The soundtrack is recognizable as
a fantasy film score, but because it's Desplat, it continues to take you places you wouldn't expect.
Not exact matches
Composer Mark Mothersbaugh's synth - laden
score captures the vibe of»70s and»80s sci - fi
fantasy films effortlessly.
In almost every facet of production, from wardrobe and costume design to the
film's
score, Coogler's Black Panther takes that thread of power and spins it into a diaspora's
fantasy.
The legendary horror master John Carpenter, who is
scoring Blumhouse's new Halloween
film, will also do the
score for Pablo Aragüés» upcoming Spanish
fantasy thriller flick 1,200...
BEST ORIGINAL
SCORE FOR A
FANTASY / SCIENCE FICTION
FILM The Chronicles of Narnia: Prince Caspian, music by Harry Gregson - Williams City of Ember, music by Andrew Lockington Hellboy II: The Golden Army, music by Danny Elfman Inkheart, music by Javier Navarrete The Spiderwick Chronicles, music by James Horner
It also might not be «
fantasy» any longer for us to envision composer Howard Shore earning an Oscar nomination for
scoring a non-
fantasy film.
As you would expect, the main menu showcases a montage of scenes from the
film set to grand
fantasy score.
What follows in both Gibson's
film and Fulci's is a period
fantasy leaking blood and viscera,
scored with drama and shot in operatic slow - motion: tales of martyrs and heroes, of battles against the unclean (more suggested in Gibson's
film as a steely - eyed, newly - risen saviour gets ready to rock), and, in their different / same ways, reduced to the barest elements of conflict - action - resolution, repeat.
Its
score (by Hans Zimmer) and stylish slaughters could be out of any medieval or
fantasy battle
film.