Sentences with phrase «fantastic cinematography»
During the interview, David Gordon Green talks about why he responded to the story, why he didn't want to make a traditional inspirational story, balancing entertainment with the importance of telling a true story faithfully, deleted scenes, Sean Bobbitt's fantastic cinematography, what it was like filming at a Bruins game, and more.
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With great performances throughout, fantastic cinematography, and the kind of script you can pick apart for days, «Chi - Raq» is designed to start conversations.
With the fantastic cinematography by Sean Bobbitt and a score that perfectly sets the unsettling tone of the film, The Place Beyond the Pines stands out as one of the better films of the year so far.
I thought the strongest aspect of this film was the fantastic cinematography and production design, but I found it so dull.
I guess 3 stars goes out for the fantastic cinematography, even though the obvious reference to all of Jean - Pierre Jeunet's movies City of the Lost Children, Amelie.
It is a very intriguing and mesmerising movie all round with great performances, fantastic cinematography and great direction.
Fantastic cinematography.
That is hours of character development, intense scenes, breathtaking action and suspense, and fantastic cinematography.
Not exact matches
Tom Hooper directs this film, and while he does a fantastic job and the cinematography is incredible, the substance did not pay off in the way I believe it should have.
Clouds of Sils Maria is a very good film from Olivier Assayas with fantastic acting, a compelling story, and beautiful cinematography.
Thanks to the fantastic efforts of John Nolan's old - school effects and Martijn van Broekhuizen's cinematography, you too share in the helplessness of the mossy (and messy) situation as these sprites and scary - ass fairies literally come through the walls and keyholes in their pursuit of this family's infant.
The cinematography and filming locales of The Eagle look to be fantastic.
Director Craig Gillespie's visuals and cinematography were fantastic (the darkness was part of the atsmophere), obviously that entire scene with the camera in the car was awesome, but that was just one scene (more!).
It's slow burn of a movie, more eerily atmospheric than truly scary with great cinematography, fantastic makeup, and a creepy score.
It's fantastic, an expertly crafted Western that sails along on spectacular dialogue, gorgeous cinematography, and near - flawless performances by virtually every cast member.
The cinematography is fantastic, the locations are breathtaking, and the costumes are exquisite.
The beautiful black - and - white cinematography from Robert Krasker looks fantastic on Blu - ray, digitally transferred from the BFI National Archive's 2008 restoration.
Most of its delights come from the visual components, from the editing, to the cinematography, and, of course, the fantastic choreography and execution of the fight and chase sequences.
Tags 2017 oscar predictions 2017 oscars 89th academy awards arrival best cinematography Best Original Score best visual effects billy lynn's long halftime walk cafe society captain america civil war fantastic beasts and where to find them finding dory la la land nocturnal animals oscars 2017 rogue one: a star wars story silence star trek beyond the birth of a nation the jungle book
The intensity, cinematography, change of mood throughout this film is fantastic.
Best Picture: Moonlight Best Director: Damien Chazelle (La La Land) Best Actor: Casey Affleck (Manchester by the Sea) Best Actress: Emma Stone (La La Land) Best Supporting Actor: Mahershala Ali (Moonlight) Best Supporting Actress: Viola Davis (Fences) Best Original Screenplay: Manchester by the Sea Best Adapted Screenplay: Moonlight Best Cinematography: La La Land Best Editing: Hacksaw Ridge Best Production Design: La La Land Best Costume Design: Fantastic Beasts and Where to Find Them Best Makeup and Hairstyling: Suicide Squad Best Sound Mixing: Hacksaw Ridge Best Sound Editing: Arrival Best Original Score: La La Land Best Original Song: «City of Stars» (La La Land) Best Animated Feature: Zootopia Best Documentary Feature: O.J.: Made in America Best Documentary Short: The White Helmets Best Animated Short: Piper Best Live - Action Short: Sing Best Foreign Language Film: The Salesman
«La La Land» won for music and cinematography, «Hacksaw Ridge» for editing, «Arrival» for sound, «Jackie» for costumes, «Florence Foster Jenkins» for makeup, «Fantastic Beasts and Where to Find Them» for production design and «The Jungle Book» for visual effects.
The performances are fantastic, but also: the cinematography is jaw - dropping stunning, the score is wonderful, the whole film has this joyous cathartic feel to it that goes beyond the story at hand.
We have a number of LGBTQ people / films up for Oscars tonight: Dee Rees and James Ivory (both in Adapted Screenplay), the Chilean nominatee A Fantastic Woman, and the Best Pic nominee Call Me By Your Name, and Rachel Morrison, the first woman nominated in Cinematography.
It's difficult to tell in Wonder Wheel, a very sloppy piece of work, apart from the cinematography, which is pretty, and the Mills Brothers songs, which are fantastic.
The black and white cinematography from Laszlo Kovacs (Easy Rider, Ghostbusters) is gorgeous, utilising deep focus to allow for some fantastic long takes where the actors can really work together and further detail and interest can happen within the frame.
The Good, The Bad, The Weird is a fantastic blend of absorbing action sequences, beautiful cinematography, strong performances, and a dash of lighthearted comedy.
Adore the cinematography, the fantastic use of colour and clever storytelling flicking back and forth between the past and current situation where the history behind the legacy of the once infamous hotel gradually unfolds to the audience.
BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)
Picture: Get Out Director: Guillermo del Toro, The Shape of Water Actor: Gary Oldman, Darkest Hour Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri Supporting Actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri Supporting Actress: Laurie Metcalf, Lady Bird Original Screenplay: Three Billboards Outside Ebbing, Missouri Adapted Screenplay: Call Me by Your Name Foreign Language: A Fantastic Woman Documentary Feature: Icarus Animated Feature Film: Coco Documentary Short: Heaven Is a Traffic Jam on the 405 Animated Short: Revolting Rhymes Live Action Short: The Eleven O'Clock Film Editing: Dunkirk Production Design: The Shape of Water Cinematography: The Shape of Water Costume Design: Phantom Thread Makeup and Hairstyling: Darkest Hour Score: The Shape of Water Song: «Remember Me,» Coco Sound Editing: Dunkirk Sound Mixing: Dunkirk Visual Effects: War for the Planet of the Apes
Roberto Schaefer's cinematography and Asche & Spencer's score is fantastic.
Strictly speaking on TDK, I think the nominations are spot - on: supporting actor for Heath, cinematography for Wally Pfister's great imax - work and one for the fantastic old - school visual effects.
The cinematography and indeed the direction are spot on also, which makes the experience all the more frustrating (don't even get me started on Brian Eno's fantastic score).
Besides the fantastic cast and script, it also had great editing, cinematography, and soundtrack.
Also helping are the technical aspects of the film, with gorgeous cinematography from one of Amodovar's old collaborators, Jose Luis Alcaine (Blast from the Past, Belle Epoque), and a fantastic score from Alberto Iglesias (The Dancer Upstairs, Sex and Lucia), who has done the music for the last three Almodovar movies, which are arguably his finest.
Thanks to Dion Beebe's gorgeous cinematography, an exquisitely costumed cast that includes Emma Stone (in the painfully underwritten role of a moll sleeping with both Penn and Gosling), and overall high production values, Gangster Squad looks fantastic, but it doesn't have an original thought inside its pretty little head.
Filled with fine performances, a fantastic score and beautiful cinematography, The Neon Demon is an enthralling virtual tour through an exaggerated version of L.A.'s fashion world.
Mr. Gavin's quietly fascinating premise — combined with some stellar music, production design, and cinematography — provides all you need for an effective thriller about the power / danger of blind faith, but A Dark Song is also backed by a pair of simply fantastic lead performances.
The cinematography from Bonnie Elliott is beautiful, solid editing from Adrian Chiarella, and the direction is fantastic and Boreham is definitely one to watch.
The cinematography and set locations look fantastic as well.
The film, which features early Cinematography from future three time Oscar winner Robert Richardson and a fantastic punk / metal soundtrack featuring The VANDALS, JANES ADDICTION and MEGADETH exists in a late 80's ahead of its time capsule.
Along with the crew of Coen Brothers characters along the way (a one - eyed John Goodman, a blind Stephen Root, Michael Badalucco, and others), O Brother also features fantastic color - corrected cinematography by Roger Deakins, a killer soundtrack by T - Bone Burnett, and the wonderfully offbeat script from the Coens themselves.
Expect once again a high caliber, strong female lead performance by Jennifer Lawrence as well as a spectacular story, fantastic supporting cast, beautiful cinematography, and a fun soundtrack.
The cinematography was fantastic, and the fight scenes gave some great first person shots that made you feel as though you were there in the ring fighting along side the actors.
Honorable Mentions: Cutter Hodierne's Fishing Without Nets, Richard Linklater's Boyhood, Craig Johnson's lovely The Skeleton Twins, the Ebert doc Life Itself, The Overnighters is fantastic, and last but not least the funky but original Frank; plus the cinematography in Kumiko the Treasure Hunter.
Picture: The Artist Directing: Michel Hazanavicius, The Artist Actor: Jean Dujardin, The Artist Actress: Viola Davis, The Help Actor in a Supporting Role: Christopher Plummer, Beginners Actress in a Supporting Role: Octavia Spencer, The Help Original Screenplay: Midnight in Paris Adapted Screenplay: The Descendants Foreign Language Film: In Darkness Documentary Feature: Undefeated Animated Feature Film: Rango Documentary Short: Saving Face Animated Short: The Fantastic Flying Books of Mr. Morris Lessmore Live Action Short: Tuba Atlantic Film Editing: Hugo Art Direction: Hugo Cinematography: Hugo Costume Design: Hugo Makeup: The Iron Lady Score: The Artist Song: «Man or Muppet,» The Muppets Sound Editing: Hugo Sound Mixing: Hugo Visual Effects: Rise of the Planet of the Apes
fantastic, completely «leftfield», unexpected, well paced, highly enjoyable total cinema experience, beautifull cinematography, well directed and acted, so what if the ending was n`t to some people «s liking, i loved it... i «m off to see it again..
But it's hard not to lose yourself in the fantastic visuals and unique cinematography (such as the long tracking shot that introduces us to the school, momentarily speeding up before falling back into real time).
a. Ability to put on realism to photographic works ranging from traditional to fantastic imagery and congruous appositions ideas b. Impressive skills with the usage of color scheme control and retouching strategies c. Deep understanding of cinematography, marketing or promotional photography, and digital imaging tactics d. Appreciating abilities with the any type of camera usage like positioning the subject in the exact frame, examining and catching impeccable feelings, regulating the lens, lightning, and much more.