Sentences with phrase «familiar image of the art»

Not exact matches

High magnification provides some surprising views of the familiar, as well as providing images that could easily grace the walls of art galleries.

Failing that, it makes a Basquiat pop - art impression to subtly pervert familiar images — an instant credibility from an almost parasitic revisionism of which Ichaso's film seems to suggest Piňero was self - aware.

The Rollins section exists, it seems, solely to give us a series of familiar images of Dylan, from album cover art to iconic concert footage.

There are some images that resemble the Medal of Honor box art and then music that should sound familiar to any Linkin Park fan.

Katherine's images for this show are poetic close ups of familiar flowers, printed on fine art paper, suggesting the fragility and poignancy of all living things.

Portraying a pitchfork - holding farmer and a younger woman in front of a house of Carpenter Gothic style, it is one of the most familiar images in 20th - century American art.

There is a lingering feeling of the familiar — Pretzer assembles images from the rich history of art in his compositions to solve formal problems.

2011 Wander, Labyrinthine Variations, Centre Pompidou - Metz, Metz, France Terrible Beauty - Art, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, GermArt, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germaof Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germaof Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, GermaOf Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germart exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germaof Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germany

Sama Alshaibi has been awarded two production grants, Visual Arts AFAC Grant - Arab Fund for Arts and Culture (2017) and Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia series that, according to the artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.»

Looking through the images for Warsaw's Private Settings, Art after the Internet group survey, curated by Natalia Sielewicz, it's a disorienting trip through a recent and familiar past for any fan of this kind of contemporary aArt after the Internet group survey, curated by Natalia Sielewicz, it's a disorienting trip through a recent and familiar past for any fan of this kind of contemporary artart.

Bruce Gilden at the press view of Strange and Familiar: Britain as Revealed by International Photographers, Photo by Tristan Fewings / Getty Images for the Barbican Art Gallery

Jim Dow at the press view of Strange and Familiar: Britain as Revealed by International Photographers, Photo by Tristan Fewings / Getty Images for the Barbican Art Gallery

This is a very far cry from the immediacy of Abstract Expressionism's volatile surfaces, Pop Art's familiar, instantly accessible images, and Minimalism's in - your - face abstraction.

This familiar image was exhibited publicly for the first time at the Art Institute of Chicago, winning a three - hundred - dollar prize and instant fame for Grant Wood.

One image depicts a familiar work of art, such as a painting by Ed Ruscha, a sculpture by Sol Lewitt, or documentation of a performance by Carolee Schneemann.

The artist, whose solo exhibition «Sanctuary,» is on view at the Museum of Arts and Design in New York through Aug. 12, says the narratives of African American life and history in Lawrence's paintings are so familiar to him and his experiences that what really draws his attention is how he constructs his images, a defining element Thomas also emphasized.

Henry Moore will reveal the range and quality of Moore's art in new ways — sometimes uncovering a dark and erotically charged dimension that challenges the familiar image of the artist and his work.

The exhibition also features several of Stieglitz's own photographs, many of them familiar and iconic images demonstrating Stieglitz's passion for a modern approach to fine - art photography.

2004 Poetry and Its Arts, California Historical Society, San Francisco, CA Continuities, curated by Renny Pritikin, The Nelson Gallery, UC Davis, Davis, CA, I Love Music, Creative Growth Art Center, Oakland, CA The Gray Area — Uncertain Images, curated by Matthew Higgs, The Wattis Institute for Contemporary Arts, San Francisco, CA Un / Familiar Territory, San Jose Museum of Art, San Jose, CA

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

«He created art that merged European avant - garde abstraction with the energy of familiar American signs and symbols, thus setting the stage for Jasper Johns, Ed Ruscha, Barbara Kruger, and countless «word and image» artists who followed.»

Copeland's habitual use of familiar art historical motifs — the nude, the table and the skull, for example — allow him to explore the complications inherent to image - making and representation.

«The individuality that characterizes the work and the artists» methods of conceiving images independently of familiar styles, trends, or movements will appeal to a diverse audience interested in exploring new terrain in the art of the 20th and 21st centuries.»

The creative combination of nature inspired designs with vintage fabrics turn familiar images into unique art pieces and recycle crafts that impress and delight.