Sentences with phrase «fantasy film where»

They look very real but also somewhat out of place as if they are from another world or fantasy film where order and disorder come together.

Disney has hired the director to helm the fantasy film where Peter Pan and a young girl protect a mysterious treasure.

Not exact matches

Most Bledon is known for the fantasy film «The Adventures of a White Horse and a Boy» which was a particular success in the USSR, where it was released under the title «The Golden Belt».

In the ten years since Rings, cynicism seems to have grown exponentially, especially online, where fans and haters from all over the world congregate to determine the worth of a film, and certainly a big budget 4,000 - theater holiday season fantasy film.

MovieMan, In Pan's Labyrinth it didn't bother me, because the Spanish Civil War was approached more like an atypical backdrop for a fantasy movie, unlike in District 9, where the film purports itself to be an allegory by having Johannesburg as the setting.

Following the series» demise in 1991, Helgenberger returned to television guest - star status on ER, where she had a four - episode - long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature - film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000).

This is where you'll find the best mind - bending sci - fi, out of this world fantasy, and bloody good horror films all hours of the day... and night — in jaw - dropping High Definition and crisp Dolby Digital 5.1 surround sound.

Yet like the thunder god himself, the film is stuck between two worlds: the one where you want to tell a lively fantasy - adventure story, and the one where you have to make it tie in with the other movies.

These are the moments where the film's truth reveals itself, as it shows us the struggle that exists between fantasy and reality.

Unfortunately, by ditching the high ground in favor of not - especially - convincing theatrics, the potency of the film becomes diluted to the point where we're viewing the infiltration of these secret cell groups as a fantasy, and therefore don't buy many of their tactics and plausible enough to keep us on the same edge we'd be teetering on if we felt the authenticity through and through.

Resnais constantly blurs the line between fantasy and reality shifting the actors from the couch where they watch the filmed play so that they take an active role within stylized dreamlike scenes, where the fiction of the play becomes their reality.

At first the film is played out as a fantasy where you are almost certain that you are going to discover that Hesher is a figment of the boy's imagination.

The new Netflix film has been touted as a gritty urban fantasy, where humans and orcs are entangled in a bitter species war on the streets of Los Angeles.

When: February 26th Why: Alex Proyas» CGI - driven fantasy film has so many things going against it that it's difficult to know where to start.

Zardoz (Twilight Time, Blu - ray) is one of the most fascinatingly misguided sci - fantasies of the seventies, a truly strange social satire with counterculture echoes: think of Brave New World by way of The Wizard of Oz (which is where the film gets its title).

Reality and fantasy also mix in films Jumanji and Zathura, where board games come to life.

Synopsis: The film is set in a fantasy world where the four elements of earth, air, water, and fire can be controlled through martial arts called bending, and the ruthless flame - manipulating Fire Nation is waging war to control the other nations of the world.

From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades of film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.

Creating a space where dreams, reality, fantasy, politics, fiction, non-fiction and other seemingly disparate concepts intermingle with one another, the film is a serene, meditative experience where anything feels possible.

The film zooms forward 20 years to show us a world where the computer graphics have advanced ro a state where an entire imaginary animated world has been constructed where people live out their fantasies.

And it invests Mowgli with a touch of optimistic environmentalist fantasy: where human mastery of fire and tools was presented in earlier films as a threat, and Mowgli's fated exit from the jungle as an unfortunate necessity, in this film the boy is shown using his ingrained ingenuity to solve problems beyond the capabilities of his animal pals, as when he builds a rappel and pulley system to help Baloo claim honey from a cliffside beehive he's been coveting.

Lelio and Rebecca Lenkiewicz, who both co-adapt the film from the novel by Naomi Alderman, find the connection between the real and the unquestionably exhausting fantasy of where we are supposed to be in this world.

It's certainly a darker turn for the character on film, but still set within a fun fantasy environment, where bullets fly and hit their targets, sans blood or damage, and the victims ham up their death throes.

Not the American action movie maker but the creator of The Devil's Backbone and Pan's Labyrinth, Spanish horror films of dark fantasy where the supernatural and the otherwordly are beautiful and horrible and terrifying but largely benign.

This is where the film leaves the realms of the real for good and becomes much more enjoyable as a fantasy genre exercise, a display of muscles and cinematic violence.

While the pace is slowed and the characterizations enjoy some challenging obstacles, Deathly Hallows remains a tremendously engaging fantasy film, with a few comedic beats from Grint that bring laughs, a show - stopping midsection where the team infiltrates the Ministry of Magic (production designer Stuart Craig outdoes himself here) after downing some Polyjuice Potion, an animated sojourn that explains the origin of the titular elements, and a revival of romantic business with an appearance from Ginny Weasley (Bonnie Wright).

From the producers of the Harry Potter films, but much darker, the story centers around a socially disconnected girl named Barbara Thorson (Madison Wolfe) who lives half in reality and half in a fantasy type world where she battles giants.

There's no fruit in looking at Conquest as a Christ parable, but there's endless fruit in looking at The Passion of the Christ as a big - budget version of an exploitation / snuff film, packed to the rafters with disturbing suggestions about societal order (gays suffer a lot at the hands of Gibson's fantasies — women, mostly, at Fulci's), and flying in under the radar of social acceptability where Fulci's films have been relegated to the fanatic's collection and the last independent movie store in your state.

The film stars Karl Urban, James Marsden, Wentworth Miller, Eric Stonestreet, and Matthias Shoenaerts as five married friends who share a secret penthouse where they can cheat on their wives and indulge in whatever fantasies they chose without leaving a paper trail.

Working with his most trusted collaborator, Denis Lavant (who turns in an Oscar - worthy performance), Carax sets Holy Motors in a cinephile's wet dream fantasy land, where a man pops in and out of various characters, various stages of film history, and multiple storylines revolving around love, loss, family, and coming home.

Like Aliens retooled as a militant librarian's fantasy, actor - director John Krasinski's relentlessly effective horror film thrives on a nifty premise: In a post-apocalyptic world, a family holes up in a farmhouse and tries to survive in a countryside where the slightest sound brings out deadly monsters.

At its heart, the film is a classic oil - and - water buddy comedy but set against a unique, animals - only fantasy world where predator and prey live in harmony.

And what he did was reinvent the horror film, by producing eerie, suspenseful «fantasy» and psychological stories, where the violence, if any, takes place off - screen.

It is a fantasy scene that takes place in Monument Valley, where John Ford shot his great Westerns, and indeed the one film that Emilia and her mother mention in the movie is «Stagecoach.»

«La La Land» isn't the most original story — it borrows from all the classics, like «Singin» in the Rain,» «An American in Paris» and «A Star is Born» — but while the film treads very familiar ground, Chazelle freshens it up with some delightful song - and - dance numbers that attempt to redefine the movie musical, including one where the two lovers literally dance among the stars that toes the line between fantasy and reality.

You also added fantasy sequences towards the end of the film where Julia's character is remembering her former life with her husband, these scenes were not in the book so could you talk about the importance of adding them in order to make the film work?

Sophie Robinson's new film works explore where the «real» collides with fantasy.

When taking the photos I felt the same as when viewing a film where a director and actress share a deep connection to the fantasy captured.

Los Angeles, where she was born, has been a huge source of inspiration in her work, both in terms of subject - matter — fantasy, isolation, tribulation — and in the way she utilizes the movie industry in order to create her films and photographs.

According to the Baltic in Gateshead, where her work is currently on show, «she draws upon historical film, photographic archives and collections of artefacts to generate fantasy episodes».

Los Angeles, where she was born, has been a huge source of inspiration in her work, both in terms of subjectmatter — fantasy, isolation, tribulation — and in the way she utilizes the movie industry in order to create her films and photographs.

According to the Baltic Gallery in Gateshead, where Price exhibited earlier this year, she «draws upon historical film, photographic archives and collections of artefacts to generate fantasy episodes».

The action film is set in a modern fantasy world where elves, humans, and orcs live alongside one another, but it only alluded to the larger world that drives much of the story.