sage Art Center in Rochester, New York from October 25th to November 16th.
Incline
Gallery is proud to present: 823 THINKING OF YOU It's a
familiar experience to be the only woman, person of color, or LGBTQ in the room during an
artist talk, group show, or performance.
Head of Sculpture and
Artist - in - Residence Heather McGill is showing
Familiar to Millions, an exhibition of new work, at Miller Yezerski
Gallery opens March 17, 2017.
One of my new New Yorker resolutions is to resist the inertia of the
familiar and explore new
galleries, new
artists, and new parts of town.
Glyndor
Gallery Sunroom Project Space
artist Tamara Johnson transforms everyday objects and structures, turning seemingly common or shared knowledge on its head; the
familiar becomes unfamiliar, yet the unfamiliar is experienced only through perceptions of the
familiar.
Only two of the
artists featured in the exhibition are
familiar to Londoners: Richard Diebenkorn was the subject of a 1991 exhibition at the Whitechapel
Gallery, and Hassel Smith, who moved to Britain in 1967, is represented in the Tate Collection.
While a number of the
artists or specific works might be
familiar to frequent visitors of the
gallery over the exhibitions year, Selected Works offers a chance to see certain pieces with fresh eyes and in a different context or dialogue with each other.
Despite the visionary nature of her work and association with
artists of great reputation, including Barnett Newman and Leon Polk Smith, Herrera's paintings were the subject of few exhibitions — until a large - scale survey at Ikon
Gallery, Birmingham in 2009 — a story
familiar to many women
artists of her generation, emerging during the post-war years.
And though she repeats what has now become a very
familiar refrain (the number of fairs is daunting; can
artists produce enough work; and, are art fairs are changing the
gallery model?)
While some of the fare is
familiar (major Twombly at Acquavella or Damien Hirst and Larry Gagosian making up), the byways of the 33 Focus and 18 Frame sections, where emerging
galleries and
artists are offered half - price booth space, are well worth the river voyage.
Gallery Docents become familiar with artists work and location within the g
Gallery Docents become
familiar with
artists work and location within the
gallerygallery.
This summer, the National Galleries of Scotland has mounted a show in collaboration with the Van Gogh Museum and the Ateneum Art Museum Finnish National
Gallery to organize a big exhibition of Symbolist landscape paintings from the turn of the 20th century, featuring work by Van Gogh, Mondrian, Munch and Kandinsky as well as «a number of less
familiar but brilliantly inventive
artists» from Scandinavia and Eastern Europe.
1984 Alibis, Centre Pompidou, Paris, France Richard Artschwager, John Chamberlain, Donald Judd, Daniel Weinberg
Gallery, Los Angeles, USA Idea, Tanja Grunert / Regine Tafel, Stuttgart, Germany Synthetic Art: The Big Show, Harm Bouckaert
Gallery, New York, USA 50
Artists / 50 States, Fuller Goldeen
Gallery, San Francisco, USA American Sculpture, Donald Young
Gallery, Chicago, USA American Sculpture, Margo Leavin
Gallery, Los Angeles, USA A Changing Group Exhibition, Paula Cooper
Gallery, New York, USA
Familiar Forums / Unfamiliar Furniture, First Street Forum, St. Louis, USA Sculptors» Drawings 1910 - 1980: Selections from the Permanent Collection (of the Whitney Museum of American Art, New York), Art Museum Aspen, USA / Art Museum of South Texas, Corpus Christi, USA / Visual Arts
Gallery, Florida International University, Miami, USA / Philbrook Art Center, Tulsa, USA Drawings, Barbara Toll Fine Arts, New York, USA Content: A Contemporary Focus, 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
Previously topped by
familiar names like
artists Damien Hirst and Ai Weiwei and
gallery supremo Larry Gagosian, the 2012 title went to Carolyn Christov - Bakargiev best known for curating the marathon Documenta 13 art fair staged in Kassel in Germany.
Halsey Mckay
Gallery of East Hampton is also bringing artists their gallery goers (along with New York City art audiences) will be familia
Gallery of East Hampton is also bringing
artists their
gallery goers (along with New York City art audiences) will be familia
gallery goers (along with New York City art audiences) will be
familiar with.
Eric Firestone
Gallery is bringing a slate of artists that will be familiar with exhibitions held by the g
Gallery is bringing a slate of
artists that will be
familiar with exhibitions held by the
gallerygallery.
Visitors to the
gallery will already be familiar with established Sarah Wiseman Gallery artists Daniel Ablitt, Dan Parry - Jones and Andrew Hood while Elaine Jones, Kate Evans, Abigail Reed, Serena Curmi and Clare Bonnet will be new introdu
gallery will already be
familiar with established Sarah Wiseman
Gallery artists Daniel Ablitt, Dan Parry - Jones and Andrew Hood while Elaine Jones, Kate Evans, Abigail Reed, Serena Curmi and Clare Bonnet will be new introdu
Gallery artists Daniel Ablitt, Dan Parry - Jones and Andrew Hood while Elaine Jones, Kate Evans, Abigail Reed, Serena Curmi and Clare Bonnet will be new introductions.
The works themselves explore and expand on this idea through the moving image, reflecting forward - thinking experimental tactics as well as more
familiar aspects of filmmaking; represented
artists and
galleries include Chris Burden (Massimo De Carlo), Carolee Schneemann (Hales
Gallery / P.P.O.W), and Christian Jankowski (Lisson
Gallery).
«Travels always insist on the unfamiliar against the
familiar, the foreign against that which is known and comfortable,» says American abstract
artist Robert Kelly, on the inspiration behind his paintings on view at Sophia Contemporary
Gallery, London - his first solo exhibition in the UK.
Early 1960s works by Argentine
artist Antonio Berni anchor a
gallery featuring such
familiar modernists as Diego Rivera, Frida Kahlo and Roberto Matta as well as one devoted to much younger contemporary
artists like Teresa Margolles and Oscar Muñoz.
Spanning two floors of the
gallery, this solo exhibition will showcase a selection of new and recent work, including a series inspired by
artist Francis Bacon, which integrates
familiar Murakami motifs — colorfully rendered eyes, mushrooms, characters — set against a platinum leaf background.
Across the river, two
artists - whose names are
familiar to few in the art world - open their first exhibition on Monday, in the crypt of St Martin - in - the - Fields in Trafalgar Square, on a budget that would not keep the Saatchi
Gallery in paperclips.
Takashi Murakami «Heads ↔ Heads» Perrotin 130 Orchard Street OPENS: Saturday April 28 Spanning two floors of the
gallery, this solo exhibition will showcase a selection of new and recent work, including a series inspired by
artist Francis Bacon, which integrates
familiar Murakami motifs — colorfully rendered eyes, mushrooms, characters — set against a platinum leaf background.
Puzzling for those
familiar with the
gallery's original architecture, the
artists have realized a maze - like structure, composed of four conjoined chambers that usher visitors through a range of senses and perceptual exercises.
Currently on display at Culver City's Anat Ebgi
gallery are the
familiar, yet intriguing color field paintings of Texas - born, New York - based mixed - media
artist Ethan Cook.
Cyprien Gaillard: «Today Diggers, Tomorrow Dickens» (closes on Saturday) The
familiar convention of giant, slightly altered, out - of - context ready - mades arrayed in a pristine
gallery is reiterated by an
artist best known for brutal videos that document the dehumanizing scale and effect of immense Eastern - bloc apartment complexes.
In addition to the Hockney exhibit at Pace, there is another piece by the
artist in the booth of the Offer Waterman
gallery from London, where an early oil on board painting titled Erection offers a decidedly different perspective on a
familiar artist.
In each case the
artists link their work to craft and a social context, experimenting with very known means — photography, painting, and
gallery installation — to arrive at something both
familiar and strange, continuing in an oblique way the methodologies seen in the two exhibitions at Martin - Gropius - Bau.