Sentences with phrase «famous body man»

The approach came in an email from Reggie Love, Obama's now famous body man.

Not exact matches

Xenophanes (approximately 570 «500 b.c.) has earned for himself a perpetual place in undergraduate philosophy textbooks with his famous line that «if horses or oxen or lions had hands they could draw with and thus could accomplish such works as men, horses would draw the figures of the gods as similar to horses, and oxen as similar to oxen, and they would make the bodies of the sort which each of them had.»

For example, BRT spoke about how we need to teach men not to feel entitled to certain things (like women's bodies) they don't have a right to, as well as not conditioning «famous» people to believe they can get away with things by idolizing them so much.

Vibrational + Contains all herbs in the famous Rene Caisse Remedy; this «Essiac» formula is said to have been first developed by a Canadian Ojibwa Indian medicine man to purify our bodies and balance our spirit.

The harrowing sequences of men being mown down by machine gun fire, one after another without a chance, the screams of the young troops as they go crazy from the constant shelling, the mud, barren landscapes, bodies, barbwire and of course the famous bleak depressing ending for the main lead nailing home how cheap life was.

The film, which clearly shows David Cronenberg's love for body horror running through the family, revolves around a man (Caleb Landry - Jones) working for a company who inject paying customers with the same viruses as famous celebrities.

Its distinctive roadster body, introduced in concept form last summer, pays tribute to one of the most famous and iconic racing Jaguars: the three - time Le Mans winning D - type, which in 2014 is celebrating its 60th anniversary year.

He talked the ACO (governing body of Le Mans) into letting the Corvette become the first American car to twice pace the famous French race.

In which our hero experiences Hope, the greatest gift * The bacon sandwich of regret * Somber reflections on capital punishment from the hangman * Famous last words * Our hero dies * Angels, conversations about * Inadvisability of misplaced offers regarding broomsticks * An unexpected ride * A world free of honest men * A man on the hop * There is always a choice They say that the prospect of being hanged in the morning concentrates a man's mind wonderfully; unfortunately, what the mind inevitably concentrates on is that, in the morning, it will be in a body that is going to be hanged.

The first in the Magic Men Mystery series, The Zig Zag Girl follows Detective Inspector Edgar Stephens in 1950 Brighton as he attempts to track down a killer who seems to be mimicking a famous magic trick — the Zig Zag Girl, when the body of some lovely assistant is «cut» into pieces.

Often and traditionally portrayed as nudes, the female body in photographs stands in stark contrast to the portrayal of men — often the ones taking the portraits — famous male photographers such a Weston, Steiglitz, Man Ray, etc, who commonly employed «the male gaze» approach.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Fones» Anthropomorphs are based on a collection of found company trademarks such as the famous «Michelin Man» which mimic the shape of the human body.

How these seemingly unrelated events apply to Ruyter's new body of work can be made explicit if we take a closer look at the artist's recent solo exhibition «Let Us Now Praise Famous Men» at Eleven Rivington Gallery, New York.