Sentences with phrase «familiar story of art»

It's a familiar story of art - world caprices, and one told candidly in the artist's recent memoir Bad Boy — cheekily titled, because by all accounts the soft - spoken Fischl is unfailingly decent — in which Fischl recalls the feeling of being «swept up and carried by something much bigger and more powerful than yourself.»

Not exact matches

This story, as I say, is a familiar one to students of art history, church history, or dogmatic history; and for the most part Besançon soberly follows the main contours of the narrative, adding to it only his prodigious learning and a pleasing narrative style.

A fascinating true - life story of reclaiming art stolen by the Nazis gets flattened into familiar, feel - good tropes

As such, the first half of Phantom Thread appears to pass along familiar lines: another story of a tortured male creative genius — yes, his gowns truly are gasp - worthy — taking out his art - fuelled frustrations and insecurities on a blameless female victim.

Return to a continent ravaged by conflict with a familiar - yet - refined tactical RPG battle system, a vibrant and evocative art style that portrays a living canvas of watercolors, and a gripping World War II - inspired story full of momentous triumphs, heartbreaking loss, and unexpected hope for the human spirit.

The final scenes atop some familiar Philadelphia Museum of Art steps are the ideal coda to a new underdog story that by all rights shouldn't be this magnificent, Coogler's Creed a thunderous success that doesn't just fly, it positively soars.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

She's glad that she returned to the familiar medium of fiction (she's the author of one previous novel, The Art of Seeing, 2002 and many short stories) because she says there are so many wonderful memoirs written by parents already - two of her favorites are Beth Kephardt's The Slant of Sun and Pat Stacey's The Boy Who Loved Windows.

She's glad that she returned to the familiar medium of fiction (she's the author of one previous novel, The Art of Seeing, 2002 and many short stories) because she says there are so many wonderful memoirs written by parents already - two of her favorites...

«Latimer does the trope justice and adds a nice twist to the story line: a last reveal that should make readers smile, playing off a rabbit's capacity to multiply... Bright art and boxy - looking critters will seem familiar to fans of Latimer's earlier books.

Anyways like always in art the ones who push are the ones that challenge conventions and trouble themselves to make something unique, either adapting and giving a new take to a familiar story or challenging the limitations of what's possible to do.

Fans of Telltale's «The Walking Dead» will find themselves in familiar territory: the game uses a similar art style to tell a story of complicated characters, unwinnable scenarios and heartbreaking choices.

But the familiar story is brought to new life in this gorgeous edition, a collaboration between the Louisiana Museum of Modern Art and artist Yayoi Kusama.

The exhibition tells a familiar story of aesthetic progress — from naturalism to abstraction to a plurality of contemporary art practices across media — but gives pride of place to the work of women and people of color.

This conspicuous placement demonstrates the exhibition's willingness to tell a less familiar story, highlighting aspects of Minimalist art that are sometimes obscured.

«Enter the permanent collection galleries of any museum of modern and contemporary art in the United States and it's likely you'll lay eyes on a familiar story: the muscular narrative of the Abstract Expressionists — Jackson Pollock, Willem de Kooning, et al. — attacking their canvases in their 1940s cold water flats, creating a distinctly American art out of drips and splashy brushstrokes, continuing through the pathways of»60s Pop (Andy Warhol) and»70s Minimalism (the metallic stacks of Donald Judd) before landing at the Neo-Expressionism of the»80s (Jean - Michel Basquiat and Julian Schnabel).