Sentences with phrase «fantasy film as»

Following up his performance in Dawn of the Planet of the Apes, in which he played Koba, Kebbell stars in director Duncan Jones «fantasy film as Durotan, a noble orc more interested in peace than war.

Not exact matches

Apparently, the kind of «robot takeover» envisaged by films such as The Terminator is not just sci - fi fantasy.

Deniers, as both Lipstadt and Vidal - Naquet show, seem to have an endless supply of polemical tricks and dodges: they simply discount Jewish testimony out of hand as lie or fantasy; inculpatory testimony from the Nazis themselves is said to have been coerced by the triumphant Allies; documents confirming such testimony are said to be forgeries; Nazi statements and memoranda about the Final Solution are taken at face value if they are euphemistically phrased, but are interpreted as hyperbolic or figurative if they are blunt and explicit; photographs and films of executions are dismissed as fakes.

The likelihood of this wine embodying my rich fantasy life as a beach party film star was low, and yet, it delivered.

To briefly sum up his thoughts, he described this film as a depiction of a middle - aged man who prefers to live in fantasy and who chases an unattainable ideal across the globe, only to realize this figment of happiness is a creation of his own feelings of cowardice and insecurity.

As you may have guessed, this fantasy - drama is filmed here in Vancouver,...

Editor Emmanuelle Alt's cover is so soft and Technicolor dreamy it might as well be a still from a fantasy film, but Sasha looks stunning.

As the site says, «Our collective visual past includes Iron Curtain dreams and fantasies shading the walls with past motifs in Eastern European film and Cinema Verite.»

But ever since the 1967 film The Graduate solidified it as the ultimate fantasy for young men and countless parodies have followed in its wake.

Scotland About Blog This is the Official Website of Joanne Rowling, who writes under the pen names J. K. Rowling and Robert Galbraith, is a British novelist, film and television producer, screenwriter and philanthropist, best known as the author of the Harry Potter fantasy series.

And, as a non-reader of the J.K. Rowling books (I'm saving them to read with my daughter when she's old enough) and a non-aficionado of the fantasy genre, I find at least some stretch of every Harry Potter film arcane and a bit dull (usually the parts involving magician - vs.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

The film is on a fine line between fantasy and thriller with an element of sexual fantasy running through the plot for young teenage girls, nothing strong, think along the lines of «Twilight» teenage angst mixed with «Cursed» or a little bit of «Ginger Snaps» but not as in your face as those films, there is still an enjoyable werewolf film here.

As examples of fantasy filmmaking, as opposed to relics of worship, the «Harry Potter» movies do not, except in snatches, have the lyrical wonderfulness and visionary power that I associate with the finest examples of childhood imaginings on film — the animated films of Hayao Miyazaki («Spirited Away»), for example, or «The Black Stallion» or «The Red Balloon» or Alfonso Cuarón's «A Little Princess.&raquAs examples of fantasy filmmaking, as opposed to relics of worship, the «Harry Potter» movies do not, except in snatches, have the lyrical wonderfulness and visionary power that I associate with the finest examples of childhood imaginings on film — the animated films of Hayao Miyazaki («Spirited Away»), for example, or «The Black Stallion» or «The Red Balloon» or Alfonso Cuarón's «A Little Princess.&raquas opposed to relics of worship, the «Harry Potter» movies do not, except in snatches, have the lyrical wonderfulness and visionary power that I associate with the finest examples of childhood imaginings on film — the animated films of Hayao Miyazaki («Spirited Away»), for example, or «The Black Stallion» or «The Red Balloon» or Alfonso Cuarón's «A Little Princess.»

MovieMan, In Pan's Labyrinth it didn't bother me, because the Spanish Civil War was approached more like an atypical backdrop for a fantasy movie, unlike in District 9, where the film purports itself to be an allegory by having Johannesburg as the setting.

However, if Krasinski's film is such a response, as an unconscious and confused one it does not treat these conditions helpfully, merely turning them into the basis for a murky fantasy.

It's an escapist fantasy film that more or less works as solid spectacle entertainment.

There is real wisdom and honesty in every moment of the film, and that's refreshing in a genre that is built largely on fantasy every bit as disconnected from our reality as any superhero film.

A violent fantasy set during the Spanish Civil War, this magical film from Guillermo del Toro manages that intellectual high - mindedness, even as it resonates on a primal, mythic level.

The best - selling novel by J.K. Rowling (titled Harry Potter and the Philosopher's Stone in England, as was this film adaptation) becomes this hotly anticipated fantasy adventure from Chris Columbus, the winner of a high - stakes search for a director to bring the first in a hoped - for franchise of Potter films to the screen by Warner Bros..

Following a substantial role in the independent romantic comedy Better Than Chocolate (1999), Crewson seemed to be on the verge of adding another hit to her resumé as one of Robin Williams» original owners in the fantasy Bicentennial Man (1999), but the film failed to live up to box - office expectations.

The old Flash Gordon and Buck Rogers serials were not science fiction, the «alien invaders» flicks of the 50s were likewise fantasy, and it continues today with such non science fiction films as Independence Day, Red Planet and Event Horizon trying to claim a genre title of which they are not worthy.

7 Boxes is both a tense and frightening crime film as well as a sometimes - dreamy evocation of life in the sprawling underclass, its hallucinatory aspects, its chaos and violence, its fantasies.

I think it would be a great idea to have more diversity of content in this site (an early review of Beloved was a pleasant surprise some weeks ago) but right now the balance is definitely in favor of sci - fi, fantasy, horror, action, and some crime films created for a demographic probably best described as «geek».

Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.

This has the same adolescent fantasy plot devices as Run, Lola, Run, but that film was more of a festival / music video peice of fun.

The first half of the film shows the change in Tom Hank's character as he gradually begins to cross the line between fantasy and reality.

We experience the delay of the fantasy of the happy old couple in their country home in cinematic time as, for most of the film, the only body these lovers have is the spellbinding combination of visual fragments serving as apparitions to their voices.

For our first show of 2018, we welcome writer and critic Dr Eloise Ross, who joins us as we check out some of the key films from this month, including Steven Spielberg's paean to press freedoms The Post (01:04), Guillermo Del Toro's dark romantic fantasy The Shape of Water (05:46), Don Hertzfeldt's animated science fiction sequel World of Tomorrow Episode 2: The Burden of Other People's Thoughts (10:23), and Ridley Scott's Getty dynasty biopic All the Money in the World (13:16).

With vast mountain terrains and theatrical music, the fantasy film feel is only enhanced by the voice - over by British actor Charles Dance, best known for his role as the uncompromising Tywin Lannister in Game of Thrones.

Akira's popularity obscures the finest examples of the medium, films that manage to balance serious metaphysical musing with actual forward momentum (the two Ghost in the Shell films, for instance); to tell adult tales in affecting ways (Grave of the Fireflies); to redefine genre thriller (Perfect Blue), action (Ninja Scroll), and fantasy (Princess Mononoke); and to present children's fables as artifacts that are as useful for adults as they are for kids (Spirited Away, My Neighbor Totoro).

I really enjoyed using the assault rifle which once again channeled my inner - Aliens film fantasy and the shotgun was another enjoyable weapon to use as I blasted these alien creatures away.

In the midst of all the franchises coming from studios today, there's one unlikely collection of films that has just as loyal and rabid a fanbase as any comic book, young adult or fantasy series.

David Ayer's fantasy blockbuster, which stars Will Smith and Joel Edgerton as a human - orc cop duo, was met with mixed reviews from critics, but Netflix is confident in the movie's franchise potential, with Bloomberg reporting that a sequel had been given the green light before the film had even been released.

Even horror - fantasy elements are mixed in, as if the very common occurrences within the film are the result of witchcraft or meddling supernatural forces, further diluting an already farfetched film to the breaking point of absurdity.

Try if you'd like to judge this simply as an adaptation (a measure it still fails), but it is impossible not to view Burton's movie as a wildly inferior remake of one of the most spectacular fantasy films ever made.

These are the moments where the film's truth reveals itself, as it shows us the struggle that exists between fantasy and reality.

The Witch Who Came from the Sea is a rape - revenge fantasy couched self - consciously in Jungian / Freudian symbolism, going so far as to illuminate the castration mythology ancillary to Botticelli's «Birth of Venus», giving the film its name and Molly both her modus operandi and inspiration.

Ignoring the absurd idea that somehow the Korean resistance to the Japanese was a key to the winning of the war (which the film explicitly states at one point), the creation of noble resistance heroes (even when sometimes compromised) versus the evil Japanese villain is pure escapist nonsense that passes itself off as realism instead of the Tarantino-esque fantasy it actually is.

Unfortunately, by ditching the high ground in favor of not - especially - convincing theatrics, the potency of the film becomes diluted to the point where we're viewing the infiltration of these secret cell groups as a fantasy, and therefore don't buy many of their tactics and plausible enough to keep us on the same edge we'd be teetering on if we felt the authenticity through and through.

In this rapidly changing industry, genre film remains a strongly communal experience, as horror, sci fi, fantasy and cult films continue to flourish under the banner of event cinema.

In its prime, Searchlight could walk into any major film festival as every filmmaker's fantasy buyer, knowing that it could scoop up whatever it wanted.

«Revenge» is the film we need right now, from a filmmaker we need right now: French writer / director Coralie Fargeat, who makes her stunning feature debut with a rape - revenge fantasy that's as brutal as it is thrilling.

His previous films alternate between Spanish - language dark fantasy pieces, such as The Devil's Backbone (2001), and Pan's Labyrinth (2006), winner of three Academy Awards; and American studio movies, such as the vampire superhero action pic Blade II (2002), the supernatural adventures Hellboy (2004) and Hellboy II: The Golden Army (2008); and the sci - fi monsters - versus - robots film Pacific Rim (2013).

Jaromil Jires» 1970 Czech New Wave classic delves into the subconscious of a 13 - year - old girl, which takes her through a fantasy realm, but reflects the adolescent experience as well as any coming - of - age film ever made.

His films tend to focus on men who overcome massive logistical odds to envisage their fantasies, men such as the charismatic wire - walker Philippe Petit who danced between the Twin Towers in Man on Wire, or Stephen Hawking, whose physical impediments proved no barrier to intellectual path finding in The Theory of Everything.

A protégé of Dario Argento who matured to develop a unique style of his own while at once carrying the tradition of such Italian horror icons as Mario Bava and Riccardo Freda, Michele Soavi almost single - handedly kept the slumping Italian horror / fantasy tradition afloat in the 1990s with his strikingly original philosophical zombie film Dellamorte, Dellamore (1994).

In the case of Pacific Rim, apparently not much as director Guillermo del Toro seems determined to make sure the film does not to come across seriously, which is disappointing considering del Toro's background making both dark fantasy films with political allegories and creative comic book adaptations.

As writer and director, Lucas unabashedly uses «Star Wars» to pay tribute to all the grand adventure films ever made, be they westerns, swashbucklers, fantasies or space operas.

As the 1990s went on, Lister played roles in a more varied assortment of films, including the quirky Johnny Depp / Marlon Brando / Faye Dunaway romantic fantasy Don Juan DeMarco (1995) and the Quentin Tarantino - wannabe noir Things to Do in Denver When You're Dead (1995).