Sentences with phrase «family shots too»

Not exact matches

Seeing a severed hand as one of the opening shots of a film meant for families probably would have been a difficult conversation to have with children too young to recall 1980's «Empire Strikes Back.»

That's a stunning family shot at the end too.

Large numbers of kids without insurance and other family's without the money to cover doctor co-pays could make you think that a flu shot is too expensive this year.

Unfortunately I hear sad stories of family portraiture photographers, siblings, husbands, grandparents missing the shot, pictures being blown out (too bright) because they didn't know how to deal with the last minute and unexpected changes in light, blurry pictures, or pictures not being special enough because they were too anatomy - textbook - like.

All too often, a toddler, preschooler, or older child will find a loaded, unsecured gun under a bed, on a nightstand, or in a closet, etc., and unintentionally shoot themselves or another family member.

NYC Public Advocate Tish James and other officials argued in an amicus brief that a shooting victims» families should be able to sue Walmart in state court for negligence for selling handgun ammunition to a customer they charge was too young to legally buy it and visibly drunk.

Bonus: You'll get an intimate view of her family life, too, including shots of acroyoga with her husband, Dice Ida - Klein, and their adorable yogis - in - training.

Maybe some things aren't as «cover shot» as previously, but it feels real and attainable in that it works for a family, and a reminder to all of us that our houses should too!

I love too enjoy life I'm in to playing pool shooting dart's, playing cards, domino's, reading, skating, dancing, traveling, cooking & being with family & friends.

(An unbroken tracking shot around the family's speeding minivan is almost too slick — my horror gave way to «How'd they do that?»)

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

No shot is too long for this filmmaker, and he does as much as he can in an uninterrupted take, making every minute spent with this unfortunate family feel even heavier.

Set deep in the Mississippi Delta, it's the epic story of two families, one white, the other black, who've each sown hope among fields too sodden to be much use — and though the sheer scope of the material overwhelms «Pariah» director Dee Rees at times, she finds shoots of optimism among the mire that couldn't be more welcome at a moment when the country seems more divided than ever.

The first, by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were friends, family or local Pittsburgh volunteers (even the mall was owned by personal friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the film was «too much fun» for it, and that the fourth film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».

There's a ham sandwich joke between Deanna and her parents (the oddly cast Jacki Weaver and Stephen Root) that just feels like improv going on too long, and if that weren't rocky enough, the father nearly shoots the family dog.

Its parting shot of daddy banishing a hotel television is game - set - match in the Freeling's struggle between a father who works too much and the family that misses him.

This time Scarpetta pursues a sharp - shooting serial sniper, and her investigation leads too close to a family member — her own flesh and blood.

The family - friendly island has a long list of surprising activities, too, from taking submarine tours, ziplining, or taking a jeep tour at the Catalina Island Conservancy (look for the rare Santa Catalina Island fox and the resident bison, who have lived here since a movie shoot in the 1920s).

Sure, there are dark moments, in fact the game briefly touches upon a young B.J.'s relationship with his racist dick of a father who believed B.J. to be too soft and weak — largely due to his Jewish wife whom he married purely for business connections — something he attempted to rectify by restraining B.J., putting a shotgun in his hands and telling him to shoot the family dog.

The controls aren't as precise as you might like — you essentially use a slide to adjust the focus on the shot's background — but you could potentially add a bit of photographic flair to pictures of friends and family using this feature, too.

The school shooting at Marjory Stoneman Douglas that killed 17 people happened earlier in the day, with the Panthers players and staff too far away and their families back home...