Sentences with phrase «fantastic sequences of»

It must be noted that the Uncharted series still makes fairly liberal use of the non-interactive cutscene, but it combines them with fantastic sequences of interactive storytelling.

The fantastic sequences of dialogue Tarantino has had in the past that carries his character development falls a bit short here.

This is a fantastic sequence of lessons on the fascination real life subject of trade, globalisation etc..

Not exact matches

These include a fantastic sequence in which Scout and Jem and Dill play the main parts of a revivalist meeting that culminates in Dill's grandly appearing as nothing less than the Holy Ghost, but not before the children have a pointed argument about denominational differences — Methodist vs. Baptist — and related liturgical practices (how's that for dating the novel?).

The hosts have been formidable at home all season, the sort of side who always give travelling opponents a vigorous encounter in Lancashire, and so the Spurs chief desperately needs to see some character, some fighting spirit from his team much like when his side went to places like Stoke and Fulham earlier in the season and grounded out priceless away wins, as this morale - battering sequence of results is threatening to ruin what had been, up until the end of 2010, a fantastic campaign which promised endless possibilities.

«Until we see the data it's hard to predict,» says Mary Clutter of the National Science Foundation, which helps support rice sequencing in the United States, «but if it's as [good] as reported, that's fantastic.»

Along with that there are the quite stunning underground machines of the «Krell» which are again a combination of some fantastic matte painting work set against live action, again the forced perspective really tricks the eye (these sequences look like Duck Dodgers).

And although the movie suffers from a rather anticlimactic final stretch - the narrative peaks with a fantastic crash sequence that leaves one of the protagonists badly injured - Rush ultimately stands as a satisfying biopic that gets the job done efficiently and without much fanfare (ie Howard clearly isn't looking to reinvent the wheel here, so to speak).

The sequences where Aykroyd gets his teeth capped and the fight against the «Rancor» type monster in the finale are fantastic examples of bad / good effects.

The production design is fantastic and the action sequences extremely well done, particularly the brilliantly handled climactic battle and the film has a great deal of momentum that meant I enjoyed it more and more as it went on.

Suffused with fantastical elements, dreamlike sequences and hallucinatory images, A Fantastic Woman stars Daniela Vega, a trans actress, and her performance roots the film in a kind of intimate verisimilitude.

Lots of great fight sequences, lots of gratuitous nudity (all skinny up and down women but hey, you can't have everything) and the piece de resistance, THE BEST BADDIE BEST ACTED BADDIE I've seen in many a year, in the fantastic Ulrich Thomsen as Kai Proctor.

There is a fantastic 20 - minute or so mind - bending sequence of events toward the end of the film that will leave you glassy - eyed and scratching your head in wonder.

With a fantastic editing team (there's a sequence set to Nina Simone's «Sinnerman,» of all things, that is perfectly conceived and executed), he breaks «Hunt for the Wilderpeople» up into chapters, making it feel almost like a memory or the story that an adult Ricky is telling his kids later in life.

Filmmaker Blayne Weaver does a fantastic job of immediately luring the viewer into the proceedings, as the writer / director kicks things off with a fantastically entertaining sequence in which Sylvia launches into a vicious on - air tirade against Harmon's smug character.

There are scenes where Jolie and Pitt sizzle, and there are some moments of fantastic scripting, where the violence and gun battles become something more than just great action sequences... they become commentary on the process of working out one's differences with another.

The motorcycle chase sequence in Istanbul, the train top fist fight, and the underwater scuffle are all fantastic, but it's the scene where Bond goes head - to - head with an enemy in a Shanghai glass skyscraper that's easily the most mesmerizing of all.

«Fantastic 4: Comic Book to Film» (3:50) is an unnarrated montage that simply compares certain sequences of the film to their direct print inspirations, using split screens and cross-cutting.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

Most of its delights come from the visual components, from the editing, to the cinematography, and, of course, the fantastic choreography and execution of the fight and chase sequences.

Wahlberg, though, is again is a great sport (one sequence will be met with tears, happy or sad) and once again enjoys fantastic continued chemistry with MacFarlane, which is still mightily impressive considering he acts with nothing most of the time, and reafirms his abilities for both comedy and self - parody.

However, with a film like this where even though each of these set pieces start out with these songs they always expand into these elongated tap dance sequences which I'm sure are fantastic for dance films, but something about them just feel repetitive.

The sequence definitely echoes The Terminator (1984) and Terminator 2: Judgement Day (1991), which looks fantastic, my only concern will be trying to keep all of the time paradoxes straight.

A.O. Scott, The New York Times: «This Fantastic Four, directed by Josh Trank from a script he wrote with Simon Kinberg and Jeremy Slater, feels less like a tale of superhero beginnings than like a very long precredit opening sequence.»

Editing is of paramount importance in documentaries, and some of the sequences here are fantastic.

It's a nice tease of what to expect from Streep's dark portrayal, and it comes in the middle of an extended dinner sequence that acts as the fantastic dramatic centerpiece of the film.

With the sequence where Fink crushes the mosquito, the film moves from social comedy into the realm of the fantastic.

The screenplay, by the suddenly - ubiquitous Simon Kinberg (also the scribe behind the upcoming X-Men 3, Fantastic Four, and Mr. and Mrs. Smith — let me go on record first saying that this film does not bode well), is a foul compost of flaccid catchphrases and boggle - eyed declarations, squeezed like old cheese between action sequences so poorly conceptualized and executed that not only is it impossible to ever tell for a moment what the hell's going on, but the film also actually reminded me in its over-processed way of outtakes from Tron.

The Good, The Bad, The Weird is a fantastic blend of absorbing action sequences, beautiful cinematography, strong performances, and a dash of lighthearted comedy.

Fans of Harry Potter could expect some breathtaking action sequences and stunt work in «Fantastic Beasts» similar to the «Harry Potter» movies.

One of my most fulfilling theatrical experiences at Fantastic Fest was Cub, which delivered on every promise that it made to you in the opening sequence.

In the remarkable animated sequence that dominates the second half of the film, Who Framed Roger Rabbit, the Fleisher Brothers, Fantastic Planet, Looney Tunes, Ralph Bakshi, and Yellow Submarine collide into a psychedelic experience unlike anything seen on screen before.

Payne still loves skewering middlebrow banality and, after an early lab sequence that plays like a dorky update of 1966's «Fantastic Voyage», the filmmaker brings on his best joke: the boyish face of Matt Damon.

The movie does it have its moments, however, the exceptional acting from Walter Goggins (Diablo, 2015), the fantastic score from veteran composer, Ennio Morricone, and several great sequences of action and banter written by Tarantino.

Despite «The Expendables 3» being neutered by the PG - 13 rating and replacing most of the established Expendables with a younger generation, it still had some fantastic action sequences.

If the very survival of poise in Lubitsch was always involved with simultaneously fueling and controlling the fires of emotion, in Edwards the impeccable precariousness of comic order often finds expression in thriller elements, as in a masterly post-credits robbery sequence that is tense, fascinating, as beautifully machined as the fantastic caper itself — and funny too, in a thoroughly distinctive alliance of the giddiness inherent in breathbating suspense and the melodramatic effectiveness of slapstick violence.

Filmmaker Brillante Ma Mendoza does a fantastic job of alienating the viewer right from the get - go, as Sapi kicks off with a series of hopelessly uninvolving sequences set within a television station - with the emphasis placed on such mundane events as a meeting over ratings and a tour for important guests.

There are plenty of great and entertaining characters, and, of course, a multitude of fantastic action sequences that deliver all the excitement you could want from a film like this.

The DTS - HD Master Audio 5.1 mix is likewise fantastic, especially in the muscular presentation of the film's many musical sequences; the immersive effect is potent, whether by music or environmental effects.

There are also multi-angle animatic - to - scene studies of various special effect sequences (Fantastic Four hit by cosmic storm, Brooklyn Bridge, Ben hits Johnny, Reed and Doom fight, Johnny chased by missile and The Thing and Doom fight).

The MPAA rated Fantastic Four PG - 13 for sequences of intense action, and some suggestive content.

All of the big names involved deliver some fantastic performances, the action sequences are tightly shot and edited to maintain a gripping amount of intensity, and you're never quite sure where the plot is going.

The action sequences are fantastic, but the story of David Webb is not nearly as interesting as discovering who exactly is Jason Bourne.

I really enjoyed this film, which has two fantastic extended chase / action sequences — one with Lloyd provoking all the street thugs he can find into chasing him right into the mission (where he wins their loyalty by nonchalantly passing the collection plate to rid them of stolen jewelry before a police search), the other with Lloyd trying to corral a group of five drunk friends and get back to the mission for his wedding.

Allowing students to proceed through courses, and even the whole K — 12 sequence, at their own pace is a fantastic idea and will be a particular boon to high - achieving, low - income students — kids who have been neglected in the age of standards.

These lengthy scenes in MGS2 are a relative smorgasbord of quality, sometimes offering tense, engrossing and tightly written sequences that deliver the often convoluted plot filled with backstabbing, betrayals and insanity in a fantastic way, but more often than not delivering nothing more than a half - hour of complete tedium and poor dialogue.

Undiscovered temple ruins, vast karst caverns of Central America, legendary lost cities, fantastic action sequences, and of course, Mr. Nathan Drake himself bring this complete Uncharted experience to PS Vita.

The new developer diary takes a look at some of the fantastic sequences from The Witcher 3: Wild Hunt with comments... Read more

Everything we've seen of Uncharted 4: A Thief's End so far has been utterly fantastic, with the action sequence shown during E3 2015 representing a particular highlight.

In homage to the platforming mechanics of the trilogy, there are also some fantastic Parkour sequences that will likely cause every Prince of Persia fan in the audience to have a violent nerdgasm.