In what could have been its final episode, Brooklyn Nine - Nine delivers a season finale that gives us Nine - Nine - brand humor,
familiar story beats, and a «bomb» wedding that makes us thank the TV Gods that this comedy treasure was saved from cancellation.
Unfortunately, the screenplay by relative newcomers Geneva Robertson - Dworet and Alastair Siddons (from a story by Evan Daugherty and Robertson - Dworet) is a mostly tired rehash of
familiar story beats and largely uninteresting backstory.
The chemistry between the main players is it's own kind of special effect, atoning for
the familiar story beats as the group make their way up the Eastern seaboard.
Despite a heavy reliance on
familiar story beats, «Star Wars: The Force Awakens» shines with fun and charm that's impossible to resist.
Apart from the trademark hand - drawn style and grotesque creatures, its mishmash of
familiar story beats feel more like a Hollywood production than the more eccentric Japanese visions we've come to love.
And it was unclear whether showrunner Bruce Miller would be capable of guiding the series beyond its Emmy - winning first season, even as the writers planted the seeds of revolution within Atwood's
familiar story beats.
The resulting drama showcases a remarkably strong vision in the confines of more
familiar story beats, but it's a testament to Cummings» maniacal performance that he manages to keep us engaged.
Not exact matches
That
story is of course already
familiar to many, including those from well beyond Tyneside: the «Entertainers» tag, new signings Les Ferdinand and David Ginola combining with existing talent to play scintillating football, the 12 - point lead in early January, the 4 — 3 defeat at Anfield still regularly hailed (rightly or wrongly) as the best game the Premier League has ever seen, Kevin Keegan's «I will love it if we
beat them» rant, a Cantona - and - Schmeichel - powered Man United scenting blood and recording a relentless series of 1 — 0 wins (including one at St James» Park in which we battered them senseless) to claim the title with all the remorselessness of a lion tracking down a wounded gazelle.
The film follows the usual trajectory of such a
familiar tale, but its focus is on the
beats in between such a
story's big moments.
There are some wonderfully tense scenes early on, and it does a good job of hitting all the usual
beats without feeling too
familiar, but «The Infiltrator» would be a lot more engaging if it was afforded the time to explore its
story, as well as the players involved, in greater detail.
The
beats grow
familiar; the
stories hum along... Continue reading →
Audiences are extremely
familiar with the kinds of
story beats that drive not just these «new» programs but the hundreds that came before them; buddy - cop and spy - guy moves have been remixed and repeated for decades, but these derivative works ignore that reality.
The finale is preordained, as the film moves toward an ending that sets up Carpenter's beginning, but the
story beats along the way are just as
familiar.
If the plot sounds
familiar, it's because the movie follows the same basic
story beats of the original, and while that's not as problematic as it would be for most sequels — after all, these guys are so dumb they transcend logic — there's something that just feels off about this installment.
It may just suffice as a sun kissed slice of distraction but in reality, there's not a
beat of this
story that isn't predictable or even tries to subvert the overly
familiar.
This is a very
familiar story, so
familiar that he skips across the predictable
beats in an elliptical fashion, focusing mostly on odd details.
Sure, some of the
story beats and characters are
familiar in the super-rigid superior district attorney (played by Alfred Molina), and the play - by - his - own - rules detective, but they've been proven to work over the course of cinema history.
This is the type of cinematic history lesson that's both socially relevant and highly entertaining, and although «Hidden Figures» hits a number of
familiar beats, there's nothing ordinary about the incredible true
story at the heart of it all.
The
story beats are simplistic and
familiar, but hold within them enough heart to keep you invested
Certain tropes and
story beats will be
familiar, but with a darker edge to it that could result in meaningful social commentary.
If you're not
familiar with
story structure or
beat sheets, you're in luck.
While the
story reuses a number of
familiar ShinTen
beats, there's also a bit of virtue in the plotline.
Fortunately, there are more than a few unintentionally hilarious moments scattered about, as the typically po - faced yet preposterous franchise hauls itself between
story beats now all - too -
familiar to COD players.
Luckily Akiba's
Beat has a nice balance between
story and dungeons, so you never really feel overwhelmed and by the time you find yourself saying «just get me out», you're usually out and back on the streets of Akihabara enjoying the sights, taking care of side quests, and getting more
familiar with the people around you as well as the
stories behind them.
In order to play Luigi's Balloon World, you'll have to have
beaten the main
story first, which is probably a good idea anyways so you're
familiar with the majority of places to hide balloons.