Sentences with phrase «famous abstract works»

By the late 1930s he was moving in the direction of his later, more famous abstract works.

Not exact matches

In a very perceptive, but as yet unpublished, paper devoted to evaluation and to evaluating those who evaluate, Paul Weiss has called attention to the highly practical character of the theoretical work of logical analysis, thereby helping to verify Whitehead's famous dictum that the paradox is now fully resolved which states that our most abstract concepts are our best and most useful instruments with which to come to understand concrete matters of fact and practical affairs.

Anyone who knows the work of Viramontes will recognise elements of it, but only faint ones, the link being between the deceased fashion illustrator's famous red - and - black drawing of an abstract line of models for Halston in 1958.

The pieces span various different media, from Feeley's undulating abstract painting to Philipsz's famous sound work — the first of its kind to enter the collection.

Varejão reveals the inspirations behind the works as she leafs through paintings by Llyn Foulkes, famous portraits of Native Americans by George Catlin, lesser - known paintings of McKenney and Hall's History of the Indian Tribes of North America, and images of iconic abstract paintings.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Though Roszak's most famous work — the 37 - foot aluminum eagle perched, in 1960, on the facade of the U.S. Embassy in London — is far from abstract, the Polish - American sculptor was constantly evolving his practice in response to new inspirations.

He is most famous for his portraits of the youth culture during the late 1990s, but also for his later abstract work produced directly in a darkroom and often without a camera.

Indeed, there is an element of the famous Whistler v. Ruskin dispute in these criticisms of current abstract painters — a sense of resentment towards the market for celebrating work that has not taken long enough to paint.

These subtle, nearly abstract works had a life - changing effect on the West Coast painter Richard Diebenkorn, deciding him on a return to abstraction from figuration, and in 1967 he inaugurated his famous «Ocean Park» series.

The artist's ceramic and craft works at times suggest the human form via abstract means; they seem to depict the kind of deranged medical torture environments made famous in horror films like the Saw franchise.

Today, the abstract works of Mark Rothko and Pablo Picasso sell for tens of millions, while famous examples of geometric and organic abstraction can be seen in museums of modern art across the world.

It is large abstract compositions that brought fame to Evgeny Chubarov in the international arena: Chubarov's monumental works were exhibited at the famous venues in Europe and the USA, and later in Russia.

This major traveling exhibition reveals the exceptional variety of Native artistic production, ranging from the ancient ivories and ingenious modern masks of the Arctic to the dramatic sculptural arts of the Pacific Northwest, the millennia - long tradition of abstract art in the Southwest, the refined basketry of California and the Great Basin, the famous beaded and painted works of the Plains, and the luminous styles of the Eastern Woodlands, including the Great Lakes.

From the famous «Erased de Kooning Drawing,» in which he both puckishly defied and meticulously paid tribute to his abstract expressionist contemporary, to his performance work with Merce Cunningham, John Cage, Trisha Brown and others, to his globe - spanning Rauschenberg Overseas Culture Interchange, which propagated new work with artists, poets and ordinary people in 10 countries, Rauschenberg was engaged in a kind of perpetual conversation.

In the late 1950s / early 1960s, a purely abstract form of Colour Field painting appeared in works by Helen Frankenthaler and others, while in 1964, the famous art critic Clement Greenberg helped to introduce a further stylistic development known as «Post-Painterly Abstraction».

Now famous as one of the premiere galleries to exhibit the work of abstract expressionist artists, Egan also represented Franz Kline, George McNeil, Willem de Kooning and Giorgio Cavallon during this period.

John Re, from East Hampton, was arrested in mid-July and accused in a criminal complaint of selling dozens of fake works of art supposedly by the famous abstract expressionist Jackson Pollock to a handful of collectors, as The New York Post reported today.

This year, Rob Delamater and Gaetan Caron's Lost Art Salon provides 30 low - cost works next to a roomful of pricey Bay Area figurative and abstract works by famous alumni of the San Francisco Art Institute (and supplied by the San Francisco Art Dealers Association) in a kind of encyclopedia of local art.

For contemporary abstract works, see Cy Twombly (1928 - 2011), famous for his signature style of painting, combining elements of calligraphy and graffiti; Frank Stella (b. 1936) a pioneer of experimental minimalism; and Sean Scully (b. 1945), noted for his large - format abstracts.

• Anish Kapoor (b. 1954) India - born British abstract sculptor, winner of the Turner Prize, famous for his monumental works in rough hewn stone, cast metal and stainless steel.

In 1965 he created and directed perhaps his most abstract work the acclaimed animated short The Dot and The Line, which was devoid of any of his famous and familiar character stars — and won an Academy Award that year for Jones.

But a look at his earlier works, although figurative in nature, such as Puppet in the Paint Box, reveals some of the same brushstrokes and raw grasp of composition and color that defined the abstract style that ultimately made him famous.

In this work, Lee has abstracted famous architectural sketches, collapsed the buildings and sent elevated highways to dead ends.

While his teacher Beuys's famous show «I Like America and America Likes Me» (1974) celebrated the mythical America of Indians and coyotes, Palermo paid homage to a no less magical place: his most ambitious work was called To the People of New York City (1976) and he named other abstract paintings for Coney Island and Stevie Wonder.

The large - scale paintings that made him famous had little in common with his sculptural work, at least visually: They were big, messy, abstract, and layered with color.

In the post-War period, the Catalan artist Antoni Tàpies became famous for his abstract works, many of which use very thick textures and the incorporation of non-standard materials and objects.

Pollock's early work was figurative, becoming increasingly abstract over time until the «drip» paintings of the early 1950s, for which he is most famous.

Get to grips with these abstract works by thinking of them as somewhere between Colour Field painting, Op Art and Kenneth Noland's famous target paintings.

The exhibition included thirty - five abstract paintings by Kazimir Malevich, among them the famous black square on a white ground (Russian Museum, St Petersburg) which headed the list of his works in the catalogue.

Her most famous and longest - running series of paintings depicts the brown - skinned and gender - neutral Greenheads, while her most recent works include portraits as well as more abstract biomorphic images.

Whether it's because art historians have been put off by his urbane and privileged background, or have opted to focus on his famous series of paintings, Elegies to the Spanish Republic, the fact remains that Motherwell's early work and his evolution from surrealist vocabulary to the subdued abstract expression he later embraced has been largely ignored.