Seriously, if you stuck
my family in a remote cabin for a weekend, the film would more closely resemble «Saw IV» than this movie.
Not exact matches
Goff owned a giant, beautiful
cabin on a
remote bay
in British Columbia, where he and his
family would host getaways for leaders
in dire need of one.
This movie starts off with a prison bus going down a empty stretch of road and on the other side the only car insight driven by one Dr Douglas Madsen as these two come closer and closer together something happens that sends the Dr's car to collide with the prison bus freeing four prisoners who decide to take the good Dr hostage and retreat to a
remote cabin in the woods that just happens to be home of a
family that is more dangerous then the prisoners now with no way out the prisoners and the hostage must fight to stay alive against the people
in the
cabin.
Joel Edgerton and Carmen Ejogo star as a couple holed up
in a
remote cabin as an unnamed disease ravages the world outside, with Kelvin Harrison, Jr. as their 17 - year old son, whose nightmares serve as the audience's portal to the horror closing
in on their
family.
The plot exists nearly as a parody of rarefied 1970s - era art films about troubled, privileged white people: Catherine (Elisabeth Moss), the daughter of a legendary artist, retreats with Virginia (Katherine Waterston) up to the latter's
remote family cabin somewhere
in upstate New York when her boyfriend leaves her
in the wake of her father's death.
In true sub-zero Siberian winter fashion, coat your remote cabin in furry layers and gather the family round a large table for a rustic banque
In true sub-zero Siberian winter fashion, coat your
remote cabin in furry layers and gather the family round a large table for a rustic banque
in furry layers and gather the
family round a large table for a rustic banquet.