When his mother died at the age of 78, he remembered her with this collection of 78 poems, 78 essays and
family photographs depicting life on the reservation and beyond.
Not exact matches
This particular computer has pictures tailored especially for Adrian:
photographs or pictures of friends and
family, including his baby sister, Alexis, and pictures or words
depicting situations or events he would like to write about, such as the weather, trips with
family, and meal preferences.
Tan's illustrations are in tones of sepia to look like antique
photographs, and
depict, frame by frame, the journey itself, what the man leaves behind, the journey his
family takes to meet him, and their new lives in a new place.
This exhibition will feature work ranging from Penner Bancroft's For Dennis and Susan: Running Arms to a Civil War (1978), a powerful body of early
photographs depicting the impact of leukemia on Penner Bancroft's sister and brother in law, to works from the 1980s and 90s that examine the representation of the
family and the cultural frameworks through which landscape is perceived.
Like many artists in the exhibition, Deana Lawson (American, born 1979) draws upon the tradition of the
family portrait and snapshot for much of her work, whether her
photographs depict her own
family members or that of others.
The
photographs of Selena Salfen's series Exposure In Vivo confront the effects that untreated war - related trauma have had on three generations of her
family by
depicting reconstructions of painful episodes in her relatives» histories.
The
photographs that serve as the starting point for the work
depict the residents of the small farming village in northwestern Germany where the artist was raised and where his
family still lives.
In numerous colour illustrations,
photographs that Heinz Peter Knes took together with Danh Vo, the book
depicts the interiors of the Wong Fie
family residency in San Francisco filled with paintings, sculptures, and mulitfaceted objects from very specific and diverse fields of interest such as asian antiques and americana that Martin Wong followed and collected together with his parents throughout is life.
The exhibition includes Mary Ellen Mark's social - documentary
photograph, The Damm
Family, which depicts a homeless family in their car, and an untitled photograph by Ramon Muxter which captures the roadside aftermath of a fallen mattress from the top of a van - evidence of the travails of highway t
Family, which
depicts a homeless
family in their car, and an untitled photograph by Ramon Muxter which captures the roadside aftermath of a fallen mattress from the top of a van - evidence of the travails of highway t
family in their car, and an untitled
photograph by Ramon Muxter which captures the roadside aftermath of a fallen mattress from the top of a van - evidence of the travails of highway travel.
His recent
photographs straddle the realms of art, fashion, and design and
depict friends and
family who are
photographed alone, often in vulnerable positions, as he explores their reactions to becoming the focus of observation.
Other far - flung locations in this Talent in Texas show reflect art - making's increasingly migratory character, such as rural Maine — see Keliy Anderson - Staley's fascinating Off the Grid series
depicting the homes of
families living without plumbing or electricity — and Venezuela, where Miguel Amat shot his hauntingly ambiguous large - format
photographs of dams used not just to generate electricity to «contain» the leisure activities of low - and middle - income local tourists who lack international travel options.
The series of eighteen monumental
photographs of Israel and Palestine taken between 2009 and 2014
depicts places and people throughout the region, encompassing street views, sites of technological research, and
family portraits.
Photographs and photocopies of photographs, most likely originally accumulated by Monica Flanagan, Barry Flanagan's mother, the majority of which depict Barry Flanagan growing up, with related images of
Photographs and photocopies of
photographs, most likely originally accumulated by Monica Flanagan, Barry Flanagan's mother, the majority of which depict Barry Flanagan growing up, with related images of
photographs, most likely originally accumulated by Monica Flanagan, Barry Flanagan's mother, the majority of which
depict Barry Flanagan growing up, with related images of his
family.
In her series Off the Grid, for instance, Anderson - Staley explores the alternative bohemian communities of today with sharp, colorful
photographs, her emotive and carefully composed images
depicting clusters of
families living without electricity in contemporary Maine.
Previously, Otero's work incorporated highly personal imagery such as household objects or
family photographs from Puerto Rico, resulting in work that often
depicted highly abstracted, but still decipherable central images.