Sentences with phrase «family featured in the film»

Warner Bros. allegedly obtained the rights to the story from the Perron family, a family featured in the film.

What makes the case worse is that although Warner Bros. obtained the rights to the story from the Perron family — the family featured in the film — Sutcliffe did not even know about the film's existence until a friend mentioned it was in production.

Not exact matches

Not only does the feature have a good deal of franchise history behind it, but it also has the same advantage that all family films have, in that kids going to see the film will be dragging along their parents, ensuring extra ticket sales.

Last month, Ms. Powell Jobs and Mr. Guggenheim traveled to Washington with several young immigrants and their families who were featured in the film; the purpose of the trip was to screen the documentary for a group of lawmakers on Capitol Hill.

«Soul Surfer,» the feature film based on the true story of surfer Bethany Hamilton being attacked by a shark and her journey back to surfing, opened last weekend in the fourth spot on the box office charts - partly a testament to its appealing family - friendly message and a marketing campaign that heavily targeted religious groups.

Capturing three generations in the one picture by taking a photo that features a grandmother, daughter and granddaughter for example, makes the age difference become quite clear and in doing so, creates a wonderful family memory on film.

The DVD bonus feature also brings us up to date on the families in the film.

Kathy's company also produced Lost in Africa, a family feature film distributed by Columbia Pictures internationally.

By Brandy black Raising kids in a modern family with two moms, it is often difficult — okay, near impossible — to find children's TV programs or films that feature families like ours.

Written by Being John Malkovich scribe Charlie Kaufman, Human Nature was the feature debut from acclaimed music - video director Michel Gondry and featured Arquette as a woman cursed with a coat of fur covering her body.As the decade progressed, audiences could see Arquette in projects ranging from the star - studded documentary Searching for Debra Winger to the sleeper family film Holes.

Other previous projects include NBC's medical drama TRAUMA, Millennium Films» PRIVATE VALENTINE, opposite Jessica Simpson, FAMILY GUY, and GARY UNMARRIED with Jay Mohr, Adam Sandler's SPANGLISH, Sony's LIES & ALIBIS, starring John Leguizamo, DIRTY, opposite Cuba Gooding Jr., DRAGON WARS, the highest - grossing film in South Korea's history, and the Lionsgate feature, GO FOR IT!

A vengeful ghost, a mysterious killer, and a family where everyone has a secret converge in one night of terror in this remake of Francis Ford Coppola's first feature film.

The film features some of the earliest screen appearances of Emmy - nominated sitcom veteran Ed O'Neill («Married... With Children», «Modern Family»), playing a mercenary reluctant to go on the mission, and a young Jim Broadbent, who is lowly credited but instantly recognizable in a brief background role.

At the same time, DreamWorks still has yet to make a film to put them on a par with Pixar in terms of being able to make animated family films that will last the test of time as classics in their genre, rather than populist features that work primarily in the here and now.

Sony Pictures Animation, in conjunction with Aardman Animations, has produced two critically acclaimed feature films: the CG - animated family comedy Arthur Christmas (3D); and the stop - frame animated high - seas adventure, The Pirates!

Actor Jason Segel («How I Met Your Mother»), seemingly noticing the rash retirement forced onto The Muppets back in 1999 (when their last feature film, the slipshod «Muppets from Space», was released) and the lack of good old family humour and fozzie fuzzy, pitched a relaunch of the film franchise to Disney (who now have the rights to the characters).

Theo Taplitz, in a remarkably mature, nuanced feature film debut, plays Jake, an introverted thirteen - year - old with dreams of being an artist who moves with this family from Manhattan to Brooklyn when his father inherits an apartment and a storefront there.

Other films that feature families reuniting are Evelyn and Down in the Delta.

Director Fabien Constant, in his narrative feature debut, finds a momentum in that knowledge that propels the film forward, as Vivienne explores her fate (while never disclosing it) in encounters with friends, family and strangers.

These most recent four animated features are once again true «family films,» in that they entertain adults as well as children.

Fox issued the film on disc in December of 2002, but as is not uncommon for family films, it was treated with little regard, receiving a fullscreen and dubbed - only presentation and being accompanied by no bonus features.

«Coco,» the Disney - Pixar film celebrating family and the Day of the Dead tradition in Mexico, earned the award for animated feature.

There are several special features, one of which details the real life family who inhabited the house the Perron's buy in the film.

In addition, Dennis has one of the steadiest hands to ever operate a camcorder and «he» gives us unbelievably clear access to candid family life, at least as edited by whoever it is that's supposed to have found and compiled these weeks of footage into standard feature film length.

Particularly notable are the obsession with technology and surveillance from Benny's Video, here updated from VHS to smartphones and the Internet; the racial suspicion of Code Unknown; the revenge nightmare from Hidden; the euthanasia theme from Amour (which also featured Trintignant and Huppert as father and daughter, suggesting a sequel of sorts), as well as more general themes of family dysfunction and the obliviousness of the well - to - do towards immigrants — it's no coincidence that the film takes place in Calais, yet never once shows the Migrant Jungle.

The first standalone feature film for the character, Black Panther will take place in the fictional African nation of Wakanda, as the royal Wakandan family politics is under threat.

Disney's latest Pixar film, Coco, may feature gorgeous visuals and shambling skeletons, but as shown in the final trailer for the upcoming film, the heart of Coco is family.

In the feature, Donaldson effectively compares and contrasts the career trajectories for Mimi Leder, who made her name through her Emmy - winning work on «ER,» directed the one of the top - grossing films of 1998 with «Deep Impact» and then went to «movie jail» and didn't direct another film for nine years after the middling performance of her 2000 family drama «Pay It Forward,» to those of Trevorrow, who made his feature debut with the Sundance hit «Safety Not Guaranteed,» won the choice gig helming «Jurassic World» on director Brad Bird's recommendation and managed steer to the reboot of one of the most popular film franchises of all time to giant box - office success.

His sophomore feature Boogie Nights (1997), about the adult film industry in the late 1970s (partially inspired by the life of porno star John Holmes) is a surprisingly vibrant, funny, and at times quite warm story of a dysfunctional filmmaking family, with Burt Reynolds as a quiet but firm director Dad and Julianne Moore as the porn star surrogate mother to the company's teen stars Rollergirl (Heather Graham) and Dirk Diggler (Mark Wahlberg), the «natural» from the suburbs who is quickly recruited.

As a family drama, The Black Balloon is a strong feature, though I am getting slightly tired of the genre's preponderance in the Australian film industry.

A much better rare treat was the definitive British film noir «It Always Rains on Sunday,» (1947, Robert Hamer), set in London's East End, featuring a Jewish family and starring John McCallum as prison escapee Tommy Swann and tough yet oddly dainty Googie Withers as his ex-gf.

Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the film — shot in a more or less documentary style and featuring terrific performances by nonprofessionals, the film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and uses it to intensely revealing and moving effect.

In addition to his stupefying output (180 feature films, 70 in his native Hungary and 110 in Hollywood) he lived and breathed moviemaking, to the detriment of his family and the despair of many coworkers who considered him a brutIn addition to his stupefying output (180 feature films, 70 in his native Hungary and 110 in Hollywood) he lived and breathed moviemaking, to the detriment of his family and the despair of many coworkers who considered him a brutin his native Hungary and 110 in Hollywood) he lived and breathed moviemaking, to the detriment of his family and the despair of many coworkers who considered him a brutin Hollywood) he lived and breathed moviemaking, to the detriment of his family and the despair of many coworkers who considered him a brute.

Lee's production company, Lee Daniels Entertainment, made its feature film debut in 2001 with Monster's Ball, the dysfunctional family drama for which Halle Berry would earn her historic, Best Actress Oscar.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain a tale of love, loss, memory and the mystical.

Certainly, his latest film exhibits many of his most characteristic features: an early static shot of a concert audience once again emphasises spectatorship as a primary concern; we meet, as so often, a bourgeois family about to experience severe suffering; Emmanuelle Riva follows Isabelle Huppert, Juliette Binoche and Naomi Watts in giving an extraordinary performance in response to psychological terror; and violence, with its attendant guilt, comes as a shocking intrusion into this world.

Just this evening at the San Diego Comic - Con I caught up with Don't Be Afraid of the Dark (review) helmer Troy Nixey, who made his feature - length directing debut with the film, a remake of the 1973 made - for - TV movie of the same name about a family that discovers murderous tiny creatures living in the basement of their new home.

Again directed by James Wan («Furious 7,» «Saw»), the followup film features returning stars Vera Farmiga and Patrick Wilson as they come to the aid of a single mother in London whose family is haunted by evil spirits.

The feature films nominated for Best Film this year are «Frank» which gives an insight into the weird and wonderful world of the enigmatic musician; the gritty urban family drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel good true - life story of «Noble»; the poignant and sensitive exploration of mental health in «Patrick's Day», and the beautiful Irish animated fantasy «Song of the Sea»; Three of the Best Films also get nominations for Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also in that category for the musical drama «Begin Again».

The Academy has regularly nominated international works with minimal commercial prospects for Best Animated Feature, but since Miyazaki's Spirited Away won in 2002 - 03, the actual award has almost exclusively gone to computer - animated, family - friendly American films with nine or even ten - figure domestic grosses.

Bill Taylor's feature film debut Don't Get Killed In Alaska is an intriguing melodrama that depicts a young woman's attempt to carve out her own path in life and make amends with her fragmented family memberIn Alaska is an intriguing melodrama that depicts a young woman's attempt to carve out her own path in life and make amends with her fragmented family memberin life and make amends with her fragmented family members.

The reclusive American film - maker is expected in town to promote The Tree of Life, an intergenerational family saga that is only his fifth feature in 40 years.

Durkin's first film since the critically - acclaimed drama Martha Marcy May Marlene will feature Law as a businessman who brings his American wife and kids home to Britain to pursue new business opportunities, only to be plunged into the despair as their unaffordable new life in an English manor house threatens to destroy the family.

With lackluster acting and stiff drama, the momentum of the film as a whole drags whenever the Burnford family is featured in their plight to find their beloved pets.

Marvel's first superteam, that yammering surrogate family of Silver Age aberrations, has now appeared in as many features as it has members, and each film is embarrassing in its own special way.

The movie features two Nick Drake tracks, which calls to mind the tragic - romantic folk singer's music in The Royal Tenenbaums and Garden State, two films very much about families in crisis and their failure to adapt to change.

After working in film criticism and commencing his filmography in the docu form, Massoud Bakhshi saw his feature debut land a spot at the Cannes Film Festival's Directors» Fortnight with 2012's A Respectable Family.

Accordingly, his first three films feature twentysomethings marooned in their post-college years, realizing that converting their youthful potential into an actual career, a family life, or a long - term relationship may not be so easy after all.

Featuring never - before - seen Coltrane family home movies, footage of John Coltrane and band in the studio — discovered in a California garage during production of this film — along with hundreds of never - before - seen photographs and rare television appearances from around the world, Coltrane's story is told by the musicians that worked with him including Sonny Rollins, McCoy Tyner, Benny Golson, Jimmy Heath, Reggie Workman, musicians that have been inspired by his fearless artistry and creative vision like Common, John Densmore, Wynton Marsalis, Carlos Santana, Wayne Shorter, Kamasi Washington, along with Coltrane's children and biographers, in addition to well - known admirers such as President Bill Clinton and philosopher Dr. Cornel West.

Shults takes what on the surface is just another indie drama about family dysfunction, but he seems to have filmmaking instincts in his bones, even for his first feature, that it is no surprise the film received the Grand Jury Award and Audience Award in the narrative feature competition at the 2015 SXSW Film Festival.