Sentences with phrase «family life as an artist»

I'd also just like to share that as a mom of two, I am so glad to report that my kids (ages 8 and 11) are proud of me and are at an age when they are beginning to see and appreciate what I bring to our family life as an artist.

Not exact matches

My friend's husband was a famed illustrator and a beloved art teacher, and the speakers — whether friends, fellow teachers and artists or former students — spoke of his dedication, passion, rare talent (not only as an artist, but as an inspiring teacher), joy for life, love of family and genuine kindness.

Words can not express the depth of gratitude we feel for the ways the Waldorf School of Princeton and the academic community it sustains have contributed to our son's development as a student, as an artist, and as a human being and to our lives as a family.

In this newsletter it is inspiring to hear how the YDC translates into graduate studies at Columbia, how a family has experienced meaning in their two months of Ashram living, and how a baker tested her incredible Italian bread recipe on residents as part of an Artist & Professional Renewal Retreat.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

It will also be the first to explore the complete spectrum of his astonishing artistic output, stretching across five decades from the late 1940's to his untimely death in the 1980's — and the first to put Warhol himself — his background and history, his family life and formative experiences in Pittsburgh, his crucial experiences as a commercial artist in New York, and his trajectory across three of the most transforming decades of the century — back into the presentation of his life.

Then there are Andrew Garfield (Breathe) as advocate Robin Cavendish, one of the longest - living polio survivors in Britain; Benedict Cumberbatch (The Current War) as electricity titan Thomas Edison; Jason Clarke (Mudbound) as Henry McAllan, a city worker who relocates his family to a rural farm post-World War II; Hugh Jackman (The Greatest Showman) as P.T. Barnum; and, less likely, James Franco (The Disaster Artist), completely losing himself in a Method turn as failed filmmaker - turned - cult icon Tommy Wiseau.

But in McQueen's case, the clichéd approach to the departed artist as a divided self — a schlubby guy who made impossible clothes for people who might never have been in his orbit in another life — feels appropriate and true, and marks a fair introduction to the equal attention the filmmakers pay to Lee, the unassuming and devoted family member, friend, learner, and tailor, and McQueen, the image - maker who channelled his own dark history and mental - health struggles into his creations.

Tessa runs off, following Mary's footsteps, to join the circus as a trapeze artist, where she marries a loving man and finds a fulfilling life for herself amidst her new circus family.

While Jamie struggles with family responsibilities, Ella's steampunk murder mystery develops a life of its own, raising disturbing memories of her time as a striptease artist and a past life as a sexually abused Italian nun.

In the beginning he worked as a family and work dog, but the breed got so much attention from German artists that they often traded in these mundane tasks for the glamorous life of art models.

Cat and her rambunctious family of five, as part of Circus Living, feature travel entries, artist interviews, and product / toy reviews oriented towards paranormal and fantastical themes, as well as posts on Montreal - based (their current hometown) attractions and events.

We will be showcasing several show - exclusive vinyl variants including an extremely limited «Black Pumpkin» vinyl variant for the The Addams Family «Original Music from the Addams Family» 50th Anniversary Edition LP, a «Brains & Guts» vinyl variant for the best - selling The Walking Dead «Original Soundtrack Vol.1» LP, a «Highland Mists» vinyl variant for the Outlander «Original Television Soundtrack Vol.1» Double LP, three colored vinyl variants for the Book of Life «Original Motion Picture Soundtrack» based on key characters from the hit animated film, as well as a very limited set of five 18» x 24» hand - screened art prints by artist Andrew Barr, inspired by everyone's favorite breakfast cereal characters and entitled «Cereal Chillers».

That achievement in the arts, as in any field of endeavor, demands struggle and sacrifice, no one would deny; that this has certainly been true after the middle of the 19th century, when the traditional institutions of artistic support and patronage no longer fulfilled their customary obligations, is undeniable: one has only to think of Delacroix, Courbet, Degas, van Gogh and Toulouse - Lautrec as examples of great artists who gave up the distractions and obligations of family life, at least in part, so that they could pursue their artistic careers more singlemindedly.

Her sitters included artists, writers, intellectuals and family members, as well as people living on the margins of society, particularly immigrants.

In her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the painting.

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum of Contemporary Art of Georgia (February 25 — April 29, 2017).

«Material Histories: Artists in Residence 2013 - 14» presents installations, paintings, works on paper and mixed media works by Beasley, Collins and Deville, three artists who «share an interest in exploring and contemplating the particular histories and experiences of families, regions and cultural groups, as well as their own lives.Artists in Residence 2013 - 14» presents installations, paintings, works on paper and mixed media works by Beasley, Collins and Deville, three artists who «share an interest in exploring and contemplating the particular histories and experiences of families, regions and cultural groups, as well as their own lives.artists who «share an interest in exploring and contemplating the particular histories and experiences of families, regions and cultural groups, as well as their own lives.»

Among the acquisition highlights during the past two decades have been: in Archaeology, the Renée and Robert Belfer Collection of Ancient Glass and Greek and Roman Antiquity and the Demirjian Family European Bronze Age Collection; in Jewish Art and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Starn.

The emptiness of the interiors reflects what Nhlengethwa claims is the sense of loneliness one encounters as an artist working alone while family and friends are out living their lives.

At the time of the artist's birth — just under 50 years ago — his parents were not counted as Australian citizens, hence the defiant text - based installation «not an animal or a plant» in the ground floor gallery which showcases fine charcoal portraits on paper of members of his family who lived under that regime.

LATOYA RUBY FRAZIER: What attracted me to the mediums of photography and video as an artist were my influences while studying at Edinboro University of Pennsylvania and Syracuse University with mentors like Kathe Kowalski, a photographer and writer committed to photographing women in prison, families living below the poverty line in Erie, Pennsylvania, and her own mother's illness and death.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

At the time McGinley had lived in downtown New York where he had experienced a mutual fascination with fellow artists such as Dash Snow, Dan Colen, Agatha Snow, and creators like Earsnot, gathering together every night and forming an almost family - like relationship.

He's currently finishing a memoir, The One You Get, a portrait of the artist and his family as social and biological organisms learning how to live.

He was filming the whole time, as well as when he was later traveling between his home in London, New York, and his family's home in La Paella, Colombia, and the resulting 80 minutes of footage — showing behind - the - scenes banter at the Zwirner show, work at the residency, the artist goofing around — seems to be at least a distant relative of Sigmar Polke's extraordinary travelogue videos now on view in his survey at Tate Modern, or even, in its multichannel spread, to Dieter Roth's filmic account of the last year of his life.

Reinforcing this point, Kim has handwritten a prosaic note about the day on each painting, perhaps as an indication that Kim's ambition and concentration have gone missing in the mire of family life and all the yawn - inducing tasks that a successful artist must perform.

The middle panel alludes to the indexical trace of a fingerprint, similar to Rauschenberg's 1964 Self - Portrait (for «The New Yorker» Profile), also included in this exhibition, with a spiral - patterned text that documents significant events of Rauschenberg's life and artistic career, centering on a photograph of the artist as a child surrounded by his family.

The photographs that serve as the starting point for the work depict the residents of the small farming village in northwestern Germany where the artist was raised and where his family still lives.

Approximately 12,000 photographs, negatives, and slides chronicle Still's career as an artist, as well as his private life, including his family, homes, and travels.

This was the beginning of my life as an artist, and a member of the Cunningham «family.»

Last year, in the Mike Leigh film, «Mr. Turner» was depicted as a single - minded artist and dyspeptic loner who disdained his family, abused his housemaid, kept his romantic life strictly personal, and reveled in the fame and money his talent brought him.

Michael Straus, Chairman, The Andy Warhol Foundation for the Visual Arts «Sharon Louden has invaluably gathered together in this book an exceptionally diverse range of artists» experiences in order to illustrate, in a manner otherwise inaccessible, the inherent tensions that artists face in constantly balancing their drive to devote core time and energy to creating new work and their wish to share that work with the world with the complexities, as well as the joys, of their personal and family lives.»

The artist's large - scale sculptures reveal the trace of the human hand and suggest her early recollections of being surrounded by wooden walls, tools, and utensils as a child living in wartime labor and refugee camps in Germany after her family was forced to leave Poland.

The third in a family dynasty of artists, Whitney ventures indoors as well as out to capture life on the Central Coast in broad strokes of subtle color.

Long overshadowed by the complexity of her family life and romantic entanglements, the editors assess Bell in the context of her relationship with sister, Virginia Woolf, and as muse and confidant to Roger Fry and Duncan Grant but ultimately present an intrepid artist deserving of fresh consideration.

American artist Alex Katz has made countless portraits of his friends and family since the 1950s, which when viewed together act as an intimate reflection on his personal life.

A series of abstract patterned drawings, considered as self - portraits by the artist, are derived from the negative spaces between people and objects within family photographs that were taken after her exile from Iran, offering a reflection on displacement and the effect it might have on family life.

Jacob Aue Sobol's series Sabine (1999 — 2002) chronicles three years the artist spent in the settlement of Tiniteqilaaq in Greenland, his life as a fisherman and hunter, and his intimate relationship with Sabine and her family.

The works created exclusively for this showing are inspired by his family roots and life experiences that formed him both as a person and as an artist.

It includes documentary and family photographs from the artist's youth, as well as reproductions of artworks that are traced to specific times and places during her life.

This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.

Later influential artists included the short - lived Thomas Roberts (1749 - 78), his Romantic - style brother, Thomas Sautelle Roberts (c.1760 - 1826), the master landscape painter William Ashford (1746 - 1824), and the draughtsman / printmaker James Malton (d. 1803) who was noted for his views of Dublin, as was the Brocas family, of Henry Brocas Senior (1762 - 1837) and sons Samuel Frederick Brocas (1792 - 1847) and Henry Brocas Junior (1798 - 1873).

This retrospective exhibition aims to represent a major selection of the artists Larry's work, which is largely is in response to his personal life experiences, addressing themes such as sexual identity, A.I.D.S., death, beauty, and family.

The artist Robert Longo, with whom she lived at that time, assisted her for a while, as well as her father, other family members, and friends.

Along with the active interaction between Chinese and internatioal contemporary art circles, as well as the movements of family video equipment from professional areas towards daily life since the mid-1990s, there have been more and more energetic experimental activities in video art which has emerged as the basic language of Chinese artists.

At once luminous, architectural, and ephemeral, these transplanted homes are playful and imaginative but also deeply melancholy in their manifestation of disorientation: as impressions of the many residences in which Suh and his family have lived, they testify to the global and poignantly elusive nature of «home» as seen through the artist's eyes.

Presented in sections such as «Landscape and Place,» «Men,» «Women,» «Family and Community,» «Street Life,» «Spirituality,» «Masks and Symbols,» and «Abstraction,» the collection spans a range of mediums by artists from the United States, South America and the Caribbean, including Edward M. Bannister, Dawoud Bey, Eldzier Cortor, Aaron Douglas, Robert S. Duncanson, Richard Hunt, Jacob Lawrence, Al Loving, Kerry James Marshall, Harriet Powers, Joyce J. Scott, Lorna Simpson, Mickalene Thomas and Carrie Mae Weems, among many, many others.

Solo exhibitions 2018 T293, Roma (upcoming) 2018 INCA, Institute for New Connotative Action, Portland, OR, US (upcoming) 2018 «The Prodigal Daughter», GagaReena, Los Angeles, CA, US (upcoming) 2018 «Invisible receivers», Century Pictures, Brooklyn, NY 2017 «I Am Your Voice», Karst, Plymouth 2017 «The Crack - Up», Neuer Berliner Kunstverein, Berlin 2016 «Claire Fontaine», Académie de France à Rome — Villa Medici, Rome 2016 «Claire Fontaine», Museo Pietro Canonica a Villa Borghese, Rome 2016 «MAY OUR ENEMIES NOT PROSPER», Galerie Neu, Berlin 2015 «The winter of discontent», Carl Kostyál, London 2015 «Love is Never Enough», Air de Paris, Paris 2015 «Stop Seeking Approval», Metro Pictures, New York 2015 «Pretend to be dead», T293, Rome 2013 «Using Walls, Floors, and Ceilings», The Jewish Museum, New York 2013 «Un regard sur l'Inventaire vol.1 et vol.3», Frac Haute Normandie, Sotteville - lès - Rouen 2013 «Etrangers Partout», Frac Provence - Alpes - Cote d'Azur, La Bouilladisse 2013 «Some Redemptions», Metro Pictures, New York 2013 «1493», Espacio 1414, Porto Rico 2013 «Redemptions», CCA Wattis Institute for Contemporary Arts, San Francisco 2013 «Sell Your Debt», Queen's Nails, San Francisco 2012 «Carelessness Causes Fire», Audain Gallery, Vancouver 2012 «Breakfast starts at midnight», Index, Stockholm 2012 «Ma l'amor mio non muore», T293, Rome 2012 «Équivalences et Généralités», La Douane, Galerie Chantal Crousel, Paris 2012 «M - A-C-C-H-I-N-A-Z-I-O-N-I», Museion, Bolzano 2011 «M - A-N-I-P-U-L-A-T-I-O-N-S», SIZ Gallery, Rijeka 2011 «Working Together», Metro Pictures, New York 2011 «The Assistants», Petra, Messico D.F. 2011 «I», Yama, Istanbul 2011 «The Interpreter», Artist Projects, Art Brussels, Brussels 2011 «P.I.G.S.», MUSAC Contemporary Art Museum, Castiglia e León 2011 «Some instructions for the sharing of private property», Onestar Press, Paris 2011 «No Family Life», Air de Paris, Paris 2011 «Fighting Gravity», Regina Gallery, London 2011 «Fighting Gravity», Regina Gallery, Moscow 2011 «Arando en el mar», Gaga Galería de Arte Contemporáneo, Messico D.F. 2010 «Consumption», Helena Papadopoulos Gallery, Athens 2010 «Closed for Prayers», Dvir Gallery, Hangar 2, Jaffa Port 2010 «Kultur ist ein Palast der aus Hundescheiße gebaut ist», MD72, Mehringdamm 72, Berlin 2010 «Unbuilding», Caterina Tognon Gallery, Venice 2010 «Economy», Museum of Contemporary Art, Miami Nord 2010 «Future Tense», Museo Tamayo Arte Contemporáneo, Messico, D.F. 2009 «Inhibitions», Reena Spaulings, New York 2009 «After Marx April, After Mao June», Aspen Art Museum, Aspen 2009 «Recessions», Galerie Gabriele Senn, Wien 2009 «The Exhibition Formerly Known as Passengers», CCA Wattis, San Francisco 2009 «Changement de Propriétaire», Sorry We're Closed, Brussels 2009 «Tamed», Perché Napoli?