Sentences with phrase «family of contemporary art museums»

Not exact matches

With the Museum of Contemporary Arts» monthly Family Days, families are invited to spark a lifelong love of the arts — while squashing any winter doldrums — through stroller tours, open studio sessions with Chicago artists and workshops galArts» monthly Family Days, families are invited to spark a lifelong love of the arts — while squashing any winter doldrums — through stroller tours, open studio sessions with Chicago artists and workshops galarts — while squashing any winter doldrums — through stroller tours, open studio sessions with Chicago artists and workshops galore.

The Contemporary Art Museum, in Raleigh is hosting CAM You Be Mine Family Sunday, from noon - 3 p.m., featuring Valentine - inspired projects and family - friendly tours of the «Born Digital» exFamily Sunday, from noon - 3 p.m., featuring Valentine - inspired projects and family - friendly tours of the «Born Digital» exfamily - friendly tours of the «Born Digital» exhibit.

At the Museum of Contemporary Art Chicago, they embrace enriching creative skills for families with interactive exhibits and activities.

Don't miss the cultural stops, too, like the La Jolla branch of the Museum of Contemporary Art San Diego, Warwick's (the nation's oldest family - owned bookstore), or the local art galleries such as Legends Gallery, where you can see out - of - the box paintings by the late Theodore Geisel, the long - time La Jolla resident better known as Dr. SeuArt San Diego, Warwick's (the nation's oldest family - owned bookstore), or the local art galleries such as Legends Gallery, where you can see out - of - the box paintings by the late Theodore Geisel, the long - time La Jolla resident better known as Dr. Seuart galleries such as Legends Gallery, where you can see out - of - the box paintings by the late Theodore Geisel, the long - time La Jolla resident better known as Dr. Seuss.

PARTICIPATING INSTITUTIONS: Asian Art Museum BAMPFA Contemporary Jewish Museum Fine Arts Museums of San Francisco Museum of the African Diaspora Oakland Museum of California SFMOMA University of California Botanical Garden at Berkeley Walt Disney Family Museum Yerba Buena Center for the Arts

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

1973 Kurt Schwitters and Related Developments, La Jolla Museum of Contemporary Art, La Jolla, CA The Betty and Monte Factor Family Collection, Pasadena Art Museum, Pasadena, CA

Community partnerships and programs will include the continuation of a multi-year engagement with the Museum of Impact, the world's first mobile social justice museum; collaboration with King School Museum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaboraMuseum of Impact, the world's first mobile social justice museum; collaboration with King School Museum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaboramuseum; collaboration with King School Museum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaboraMuseum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaborations.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).

He has been included in numerous group exhibitions, including Blues for Smoke, Museum of Contemporary Art, Los Angeles and Whitney Museum of American Art, New York; Made in LA, Los Angeles Municipal Art Gallery, Los Angeles; Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles; and 30 Americans, Rubell Family Collection, Miami, FL and North Carolina Museum of Art, Raleigh, NC.

Fani - Kayode's work is represented in the collections of numerous institutions and private collectors including the Victoria & Albert Museum, Walther Family Foundation, Harvard University's Hutchins Center, Kiasma - Museum of Contemporary Art and the collection of Yinka Shonibare MBE, amongst others.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Also located in the Linde Family Wing is the Henry and Lois Foster Gallery, the Museum's main space for special exhibitions of contemporary art.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Rita Kersting is the Landeau Family Curator of Contemporary Art at The Israel Museum, Jerusalem.

Punta della Dogana - Francois Pinault Foundation, Venice, Italy Tate Modern, London, England Rubell Family Collection, Miami, FL Museum of Modern Art, New York, NY San Francisco Museum of Modern Art, San Francisco, CA Broad Contemporary Art Museum, Los Angeles, CA Hirshorn Museum and Sculpture Garden, Washington, DC Hammer Museum, Los Angeles, CA

The house — neat white clapboard with blue trim, the symbol of both the rise and fall of the American dream — has just been launched in the vacant block behind the Museum of Contemporary Art Detroit (MOCAD), where Mike Kelley had staked a claim for a multi-purpose community and arts space in the guise of a replica of his family home.

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooart history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael RooArt, Michael Rooks.

Maxwell L. Anderson, The Eugene McDermott Director of the Dallas Museum of Art (DMA), announced the appointment of Gavin Delahunty as the new Hoffman Family Senior Curator of Contemporary Art.

Contemporary Art from China, Qatar Museum, Doha (2016); Bentu, Chinese artists at a time of turbulence and transformation, Fondation Louis Vuitton, Paris (2016); La vie Moderne, La Biennale de Lyon (2015); 28 Chinese, Asian Art Museum, San Francisco (2015), San Antonio Museum of Art, TX (2015), Rubell Family Collection, Miami (2013); Re: emerge: Towards a New Cultural Cartography, Sharjah Biennial 11 (2013); 4th Guangzhou Triennial, China (2012), Rehearsal, Shanghai Biennale (2010); Expenditure, Busan Biennale, South Korea (2008); and the 51st Venice Biennale (2005).

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum of Contemporary Art of Georgia (February 25 — April 29, 2017).

Bas has had solo exhibitions at the Brooklyn Museum of Art, the Rubell Family Collection in Miami, and the Museum of Contemporary Art North Miami.

Museum of Modern Art, New York, USA Madison Museum of Contemporary Art, Madison, USA The Judith Rotschild Foundation, Philadelphia, USA Rubell Family Collection, Miami, USA Hort Family Collection, New York, USA

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Pittsburgh International Exhibition of Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, PA Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY Two Decades of American Painting, National Gallery of Victoria, Melbourne, Australia 1966 Six Artists from New York, San Francisco Museum of Art, San Francisco, CA Seven Decades of Modern Art, Public Education Association, Cordier - Ekstrom, New York, NY Harry Abrams Family Collection, The Jewish Museum, New York, NY Systemic Painting, Solomon R. Guggenheim Museum, New York, NY Group Show, Leo Castelli Gallery, New York, NY 68th American Exhibition, Art Institute of Chicago, Chicago, IL

Brooklyn Art Museum, Brooklyn, NY Whitney Museum of American Art, New York, NY Art Institute of Chicago, Chicago, IL Museum of Contemporary Art, Chicago, IL Detroit Institute of Art, Detroit, MI Studio Museum Harlem, New York, NY Allen Memorial Art Museum, Oberlin College, Oberlin, OH The Progressive Corporation, Shaker Heights, OH LaSalle Bank, Chicago, IL Speyer Family Collection, New York, NY

Among his institutional collections are Irish Museum of Modern Art, Dublin; Museo de Bellas Artes, Castellon, Spain; Espai D'Art Contemporani, Castellon, Spain; Museum Collection Lambert, Avignon, France; MAP, Museum of Ponce, Puerto Rico; MAC, Museum of Contemporary Art, Puerto Rico; VAC, Valencia Arte Contemporáneo, Valencia, Spain; Harn Museum of Art, University of Florida, Gainesville; Palm Springs Art Museum, Palm Springs, California; The Rubell Family Collection, among others.

Her work is included in international collections including Tate Collection, UK; Stedelijk Museum Amsterdam; Hessel Collection of Contemporary Art, New York; Kunstmuseum St. Gallen; Rubell Family Collection, Miami; David Roberts Art Foundation, London; Zabludowicz Collection, London, Sarvisalo, New York; Arts Council Collection, UK.

Curated by John B. Ravenal, Executive Director, deCordova Sculpture Park and Museum (former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art, VMFA).

His work has been featured in group exhibitions in museums worldwide including the Whitney Biennial, Whitney Museum of American Art, New York (2017); Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2016); Astrup Fearnley Museet, Oslo, Norway (2016); Hammer Museum at Art + Practice, Los Angeles, CA (2016); Camden Arts Centre, London, UK (2016); Studio Museum, Harlem, NY (2013); Carnegie Museum of Art, Pittsburgh, PA (2013); Museum of Contemporary Art, Los Angeles, CA (2012); Los Angeles County Museum of Art, Los Angeles, CA (2011); and the Rubell Family Collection, Miami, FL (2011).

Valerie Cassel Oliver is the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts.

The Museum of Fine Arts, Boston is currently displaying Rachel Perry Welty's photograph, Lost in My Life (Fruit Stickers), as a part of the museum's permanent collection new acquisitions exhibition in the Linda Family Wing for ContemporarMuseum of Fine Arts, Boston is currently displaying Rachel Perry Welty's photograph, Lost in My Life (Fruit Stickers), as a part of the museum's permanent collection new acquisitions exhibition in the Linda Family Wing for Contemporarmuseum's permanent collection new acquisitions exhibition in the Linda Family Wing for Contemporary Art.

Ackland Art Museum, The University of North Carolina at Chapel Hill, NC The Brooklyn Museum of Art, Brooklyn, NY The Denver Art Museum, Denver, CO Los Angeles County Museum of Art, Los Angeles, CA The Margulies Collection, Miami, FL Metropolitan Transportation Authority, New York, NY Museum of Contemporary Art, North Miami, FL Palmer Museum of Art at Penn State University, University Park, PA The Rubell Family Collection, Miami, FL The Studio Museum in Harlem, New York, NY UCSF Medical Center at Mission Bay, San Francisco, CA Weatherspoon Art Museum, Greensboro, NC The Whitney Museum of American Art, New York, NY

Ravenal was formerly the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at Virginia Museum of Fine Arts (VMFA).

30 Americans, Rubell Family Collection, Miami, FL; traveled to North Carolina Museum of Art, Raleigh, NC; Corcoran Gallery of Art, Washington DC; Chrysler Museum of Art, Norfolk, VA; Frist Center for Visual Arts, Nashville, TN; Contemporary Arts Center, New Orleans, LA

Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by the National Endowment for the Arts; Nordstrom; Towbes Foundation; Dedalus Foundation; Ann Jackson Family Foundation; Community Events & Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden; Montecito Bank & Trust; High Tide Foundation; and contributions from our Board of Trustees and many generous individuals.

Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by Paseo Nuevo Shopping Center, The Andy Warhol Foundation; the National Endowment for the Arts; Nordstrom; Ann Jackson Family Foundation; Towbes Foundation; Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden, and contributions from our Board of Trustees and many generous individuals.

Collection: MOCA»S First Thirty Years, Museum of Contemporary Art, Los Angeles, California BROODWORK: Creative Practice and Family Life, Center for the Arts Eagle Rock, Los Angeles, California

FriendsWithYou works are in the permanent collections of the Museum of Contemporary Art North Miami, The Goldman Family Collection, and Montblanc Collection, amongst others.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

2002 The Longest Winter, Florida Atlantic University, Boca Raton, FL Monitor, Volume 2, Gagosian Gallery, New York, NY Flesh for Fantasy, Javogue & Ingalls Fine Arts, Miami Beach, FL Family, Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Jessica Hough) Wonderland, Aeroplastics Contemporary, Brussels, Belgium Super-Heroes, Galerie Edward Mitterrand, Geneva, Switzerland State of the Gallery, Andrew Kreps Gallery, New York, NY

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungart Galeria, Budapest, Hungary

On view at the Dallas Museum of Art from October 6, 2013, through January 12, 2014, Jim Hodges: sometimes beauty is co-curated by Jeffrey Grove, the DMA's Hoffman Family Senior Curator of Contemporary Art, and Olga Viso, Executive Director of the Walker.

The 2016 jury consisted of Katherine Brinson; Dan Byers, Mannion Family Senior Curator, Institute of Contemporary Art / Boston; Elena Filipovic, Director and Chief Curator, Kunsthalle Basel; Michelle Kuo, Editor in Chief, Artforum International; and Pablo León de la Barra, Guggenheim UBS Map Curator, Latin America, Solomon R. Guggenheim Museum.

And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column on art and architecture, has been awarded this year's Pulitzer award for criticism based on his articles on the Kevin Roche exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations of the first family in contemporary images, stating that he was «especially happy to win at a time when arts criticism is not doing well.»

On Wednesday, June 20, Suzanne Weaver assumed her new position as the Brown Family curator of modern and contemporary art at the San Antonio Museum of Aart at the San Antonio Museum of ArtArt.

Omer Fast: 5000 Feet Is the Best is organized by the Dallas Museum of Art and curated by Jeffrey Grove, the Hoffman Family Senior Curator of Contemporary Art.

Among the acquisition highlights during the past two decades have been: in Archaeology, the Renée and Robert Belfer Collection of Ancient Glass and Greek and Roman Antiquity and the Demirjian Family European Bronze Age Collection; in Jewish Art and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike StaArt and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike StaArt, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike StaArt, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Staart, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Starn.