A manifold is just a space, with each point immediately around you looking like Euclidean space —
the familiar kind of space that we see around us.
Not exact matches
The Church can not be «a different
kind of economic
space» when most Christians are suffering from visual agnosia, an inability to recognize
familiar objects.
Unlike more
familiar kinds of waves, these gravitational ripples don't travel «through»
space; they are vibrations
of spacetime itself, propagating outward in all directions at the speed
of light.
For those perhaps not
familiar with the jargon
of the Martian astronaut community, crew selection protocols are what you use before a trip to Mars to determine what
kind of person is going to make a staunch and reliable crew member, as opposed to the
kind liable to — as we say in astropsychology — fall victim to
Space Madness, sell his soul to the onboard master computer, disembowel his crewmates somewhere deep in the black, unaccountable void, eventually landing on Mars only to scamper briefly across its surface, forgetting his helmet in a self - made diaper
of hydraulic cabling, and finally collapsing with a mouthful
of red dirt, advancing human understanding
of the Red Planet millimetrically, if at all.
Sitting around our custom designed pub bar the
space feels
familiar, like your local, «where everybody knows your name»
kind of pub.
Laura's particular use
of materials emerges from a compulsive desire to work them into a formed
space of some
kind, using a language that seems strangely
familiar to the natural world.
The influence
of scientific theory is present in
familiar grids and patterns upon which the images are built, and yet they possess a spontaneity and fluid movement in
space that breaks away from any
kind of rigid underpinning.
Today, through my anamorphic works I redesign the volumes
of any
kind of surface involved, thus causing with my paintings a temporary interruption
of normality by altering the perception
of familiar contexts, and so raising a different understanding
of spaces and, consequently,
of reality as a whole.»
Manfred Pernice (re) assembles these «
familiar» materials, which thus lose all
of their functionality, in what he describes as a
kind of «canning»
of objects and
space.
«Sometimes my paintings evoke really
familiar still - life objects,
kinds of spaces or even just abstract forms that have a
familiar sense
of weight or volume.
The nice thing was that everyone we worked with also was really
familiar with the firm, because they work in the same
space as us, and they see
kind of what our clients like, and they're pretty personal friends, many
of them.